Our Jamaica - 9/4 to 11/8   
Place/Show Only - R6 Qt Gold Coast Hcp (c3) - GOLD COAST (AUS)
          Our Jamaica - 9/1 to 6/1   
Win Only - R6 Qt Gold Coast Hcp (c3) - GOLD COAST (AUS)
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Jamaica 1956 Helyi motívumok 6é - Jelenlegi ára: 1 Ft   
pecsételt sor a képen látható állapotban
6 érték (a teljes sor 16 értékből áll)
Michel 162-től
Jamaica 1956 Helyi motívumok 6é
Jelenlegi ára: 1 Ft
Az aukció vége: 2017-07-01 17:23
          T&T pick up three early CCCAN swim medals   

The brother and sister pair of Graham Chatoor and Jada Chatoor as well as Arielle Dickson picked up the first set of medals for T&T when the swimming segment of the Central American and Caribbean Swimming Confederation Championship continued at the National Aquatic Centre, in Balmain, Couva, yesterday.

In fact, Jada Chatoor was the first medal winner for T&T in the pool when she touched the wall with the second fastest time of nine minutes, 18.10 seconds in the 13-14 Girls 800m freestyle Time Trial finals on Wednesday night.

Honduran Michelle Ramirez won gold in 9:16.06 minutes while Costa Rican Daniela Alforo was third in 9:21.43 with T&T’s other entrant Jahmia Harley, 12th in 10:06.66.

In the 18 & Over Girls event, T&T duo Shania David (10:42.67) and Megan Charles (11:17.38) were sixth and seventh respectively while in the 15-17 equivalent, Sabrina David was eighth in 10:23.97.

Graham Chatoor was third home in the 15-17 Boys 1500m freestyle in 16:47.68 behind Puerto Rico’s Alexis Soto (16:17.46) and Panama’s Andres Lares (16:31.79) while countryman Gabriel Bynoe was sixth in 17:58.27.

T&T’s Delroy Tyrrell was seventh in the 13-14 Boys 1500m freestyle in 18:16.50 while in the 18& Over splash, Aleem Mohammed (18:46.24 mins) and Aaron Acres (19:52.26 mins) ended seventh and eight respectively for the host country.

In the morning session, Dickson raced home in third spot in the 11-12 Girls 200m breaststroke final, in three minutes, 09.96 behind Jamaican Sabrina Lyn (3:03.89) and Grenada’s Mia Neckles (3:04.26).

USA-based top T&T swimmer and FINA World Championship-bound, Dylan Carter of the University of Southern California also made a grand start to the competition.

This after Carter, competing in the 18 and Over Boys 100m butterfly heats smashed a 14-year-old record.

Carter touched the wall in 53.87 seconds well below the 2003 mark of Joshua IIika of 54.94 while team-mate Christian Awah also qualified for last night’s final in sixth place, with a time of 57.87.

In all T&T swimmers, secured 27 individual spots in finals last night while the 11-2 mixed freestyle 200m relay team also booked a place in its final. The quartet of Zarek Wilson, Zoe Anthony, Kadon Williams and Savannah Che-Wah clocked 1:53.59 under the 2015 record of 1:54.99 set by Barbados and behind fellow record breakers, Bermuda (1:51.42) and Jamaica (1:51.54).

Swimming continues today with heats from 9 am and finals from 5.30 pm until Sunday while synchronised swimming and diving also continue at the same venue from 4 pm and 9 am respectively.


          Warner: Why is US Soccer absolved?   

Former FIFA vice-president Jack Warner has told The Times that the Garcia report into corruption around the 2018 and 2022 World Cup bids is “not even worth the paper it has been written on” and questioned why U.S. Soccer was absolved after he and Sepp Blatter met President Barack Obama.

The report, produced by American lawyer Michael J. Garcia in 2014 but only released in full this week, said the England 2018 World Cup bid team was found to have “accommodated or at least attempted to satisfy the improper request”of executive committee members, including Warner, ahead of the voting in 2010.

The United States’ effort to host the 2022 World Cup, meanwhile, was found to have generally followed FIFA’s bidding rules.

Warner, who was arrested and charged as part of the FBI’s probe into money-laundering in 2015 and then banned from taking part in any football-related activity for life, told the English newspaper in an email that he continues to “sleep very soundly” following the report’s release.

He wrote in an email: “For me the report is not even worth the paper it has been written on and of course not the whopping fee paid for it either. As it relates to me personally, I continue to sleep very soundly at nights for nothing in the report implicates me personally in any sleaze.”

The investigation found that Warner had requested England 2018 to find his “adopted son” Richard Sebro, a man with no obvious football credentials, a job with Tottenham, then at Wembley, before moving to Aston Villa.

Other favours granted to Warner were the waiving of a £168,000 debt owed to the Football Association by the Jamaican Football Federation and the sponsorship of a £36,000 Caribbean Football Union gala dinner.

Undisclosed “favours and benefits” were also granted by the FA to a team Warner owned — Joe Public Football Club.

Warner told The Times that all the requests he made to the English FA were “for other persons or entities and never for my family or me.”

He also questioned the decision to absolve the U.S. bidding team, citing a visit that he and then FIFA president Blatter had made to the Oval Office in 2009.

He wrote: “I have also taken note that the American investigator has absolved the US Soccer Federation and I ask myself how come? Was this not the same USSF that facilitated a visit to the White House for Sepp and me to meet Obama? How do you characterise that?

“Was this not the same USSF that arranged for [then Confederation of African Football president Issa] Hayatou and his Ex Co members to do the same? But then again this is the US that I guess determines if you fall, live or die.”

Meanwhile, the Serious Fraud Office in the United Kingdom is analysing the Garcia report.

The decisions to award Russia the 2018 World Cup and Qatar the 2022 edition have been dogged by allegations of bribery and corruption since they were made in December 2010.

An SFO spokesperson said: “The SFO is reviewing the Garcia Report. We can make no further comment at this stage.”

Confirmation of the SFO’s interest comes 20 months after its director, David Green, told MPs of potential money-laundering offences, including a payment of 500,000 Australian dollars (£295,000) made by the Australia 2022 bid committee to former CONCACAF president Warner, which may have gone through London.

At the time, Green, who was giving evidence to the Culture, Media and Sport select committee, said the SFO “cannot touch FIFA with the Bribery Act as things stand” as it became law in July 2011 and most of the World Cup allegations took place before then.

In October 2015, the SFO had a team of five going through more than 1,600 documents provided by the FA relating to England’s failed 2018 bid.

ESPNFC.com


          Eating the Globe: Syria   

I was in San Francisco for work and celebrated a productive morning with an out-of-the-way lunch. This is Palmyra.

I got the Kibbi platter, which consists of:
Four shells of mashed cracked wheat stuffed with ground beef, sauteed onions, and pine nuts served with a side of hummus, cucumber salad, pita, garlic sauce, and hot sauce.

The kibbi was/were delicious. Not greasy or heavy at all. My only complaint was that it only came with four pieces.

Countries tried so far:
Africa: Algeria, Egypt, Eritrea, Ethiopia, Madagascar, Morocco, Nigeria, Somalia, South Africa
Asia: Afghanistan, Armenia, Bangladesh, Bhutan, Burma, Cambodia, China, Georgia, India, Indonesia, Iran, Iraq, Israel, Japan, Jordan, Kyrgyzstan, Laos, Lebanon, Malaysia, Maldives, Mongolia, Nepal, North Korea, Pakistan, Philippines, Singapore, South Korea, Syria, Taiwan, Thailand, Turkey, Vietnam, Yemen
Europe: Albania, Belgium, Bosnia, Bulgaria, Czechia, Denmark, Finland, France, Germany, Great Britain, Greece, Hungary, Iceland, Ireland, Italy, Lithuania, Norway, Poland, Portugal, Russia, Slovakia, Spain, Sweden
North America: Belize, Canada, Cuba, El Salvador, Guatemala, Honduras, Jamaica, Mexico, Nicaragua, Trinidad & Tobago, USA
South America: Argentina, Brazil, Chile, Colombia, Ecuador, Paraguay, Peru, Venezuela
Oceania: Australia, Fiji, Samoa, Tonga
          Review: Alain Mabanckou’s “Black Moses”   
Marcus Garvey (1887-1940) was known as the Negro Moses because of his plans to take African-Americans back to Africa. Garvey’s life (he was born in Jamaica) and his attempts to start a shipping line to repatriate American Negroes is a sad story of hopes squashed because of Garvey’s limited skills for implementing his plan—plus the More
          Culture - Two Sevens Clash (40th Anniversary Edition) (2017)   

[center]
https://img117.imagetwist.com/th/16230/32sl77x5ymzn.jpg
[/center]
[center]
Artist: Culture
Title: Two Sevens Clash (40th Anniversary Edition)
Year Of Release: 1977/2017
Label: VP Music Group, Inc
Genre: Reggae, Roots/Lovers Rock
Quality: MP3 CBR, 320 kbps
Total Time: 1:25:52
Total Size: 196 MB
[/center]
One of the masterpieces of the roots era, no album better defines its time and place than Two Sevens Clash, which encompasses both the religious fervor of its day and the rich sounds of contemporary Jamaica. Avowed Rastafarians, Culture had formed in 1976, and cut two singles before beginning work on their debut album with producers the Mighty Two (aka Joe Gibbs and Errol Thompson). Their second single, "Two Sevens Clash," would title the album and provide its focal point. The song swept across the island like a wildfire, its power fed by the apocalyptic fever that held the island in its clutches throughout late 1976 and into 1977. (Rastafarians believed the apocalypse would begin when the two sevens clashed, with July 7, 1977, when the four sevens clashed, the most fearsome date of concern.) However, the song itself was fearless, celebrating the impending apocalypse, while simultaneously reminding listeners of a series of prophesies by Marcus Garvey and twinning them to the island's current state. For those of true faith, the end of the world did not spell doom, but release from the misery of life into the eternal and heavenly arms of Jah. Thus, Clash is filled with a sense of joy mixed with deep spirituality, and a belief that historical injustice was soon to be righted. The music, provided by the Revolutionaries, perfectly complements the lyrics' ultimate optimism, and is quite distinct from most dread albums of the period.
Although definitely rootsy, Culture had a lighter sound than most of their contemporaries. Not for them the radical anger of Black Uhuru, the fire of Burning Spear (although Hill's singsong delivery was obviously influenced by Winston Rodney), nor even the hymnal devotion of the Abyssinians. In fact, Clash is one of the most eclectic albums of the day, a wondrous blend of styles and sounds. Often the vocal trio works in a totally different style from the band, as on "Calling Rasta Far I," where the close harmonies, dread-based but African-tinged, entwine around a straight reggae backing. Several of the songs are rocksteady-esque with a rootsy rhythm, most notably the infectious "See Them Come"; others are performed in a rockers style, with "I'm Alone in the Wilderness" an exquisite blend of guitar and vocal harmonies. One of the best tracks, "Get Ready to Ride the Lion to Zion," is a superb hybrid of roots, rocksteady, and burbling electro wizardry; its roaring lion (created who knows how) is a brilliant piece of musical theater. "Natty Dread Take Over" twines together roots rhythms, close harmonies, and big-band swing, while even funk and hints of calypso put in appearances elsewhere on the album. Inevitably, the roots genre was defined by its minor-key melodies, filled with a sense of melancholy, and emphasized by most groups' lyrics. But for a brief moment, roots possibilities were endless. Sadly, no other group followed Culture's lead, and even the trio itself did not take advantage of it, especially after parting ways with Gibbs. When Culture re-emerged in the mid-'80s, they swiftly moved into a reggae lite/world music mode a world apart from where they started. Thus, Clash remains forever in a class all its own. [Shanachie issued a 30th anniversary edition of the album in 2007 that adds expanded liner notes and five extra tracks made up of dubs and 12" mixes.]
Tracklist:
01. Culture - Calling Rasta for I
02. Culture - I'm Alone in the Wilderness
03. Culture - Pirate Days
04. Culture - Two Sevens Clash
05. Culture - I'm Not Ashamed
06. Culture - Get Ready to Ride the Lion to Zion
07. Culture - Black Starliner Must Come
08. Culture - Jah Pretty Face
09. Culture - See Them a Come
10. Culture - Natty Dread Taking Over
11. Culture - Two Sevens Clash Prophecy Revealed (feat. Mr. Bojangles)
12. The Mighty Two - Fulfillment
13. Culture - I'm Not Ashamed Under Tight Wraps (feat. I Roy)
14. The Mighty Two - I Am Not Ashamed (Version)
15. Culture - See Them a Come Mask Mi Mask (feat. Prince Weedy)
16. Culture - Informer
17. The Mighty Two - Informer (Version)
18. Joe Gibbs & The Professionals - State of Emergncy
19. Shorty the President - Natty Pass His GCE
20. Culture - Natty Dread Taking Over Invasion (feat. I-Roy)
21. Joe Gibbs & The Professionals - Natty Gone Clear
--


          VP, Human Resources, Location: Jamaica - Scotiabank - Ontario   
Leads and oversees Human Resources in the Caribbean Central with oversight for the Caribbean North, ensuring business strategies, plans and initiatives are...
From Scotiabank - Tue, 27 Jun 2017 18:46:46 GMT - View all Ontario jobs
          Stingrays' Murack makes splash in 100 backstroke; Binstock, Nusbaum team up for bronze medal in Jamaica   
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          Het zomerlied van de dag: Ice MC - It's a Rainy Day   

het lied van de dag, ice mc, it's a rainy dayCampbell, beter bekend onder zijn alias Ice MC, is in Nottingham (Engeland) geboren op 22 maart 1965. Zijn ouders zijn afkomstig uit Jamaica. De eerste letters van voornaam en achternaam leverden hem de bijnaam Ice op. Nadat hij de school verlaten had, ontmoette Ian in 1983 een groep breakdancers waarmee hij door Europa reisde. Zijn muziekstijl kan omschreven worden als Eurodance, gekruid met Jamaicaanse reggae


          How to make a Kingston Negroni   
If you enjoy traditional Negronis, try this variant, which uses Jamaican rum, giving the drink a welcomed richness and funkiness.
          Courts Optical Jamaica Optical Services and Products   
Added: Jun 30, 2017
By: courtsopticaljamaica
Views: 3

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          Some Soccer News for Jun 30, 2017   
It's Day 181 of 2017.


Minnesota United's inability to win on the road goes back much further than this season. Last time they won any game on the road was Jun 1, 2016 in the US Open Cup at St Louis FC. Before that in NASL play it was Apr 10, 2016 at Edmonton. In 2015 they were just fine on the road. So what happened to this organization 14 months ago to change all this? Anything? Maybe nothing but the way the wind blows.

dN

After seeing 14 of the 22 MLS teams play this season I will say that New York City is the best attacking team (Atlanta #2) and Sporting Kansas City is the best defensive team (San Jose #2.)

dN

Liga MX Apertura kicks off on Jul 21

dN

Minnesota United

My MNUFC Notes:
  • Game Highlights [VIDEO]
  • Let me start by saying NYC is the best team I have seen this season.
  • Another rough night for the Loons. And again on the road. Outside of the ties at Colorado and Houston they have been pretty pitiful on the road. Its hard to watch at times.
  • And another goal for Ramirez. That's 10 this season.
  • On the goal Ibson fed JVenegas down the middle and JV cranked off a hard long range shot. NYC keeper Erik Johanen had a good bead on the ball but he bobbled it and Ramirez was the only one there to scoop it up and blast it over the prone keeper in to the net. Well done all around.
  • 1-1 at half time.
  • But again it was the 2nd half of the game that undid the Loons.
  • Cronin appeared to separate his shoulder in the 2nd half, but the doctor popped it back in to place and Cronin played on. Damn. I bet he needed Ibuprofen to get to sleep last night.
  • They should have subbed Cronin off immediately.
  • Minn made 1 sub, bringing on Jome for Ibarra in the 73rd.
  • I must keep asking, "What did Kadrii due or not due that keeps him glued to the bench?"
  • Lets say this: David Villa is incredible! But you can't let him beat 5 Minn players and the keeper while starting from the sideline all the way to goal and score. That was absurd.
  • Only after NYC got their 3rd goal and dropped off to secure the win did Minn get any real possession and apply pressure going forward.
  • Many of the Minn players put in good effort, but they simply were not good enough to compete. Too slow and a lot less desire to "want that ball."
  • It really seemed like NYC won every single 50/50 ball.
  • Taylor had a solid game. And made some big plays.
  • Here was my only tweet during the game:

  • There were a few moments of great interplay but again it ended at the top of the box.
  • And I am sure there were other good aspects of the game for Minn but I can't remember another one today.
  • That first away win for Minn still seems a long ways away.

Media:

Schedule/Results:
-Thu Jun 29
New York City 3-1 Minnesota
-Tue Jul 4
Minnesota v Columbus - 6:00pm CT on My29

Centerback Conundrum:
  • If Kallman remains out for next Tuesday then who plays centerback?
  • Calvo will be gone with Costa Rica (along with JVenegas.)
  • There is talk that Taylor could be gone with Jamaica.
  • Greenspan is out with a concussion.
  • That's it on the roster, they only have 4 centerbacks
.
A long article on the soccer life of Christian Ramirez. By Ives Galarcep for Goal.

dN

Sauce: du Nord Music Mix Vol 128 (download + extract)

dN

MLS

The story of the fall of Real Salt Lake. From Dell Loy Hansen to Jason Kries to Garth Lagerway to Bill Manning and all the way to Jeff Cassar. By Matt Pentz for ESPNFC.

There is a group of 6 teams at the bottom of the heap in MLS and they are all hard to tell apart game to game: Colorado, DC, Minnesota, Montreal, Philadelphia and Salt Lake.

Week 18 schedule/results:
(10 Games)
Thu Jun 29
New York City 3-1 Minnesota
-Fri Jun 30
Salt Lake v Orlando
-Sat Jul 1
Chicago v Vancouver
Dallas v Toronto
Kansas City v Portland
Montreal v DC
Columbus v Atlanta
Colorado v Houston
San Jose v LA
-Sun Jul 2
Philadelphia v New England

dN

USMNT

Friendly Schedule:
-Sat Jul 1
USA v Ghana - 3:45pm CT on ESPN
Pratt + Whitney Stadium - East Hartford

USA Gold Cup Roster
  • G: Brad Guzan - Atlanta United, Bill Hamid - DC United, Sean Johnson - New York City
  • D: Matt Besler - Sporting Kansas City, Omar Gonzalez - Pachuca, Matt Hedges - Dallas, Eric Lichaj - Nottingham Forest, Matt Miazga - Chelsea, Justin Morrow - Toronto, Jorge Villafana - Santos Laguna, Graham Zusi - Sporting Kansas City
  • M: Kellyn Acosta - Dallas, Paul Arriola - Tijuana, Alejandro Bedoya - Philadelphia Union, Joe Corona - Tijuana, Dax McCarty - Chicago Fire, Cristian Roldan - Seattle Sounders, Kelyn Rowe - New England Revolution, Kenny Saief - Gent, Gyasi Zardes - LA Galaxy
  • F: Juan Agudelo - New England Revolution, Dom Dwyer - Sporting Kansas City, Jordan Morris - Seattle Sounders

The place to watch the USMNT in the Twin Cities is Town Hall Brewery in the Seven Corners neighborhood of Minneapolis. They have some great rooms off the main bar with big TVs, and in the very back room a projection screen. Plus the staff is great, excited to see you, and the food is top notch. My beer drinking friends tell me the suds are excellent too (they are known for their award winning beers.)

dN

CONFEDERATIONS CUP

FINAL schedule
-Sun Jul 2
Chile v Germany - 12:pm CT on FS1

dN

Infamous London team Leyton Orient were all but history a few months ago. But a new owner from the USA is going to try to make it a real club again. By David Hytner for the Guardian.

dN

My columns for 1500ESPN.
-New article coming on Monday.



The Bird Is The Word


          POWER, ROBERT J.   
POWER, Robert J. Of Dedham, formerly of Montebello Road, Jamaica Plain, June 26, 2017. Beloved husband of the late Mary A. (MacFarlane). Devoted...
          Car goes up in flames in Jamaica Plain   

Stephen M. came upon the remains of a car around 2:45 p.m. on South Huntington Avenue at Bynner Street.


          Two men in a car shot in Jamaica Plain   
Fri, 06/30/2017 - 00:40

Around 12:40 a.m., in a car near the Hennigan School on Heath Street, possibly in the area of Grotto Glen Road and Day Street. Police found the victims at a local emergency room, where somebody had driven them.

Free tagging: 

Neighborhoods: 

Topics: 


          City of Water Day: Brooklyn   

Date: July 15, 2017

Join us for City of Water Day!

Learn the basics of a sport that will stay with you for a lifetime. Those interested in participating can simply stop by our Brooklyn boat launch for this family-friendly event for land-based and water-based rowing sessions.

Be sure to dress appropriately for both the weather (sun block, hat) and the water of Jamaica Bay (shoes and pants/shorts you don’t mind getting wet). This day is freely open to all.

Please note: On water experiences are for ages 14 and older with signed waiver

RSVP here.

Start time: 12:00 pm

End time: 5:00 pm

Contact phone: (718) 433-3075

Location: Paerdegat Basin Launch


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          VP, Human Resources, Location: Jamaica - Scotiabank - Ontario   
Join the Global Community of Scotiabankers to help customers become better off. PURPOSE OF JOB Leads and oversees Human Resources in the Caribbean Central
From Scotiabank - Tue, 27 Jun 2017 18:46:46 GMT - View all Ontario jobs
          First Full-Service Animal Hospital Opens at JFK Airport   

AirHeart Pet Hospital is now open for business at JFK International Airport in New York City. Pets and people can travel just a little bit safer now that one of the world’s most major airports has opened a full-service animal hospital on site. AirHeart Pet Hospital, located at 78 Old Rockaway Boulevard in Jamaica, Queens. […]

The post First Full-Service Animal Hospital Opens at JFK Airport appeared first on Top Dog Tips.


          DJ TRES 5-4 CARIBBEAN MIX    
itunes pic
BERES HAMMOND-PUTTING UP RESISTANCE BERES HAMMOND-SWEET LIES BERES HAMMOND-COME BACK HOME COURTNEY MELONDY-RUDEBOY BUSINESS GARNETT SILK-HELLO MAMA AFRICA GARNETT SILK & TONY REBEL-SOLIDERS GARNETT SILK-LORD WATCH OVER OUR SHOULDERS MORGAN HERITAGE-BROOKLYN & JAMAICA LUCIAN-WHO COULD IT BE GARNETT SILK-LOVE IS THE ANSWER GARNETT SILK-NECESSITY LUCIANO, LOUIE CULTURE & TERROR FABULOUS-IN THIS TOGETHER SIZZLA-I’M NOT SURE SANCHEZ-NEVER DIS DI MAN SIZZLA-GIVE THANKS SIZZLA-DIAMONDS & PEARL SIZZLA-SIMPLICITY SIZZLA-BABYLON A USE DEM BRAIN SIZZLA-GUIDE OVER US SIZZLA-LOVE IS DIVINE TONY REBEL-JAH WILL NEVER LET US DOWN TANYA STEPHEN-HANDLE THE RIDE BUJU BANTON-JUNGLE TO BACK A WALL SIZZLA-GIVE THEM A RIDE EVERTON BLENDER-LIFT UP YOUR HEAD ANTHONY B-RAID THE BARN EVERTON BLENDER-COMING HARDER SIZZLA-HOLDING FIRM PEETAH MORGAN-DEM CAN’T SEE I ALAINE-JAH IS SO GOOD I OCTANE-JAH JAH MISSION DEMARCO-ME SHE WANT FANTAN MOJAH-TALK THEM A TALK JAH CURE-WORLD IS IN TROUBLE
          Upcoming Gold Cup to have decidedly MLS feel on rosters   

The upcoming CONCACAF Gold Cup will have a decidedly MLS feel.

Such is the case when the tournament falls in a year with World Cup qualifying the priority for many of the teams in the region and some of the bigger names make way for younger players looking for an opportunity on the international stage.

Forty-eight MLS players were on the final 23-man rosters announced Thursday for the tournament that begins next week. The United States leads the way with sixteen from MLS. That includes the likes of Seattle's Cristian Roldan, Sporting Kansas City's Dom Dwyer and New England's Kelyn Rowe, all of whom could make their national team debuts during the tournament.

The decision to go with a heavy MLS-based roster was by design for U.S. coach Bruce Arena. The notable newcomers are joined by a handful of national team veterans, including Graham Zusi, Brad Guzan, Matt Besler and Alejandro Bedoya.

It's also a chance for those whose opportunities with the U.S. in the past year have been limited — Gyasi Zardes, Dax McCarty, Jordan Morris, to name a few — to flash in a more prominent role.

The U.S. opens the group stage of the Gold Cup against Panama on July 8 in Nashville.

"We have a large number of domestic players because our European-based players need a break. They had long seasons plus the June World Cup qualifiers, so they needed a break and then they need to start their preseasons in July."

Dallas goalkeeper Jesse Gonzalez was on the preliminary 40-man roster for the U.S. and his request for change in association was approved by FIFA on Thursday. Gonzalez had represented Mexico at the U-20 level.

Canada's roster includes nine MLS players, headlined by 16-year-old Vancouver product Alphonso Davies, who could become the youngest Canadian to play in a Gold Cup match. Jamaica features seven MLS players and Costa Rica has six.

___

THE OTHER CUP: The quarterfinals for the U.S. Open Cup will include one of the best stories in American soccer.

USL club FC Cincinnati continued its impressive run in the tournament by knocking off Chicago on penalty kicks in the round of 16 before a crowd of more than 32,000. Goalkeeper Mitch Hildebrandt made three saves in the penalty shootout to send Cincinnati to the final eight against fellow USL side Miami FC. Cincinnati beat Columbus in the round of 32 before knocking out the Fire.

After failing to have a lower division squad reach the quarterfinals in 2016, the tournament is assured of having at least one lower division team reach the semifinal round.

In other action, FC Dallas beat Colorado 3-1 and advanced to face Sporting Kansas City after its 2-0 win over Houston. New York Red Bulls ousted Philadelphia on penalty kicks and will face New England after its 2-1 win over D.C. United. And San Jose ousted Seattle 2-1 and will face Los Angeles in the quarterfinals.

The quarterfinals of the U.S. Open Cup are scheduled for the second week of July.

In another non-MLS competition, Toronto beat Montreal 3-2 on aggregate in the Canadian Championship thanks to Sebastian Giovinco's goal in the closing seconds of the match.

___

ROAD RIVALS: Last week's handful of rivalry showdowns went in the favor of the road teams.

The one victory by a road team went to New York City FC and its impressive 2-0 victory over the New York Red Bulls. NYCFC got goals from Jack Harrison and Ben Sweat to earn the club's first points ever against their Hudson River rivals at Red Bull Arena.

The two draws for road teams came in decidedly different ways. FC Dallas got a goal early in the second half from Maxi Urruti for a 1-1 draw in the Texas Derby with Houston. Seattle's 2-2 draw at Portland in a Cascadia showdown was even more dramatic thanks to Clint Dempsey's header in second-half stoppage time to pull the 10-man Sounders even. The draw dropped Portland to 2-3-5 in its past 10 MLS matches after starting the season with five wins out of the first eight.

There is one more rivalry showdown this week: the California Classico where more than 50,000 are expected for San Jose's match against Los Angeles at Stanford Stadium.

___

CLEARED TO RETURN: Orlando City star Cyle Larin has been cleared to rejoin his club following his arrest for drunken driving. Larin was given an assessment by the league's Substance Abuse and Behavior Program doctors and deemed eligible to resume team activities while continuing to participate in the program locally.

Larin was arrested on June 15 after driving the wrong way on an Orlando street. He was entered into the league's Substance Abuse and Behavioral Health program and was ineligible to play for Orlando City until this week.

___

PLAYER OF THE WEEK: Chicago forward David Accam was voted the league's player of the week after scoring a hat trick in the Fire's 4-0 win over Orlando. Accam also assisted on Chicago's other goal as the Fire are unbeaten in nine straight league matches.

Author(s): 

Articles

Blog Posts

3c19526898ef4f1380704d24dcd028ee.jpg

Toronto FC midfielder Michael Bradley (4) holds up the trophy as the team celebrates a win over the Montreal Impact in the Canadian championship soccer final, Tuesday, June 27, 2017, in Toronto. (Nathan Denette/The Canadian Press via AP)

d9a130aa2d7f4be8b54a054957f9edbd.jpg

Toronto FC forward Sebastian Giovinco (10) celebrates his goal against the Montreal Impact during the second half of the second leg of the Canadian championship soccer final, Tuesday, June 27, 2017, in Toronto. (Nathan Denette/The Canadian Press via AP)

0c2b4286c4d44d29ab2c72cce8643bf2.jpg

FC Dallas midfielder Ryan Hollingshead, right, challenges Colorado Rapids defender Dennis Castillo during the first half of an MLS soccer game, Tuesday, June 27, 2017 at Toyota Stadium in Frisco, Texas. (Ashley Landis/The Dallas Morning News via AP)
Source: 
AP

          adidas Originals x SPEZIAL S/S 17   
Celebrating the launch of the S/S 17 SPEZIAL collection, Gary Aspden, Nick Griffiths and &SON offer a short film set to music composed by Matthieu Bost and Jérémie Dessus about Jamaican musician Chronixx. Sporting the latest Originals collection, the singer takes us on a tour of his homeland expounding upon his dreams, passion for music and ambitions for the both himself and the island.
          Offer - Hibiscus Extract - CHINA   
Xi’AN LESEN BIO-TECHNOLOGY CO.,LTD. specializes in the ten years of plant extracts and export trade, to provide customers with high-quality, organic, natural, good price of various plant extracts, fruit and vegetable powder, as well as cosmetics, chemical raw materials.Hibiscus has been used to ease indigestion, relieve colds and respiratory trouble, and as an aid to circulation. Hibiscus is commonly made as a tea to ease stomach trouble. Hibiscus is also a natural source of Vitamin C. b). Hibiscus, also known as Red Tea, China Rose, Red Sorrell, Roselle, Jamaica Tea, and Sudanese Tea, is not just another pretty flower. Hibiscus grows in tropical areas throughout the world, and has been used not just as an ornament, but also medicinally for centuries. The part of this plant used medicinally is the flower.Prodcut name: Hibiscus ExtractLatin Name: Hibiscus sabdariffa Specification: Proanthocyanidin 5%-10%Appearance: Red to Violet-red fine powderMesh size: 80 MeshUsed Part: FlowerGrade: Food & PharmaceuticalBrand Name: LS-HerbTest Method: UVFunction:1. It was used by the Chinese to treat dandruff and stimulate hair growth. 2. Hibiscus has also been used to treat hemorrhoids and wounds. 3. The Hibiscus flower is made into a tea in numerous cultures throughout the world. 4. Hibiscus has a mild flavor and has many culinary uses. 5. Recent research has shown that Hibiscus may have antibacterial properties. 6. It is a mild laxative and it contains Vitamin C and malic acid. 7. Hibiscus has also been shown to relax the uterus and reduce blood pressure. 8. Hibiscus has also been used for indigestion and loss of appetite, as well as for colds, respiratory problems, and circulation disorders Application:1. Applied in food field, can be used as food additives to make tea and produce beverages, which rich in vitamin C;2. Applied in pharmaceutical field, contain anthocyanins can eliminate free radicals, alleviate aging;3. Applied in cosmetic field, can be made into a variety of preparation, such as antibacterial agents, digestive, laxative, stomachic4. Food colourings: food or beverage.
          Kira Noir – Ebony Throat Vs Monster Cock   
Jamaican American Kira Noir has never done a only blowjob scene. She will try to not go too hard to fast but she knows she is such a whore that she will forget about it and go at it like a wild beast. The gorgeous ebony is a sucker for massive black cocks (pun intended) and that's what she gets this time. Face fucked like never before in her life, Kira cries tears of joy as she gets the monster cock shoved all the way down. We can assure you without mistake that this all black deepthroating scene is a masterpiece.
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Profile of the Day: Elizabeth Barrett Browning   
On this day in 1861, English poet Elizabeth Barrett Browning died at the age of 55. Remembered as one of the most popular poets of the Victorian Era, Elizabeth was very well known during her lifetime in Europe and America. The eldest of twelve children, Elizabeth Barrett Moulton-Barrett was born on March 6, 1806 in Coxhoe Hall in County Durham, England. Her father’s family had acquired their wealth in Jamaica, where they owned sugar plantations. From a... Read the full story
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Watch Episode #5 of THIS WEEK IN CARIBBEAN TECH LIVE Broadcast   
Watch Episode#5 of This Week in Caribbean Tech Live Broadcast, hosted weekly, every Thursday by Ingrid Riley on Facebook. In this Episode: Haiti Tech Summit, Ben Horowitz; Artificial Intelligence and BPO Jobs in Jamaica; The cost of Internet Service in the Caribbean; Ganjagram Startup; four Caribbean Tech events coming and a funny social media trend...
          Dispatch from Havana: The Havana Lyceum Orchestra   
By Samuel Thompson: In October 2016, conductor Marlon Daniel asked me to join him for a trip to Cuba for the purpose of documenting both master classes and his time conducting. What started as a 'simple writing assignment' - as well as a tremendous opportunity to see a nation closed to Americans until very recently, turned into a tremendous educational journey and one of the most meaningful trips that I have ever taken. On Tuesday, May 2, Marlon Daniel, violinist Eric Silberger and I hailed a taxi in the Vedado district of Havana that took us on a fast ride on the Calle Malecon into Old Havana, where we then walked to the Lyceum Mozartiano de la Habana where Eric Silberger gave the first of two master classes and Marlon rehearsed the Havana Lyceum Orchestra (Orquesta del Lyceum de la Habana). Currently wrapping up an eighteen-day east coast tour with pianist Simone Dinnerstein, the Havana Lyceum Orchestra was founded in 2009 in collaboration with the Lyceum Mozartiano de la Habana, an institution founded jointly by by the office of the Historiador de La Havana Eusebio Leal, the Universidad de las Artes (the most important institution in Cuba for musical training) and the Salzburg Mozarteum Foundation.
Havana Lyceum Orchestra
The Havana Lyceum Orchestra.
The Havana Lyceum Orchestra is comprised of students, recent graduates and professors from the University of the Arts, the National School of Music and the Amadeo Roldan Conservatory. Since its founding in 2009, the Lyceum Orchestra has performed to critical and cognoscenti acclaim both in Cuba and throughout the world: in 2015 the orchestra made its European debut with Cuban flutist Niurka Gonzales during Salzburg's annual “Mozart Week”, and At home in Havana, the orchestra has quickly established itself as an important element of western classical music performance, having won a series of Cubadisco prizes for its work. During the first week of May 2017, Marlon Daniel prepared the Havana Lyceum Orchestra for a concert that took place on May 6 that featured Beethoven's “Coriolan” Overture, Mendelssohn's “Italian” Symphony, and Max Bruch's Concerto No. 1 in G Minor. The week also consisted of master classes that were taught by Mr. Kameda, Eric Silberger, and myself that were taught at the Lyceum Mozartiana, which is housed in the same beautifully-restored seventeenth century building as the Oratoria San Felipe Neri. In a recent Broadway World interview chronicling the orchestra's east coast tour, pianist Simone Dinnerstein commented on the the orchestra's “commitment to listening and to rehearsal, and by their desire to explore music which can too often be worn away by familiarity.” This is something that I saw as well: not only did concertmaster Manuel de la Cruz and principal second Jenny Pena consult and work on passages of the first movement of the Mendelssohn before rehearsals and during rehearsal breaks, but many members of the Havana Lyceum could be heard working on their orchestra parts either alone or in impromptu sectionals during those times. Listening to the complete orchestra in rehearsal, it became very clear that the Havana Lyceum Orchestra is a special, important, and magical entity. The level of rhythmic precision in the Coriolan Overture was both stunning and “complete” from the first reading, and the level of attention to compositional detail was truly impressive. During the rehearsal period Marlon Daniel effectively tested the orchestra, taking the string section to its limits, and it was amazing to witness the level of attention and adjustment taking place during this first rehearsal. The transitions from loud to soft dynamics were beautiful and poised, with the strings never losing their presence during exquisite pianissimos that allowed the winds to be heard clearly. Honestly, I did feel as if I were listening to the overture for the first time: even with healthy dynamic contrasts, neither clarity nor beauty of sound were overlooked. Mendelssohn's Italian Symphony sounded as the true orchestral showpiece that it is under Marlon's direction, with the first movement being performed with both excitement and elegance. It must be noted that the string section was seated with the first and second violins sitting across from each other, with cellos and violas inside on the right and left, respective. While this configuration can at times lead to balance issues, that was not the case for the violinists of the Havana Lyceum Orchestra – if there were ever a true (if I may) “level playing field”, this violin section is a prime example. Yes, a level playing field – and a very high one at that. During three days of masterclasses I heard tremendous performances of the Ravel Tzigane, Ysaye's hair-raising, sonatas by Beethoven, Introduction and Rondo Capriccioso, and concerti by both Brahms and Mozart. Havana-born violinist Janet Campbell, who currently teaches in Jamaica, shared some insight into musical education in Cuba. Janet also shared a glimpse of music education in Cuba: “From the beginning, students are taught to read music. For the advanced students, we use Galamian techniques as well as concepts from the Russian school. In schools, there are three exams per year: the first is with scales and technique, the second is playing pieces and the last is playing on concert, depending on the level of the student.” “I was in high school when this orchestra started,” Janet shared. “As the orchestra has grown, there has been tremendous assistance from the Salzburg Mozarteum including the donation of instruments and supplies.” As necessities such as strings are hard to come by, many people throughout the world have been delivering or taking musical supplies to Cuba. This week featured the second time witnessing Marlon conduct the Bruch G Minor Violin concerto, the first being while playing in the orchestra of the 2016 Colour of Music Festival with French violinist Romauld Grimbert-Barre. 1997 Henryk Szyerng International Competition winner Koh Gabriel Kameda was the soloist for the program in Havana, and it is no wonder that he has since that victory gained international recognition as a great artist. With an effortless technique and great musical conviction, Mr. Kameda shaped phrases with his bow arm in a manner hallmark of the most revered soloists. Mr. Kameda was equally responsive and flexible, joining his colleagues as if playing the most intimate of chamber music works while simultaneously remaining the consummate collaborator during this journey, partnering effortlessly with both Marlon and the orchestra.

          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Photo: Lightning bolt greets Usain Bolt in victory   
Can it get any cooler than this? Usain Bolt, the world’s fastest human, won the 100-meter dash at the world championships in style on Sunday. The race, in a pouring rain, didn’t start well for him. But the Jamaican blew by American Justin Gatlin with 30 meters left in the race to win. His 9.77
          2016 3.11 Events in Boston   
If you're aware of a 3.11 event that I haven't listed, please post a comment with a link to the event or details if the info isn't on a public webpage. This page will be updated if I find out about more events.

This year is the fifth anniversary of the tsunami, earthquake, and nuclear disaster that happened in Japan on March 11, 2011. Although the world's attention has moved on to other disasters, some groups in Boston continue to be involved in supporting Japan through this crisis and educating the public. If you're interested in learning more, please consider attending one of these events. Events are listed in chronological order.

3.11 Japan Memorial Charity 2016: Remembrance of Earthquake and Tsunami


MIT Japanese Tea Ceremony will hold their annual remembrance and fundraising event at the Sanzashi-An Tea House on Showa Boston's campus. Each session is about 75 minutes, includes Japanese Tea Ceremony performance with Japanese confectionery and green tea. Children are welcome to join and babysitter available upon request.

This charity event is to commemorate the North-Eastern Japan Earthquake and Tsunami Disaster that happened on March 11, 2011. We hope to support the survivors to improve their living conditions, rebuild the area, and for each of us to remember the tragedy.

The major part of the areas where struck by the earthquake and Tsunami started to recover and rebuild little by little, but is still suffering from the long-existing damages. Even with all the donations and funds collected by countless organizations, groups, and individuals from all over the world, they are still experiencing difficulty making improvements from the destructions. With a great help of our supporters, we hope to become a part to help Japan's retrieval of the losses from the affects.

We believe that we learned something important from this incident. Please do not forget what happened on March 11, 2011, and how the struggles have been made. Take this opportunity for memorials and to support.

"Peacefulness through a Bowl of Tea" is phrased by Sen Genshitsu, the Great Grandmaster of Urasenke Japanese Tea Ceremony. He has always been flying around the world to spread the Japanese Tea Ceremony along with peacefulness; to share one bowl of tea together with all. We, as a part of his family clan, attempt to succeed his expression in the United States as well.
As a extent of our effort, we try our best to support Japan to come together to successfully overcome the tragedy.

Date & Time
Sunday, February 21, 2016
10am/11:30am/1pm
Registration form must be received by Friday, February 19, 2016

Location
Showa Boston, Sanzashi-An Tea House 420 Pond St., Jamaica Plain, MA 02130

Admission
Free admission, with suggested donation from $20
*Donations without participation in Ceremony or at the door is also appreciated

All Proceeds from this event with be donated to Japan Earthquake Relief Fund, Japan Society of New York to support reconstruction of the disaster.


3/11: Five Years After the Triple Disaster in Northeastern Japan


Panelists Richard Samuels (MIT, Political Science), Tatsujiro Suzuki (Former Vice Chairman of Japan Atomic Energy Commission of the Cabinet Office), Kenneth Oye (MIT, Political Science & ESD), Miho Mazereeuw (MIT, Architecture) and Akinobu Murakami (University of Tsukuba) will speak on the current state of Northeastern Japan five years after the earthquake, tsunami and nuclear meltdown. This panel is part of the Starr Forum.

Sponsored by the MIT-Japan Program and the MIT Center for International Studies.

Update 3/10/16: Video will be available on the CIS website in 5 days.

Date & Time
Thursday, March 10, 2016
5:30 - 7:30pm

Location
MIT
Stata Center, 32 Vassar St., 32-123, Cambridge, MA 02139


3/11 Five Years After: Recovery and Resilience


Five years have passed since the devastating events of March 11, 2011, when the triple disaster of a magnitude 9.0 earthquake, tsunami, and nuclear meltdown in Fukushima hit northeastern Japan. Nearly 16,000 lives were lost, and around 2,500 remain missing. Indeed, beyond the physical damage, emotional grief, and the immediate humanitarian response to these, the Great East Japan Earthquake has had an immeasurable impact on the country’s security relations, business and economic environment, energy policy, and domestic politics and institutions.

How has this disaster changed Japan's political and economic spheres? What policy-making lessons has Japan learned, and what lessons can other countries learn from it? Within five years, has Japan returned to how it was before 3/11, or has it even improved?

The Japan Club at The Fletcher School invites you to an interdisciplinary panel to assess reconstruction, recovery, and resilience since 3/11. The panel will examine closely developments in the U.S.-Japan security alliance, sustainable economic growth, challenges in energy policy, and reactions of domestic politics and institutions.

Opening Remarks: Fumi Tataki (MIB 2016)
Moderator: Prof. Shinsuke Tanaka (Fletcher School)
Panelists: Prof. Keiko Hirao (Harvard University/Sophia University) and Yoshikazu Watanabe (Eastern Army Commanding General, Ret., Japan Ground Self Defense Force)


Date & Time
Friday, March 11, 2016
12:30 - 2:00pm

Location
The Fletcher School at Tufts University
160 Packard Ave., Cabot 206, Medford, MA 02155


Panel: Five Years Later: Research and Fieldwork Borne from the March 2011 Disasters in Japan


Coastal Fisheries and Industrial Development in Fukushima
Satsuki Takahashi, Toyota Visiting Professor, Center for Japanese Studies, Univ. of Michigan and Assistant Professor of Anthropology, George Mason University

Network Crisis Archiving: From First Response to Remembrance
Kyle Parry, Postdoctoral Fellow, Visual and Cultural Studies and Digital Humanities Center, University of Rochester

Community Reconstruction in the Tohoku Region
Andrew Littlejohn, PhD candidate in Social Anthropology, Harvard University

Moderator: Theodore C. Bestor, Reischauer Institute Professor of Social Anthropology and Director, Reischauer Institute, Harvard University

This panel is part of the Reischauer Institute of Japanese Studies Forum and the Weatherhead Center Program on U.S.-Japan Relations Special Series on Post-Disaster Japan.

Date & Time
Friday, March 11, 2016
4:00 - 5:45pm

Location
Harvard University
Belfer Case Study Room S020, Japan Friends of Harvard Concourse, CGIS South Bldg., 1730 Cambridge St., Cambridge, MA 02138

Harvard has been doing a great job of hosting talks year-round about the problems Japan is still facing after 3.11 as part of their Reischauer Institute Japan Forum and Weatherhead Center Program on U.S.-Japan Relations Special Series on Post-Disaster Japan. There are other talks scheduled from February to April. Talks are open to the public, though inconveniently scheduled for people with 9-5 jobs. Some past talks are archived on the Program on U.S.-Japan Relations Vimeo page.

"Natural and Unnatural Disasters: 3/11, Asbestos, and the Unmaking of Japan's Modern World," the talk given by Brett L. Walker on January 29th will be given again at MIT on Friday, February 19th. The talk was very interesting and Professor Walker also talked a little about his research on 9/11 as an environmental disaster.


Trees Make Happiness


This will be the fourth year that Boston Children's Museum welcomes students from Tohoku University of Art and Design to mark the anniversary of 3.11. For the second year the students will have an art and friendship exhibit. The public is invited to attend the exhibit opening. Children can meet the artists from Japan and engage in a hands-on activity. See photos from last year (here and here) when they had fun making monsters. The exhibit is brought to the museum by artist Minatsu Ariga and her “ART THINKING” project team at the university.

Enjoy the special opening event of Art Exhibition in the Japanese House Gallery: Art as Ecology – Building the future by exploring the trees that make happiness grow!

Meet the artists from Tohoku, Japan.
This special art show and programs are brought to you by the members of the “ART THINKING” project team at Tohoku University of Art & Design in Japan. After the devastating earthquake and tsunami in their hometown in March 2011, they decided to use the special power of ART to make the world a better place and connect with many friends like you. Please stop by and say hi to the student artists from Tohoku, Japan and enjoy hands-on activities!


Date & Time
Friday, March 11, 2016
6:00 - 8:00pm

Saturday, March 12, 2016
12:00 - 3:00pm

Location
Boston Children's Museum, The Common and Japanese House Gallery 
308 Congress St., Boston, MA 02210

Admission
Please see the museum's website for admission details.
Please note that "Adults unaccompanied by children must leave proper photo identification at the Admissions Desk. Examples: State Driver’s License or Passport."


3.11 Memorial Event


Tewassa, a Cambridge-based volunteer group that produces "message quilts" for schools and organizations in the Tōhoku region, will be holding a memorial event.

"It has passed almost five years since Great East Japan Earthquake. However, it is still important to “never forget” about the incident. On the day, we will share information from Japan, introduce our activities, and an activity for those attending. We will also prepare free coffee and snacks, feel free to come and join us!"

Date & Time
Saturday, March 12, 2016
2:00 - 6:00pm

Location
GrayMist Studio & Shop
364 Huron Ave., Cambridge, MA 02138

Public Transit & Parking
GrayMist is accessible by the 72 and 75 buses from Harvard Square. There is free on-street parking along Huron Ave. and neighboring streets.



Cranes on the Square 2015
Photo courtesy of Timothy Nagaoka

Cranes on the Square


This year is the fourth annual Cranes on the Square event organized by local Japanese language teacher Timothy Nagaoka with support from the Boston Parks & Recreation Department, the Japanese Consulate, and the Japan Society of Boston. Volunteers will teach people how to fold origami cranes which will form a temporary public art piece in Copley Square then be collected and delivered to people in the disaster area.

Date & Time
Sunday, March 13, 2016
11:30am - 4:30pm

Location
Copley Square, Boston, MA 02116


5th Anniversary Commemoration for Tohoku: ~ Tohoku, 5 Years After ~ :: 東北は今 :: 


Date & Time
Wednesday, March 23, 2016
6:00 - 8:30pm

6:00 - 6:15pm: Registration & Opening Remarks
6:15 - 6:30pm: Keynote Speech by Mayor of Ofunato Kimiaki Toda
6:30 - 8:00pm: Speakers Presentations & Performance by TOMODACHI Suntory scholars at Berklee College of Music

Speakers:
  •  Ken Buesseler, Marine Chemistry & Geochemistry Senior Scientist, Woods Hole Oceanographic Institution
  • Andrew Gordon, Lee and Juliet Folger Fund Professor of History, Harvard University
8:00 - 8:30pm: Reception

Location
Christian Science Center, Reflection Hall
235 Huntington Ave., Boston, MA 02115

Admission
Free - tickets must be reserved


The Fukushima Youth Sinfonietta at Symphony Hall ~ American Debut


The Japan Society of Boston is soliciting donors to help fund the Fukushima Youth Sinfonietta's Boston trip. Please see their website for details. You can also donate to the trip on Kickstarter. Rewards start at £10 ($14).

This performance is a collaboration between The Japan Society of Boston, the Boston Symphony Orchestra, Keys of Change, the U.S.-Japan Council's TOMODACHI Fund for Exchanges, the Embassy of the United States in Tokyo, and the Consulate General of Japan in Boston.


Born out of the natural disasters that devastated northeastern Japan on March 11, 2011, the FYS has quickly developed into one of Japan's finest youth orchestras. Led by conductor Tetsuji Honna, and featuring soloists Panos Karan (piano) and Zach Tarpagos (flute), the FYS will perform a program including concertos by Mozart and Rachmaninoff, as well as orchestral works by Glinka and Barber. This concert is part of a unique cultural exchange program, supported by the governments of Japan and the United States, and by the Tomodachi Program's Fund for Exchanges of the U.S.-Japan Council, in commemoration of the fifth anniversary of the disasters of 2011.
The Fukushima Youth Sinfonietta was created by students from four Fukushima high schools in the immediate aftermath of the earthquakes/tsunami/nuclear disasters of 2011. Determined to aid in the recovery of their devastated communities, the students found solace in music. They asked pianist Panos Karan and flute virtuoso Zach Tarpagos, two professional musicians visiting from Greece, to help them form an orchestra. Since 2011, Karan and Tarpagos have returned nearly twenty times to Fukushima to coach the orchestra and have invited other international musicians from Europe, the U.S., and India to join in working with the FYS. The orchestra has contributed significantly to the Japanese recovery, bringing confidence and hope to the devastated area, and it has been widely recognized as a leading symbol of communal cohesion during the period of rebuilding. In April 2014, the British charity Keys of Change invited the FYS to London for a highly successful performance at Queen Elizabeth Hall. In August 2015, the FYS made its Tokyo debut in a major concert at Tokyo Opera City Concert Hall, in the presence of the Empress of Japan.

Date & Time
Sunday, April 3, 2016
8:00pm

Location
Boston Symphony Hall
301 Massachusetts Avenue, Boston, MA 02115

Admission
Tickets: $10, $25, $40 (+ fees) available on the BSO website
          Fiestas de la Vaquilla de Teruel 2017. Programación del domingo 9 de julio   

Fiestas de Teruel 2017

Descripción:

10:00h. Taquillas de la Plaza de Toros. Venta de localidades para la tradicional merienda en la Plaza de Toros. La venta de entradas para la merienda tan solo se realizará en las taquillas de la Plaza de Toros, a partir del 25 de junio en horario de 11:00h a 14:00h y de 18:00h a 21:00h.

10:00h. Salón de Plenos del Excmo. Ayuntamiento. Misa en honor al Santo Ángel Custodio.

11:00h. Plaza de Toros. Tradicional Merienda. Exhibición de los toros de soga pertenecientes a la ganadería de Teodoro Adell de Castellote (Teruel) y suelta de vacas enfundadas de la ganadería de Jaime Pertegaz. Precio de la entrada: 4€. Entran las siguientes peñas vaquilleras: El Campanico, Los Sordos, Los Bohemios, El Despadre, El Puchero, El Despiste, Ultramarinos, El Disfrute, La Unión, La Encerrona y El Chasco. En el resto de peñas se celebrarán actos alternativos.

02:00h. Plaza de Toros. Toro embolado y vacas enfundadas de la ganadería de Los Chatos. Entrada gratuita.

05:30h. Plaza de Toros. Inicio del ensogado de los toros y posterior traslado a los corrales de la nevera por los miembros de la soga-baga. Plaza del Torico. Vaquillas ensogadas de la ganadería de Teodoro Adell de Castellote (Teruel).

Y en las Peñas...
  • La Botera. FIESTA 25 ANIVERSARIO. TORO MECÁNICO + DÚO COLOR + DISCOMÓVIL CLUBBING + IX CONCURSO DE BAILE
  • Ultramarinos. 19:30h. FIESTA HOUSELLYWOOD CON JOSÉ AM / 01:00h. Grupo VÉRTIGO
  • Nos an soltao. 19:00h. LÁGRIMAS DE SANGRE / 00:30h. LA TRIBU (Orquesta)
  • Los que Faltaban. 16:30h. FIESTA 50 AÑOS DE MUSICA EN LQF / 01:00h. LES CASTIZOS / 04:00h. DISCOMÓVIL
  • El Agüelo. 12:00h. DESFILE CON LA CHARANGA / 17:00h. REPARTO DE REGAÑAOS Y SALIDA HACIA LA PLAZA DE TOROS / 17:00h. BAILE EN EL CASINO
  • Los Sordos. 17:00h. RAÚL PLATERO, SESIÓN MDT / 01:00h. CANALLAS DEL GUATEKE
  • Los Marinos. 17:00h. MACRODISCOMÓVIL SCREAM con DJ JANO, DJ JORGE TELLO, DJ ÁLEX GARCÉS / 20:00h. IV CONCURSO DE BEBER CERVEZA / 00:00h. Concierto de LA REGADERA / 03:30h. Fiesta remember con VICENTE MAFFIA y RAÚL SOTO
  • Los Chachos. 20:00h. Orquesta BLACKBAND / 00:00h. MACRODISCOMÓVIL GASER con GABY - SERGIO - CHATI / 01:00h. Orquesta BLACKBAND
  • Los Bohemios. 21:00h. Orquesta SEXTO SENTIDO / 00:30h. Orquesta SEXTO SENTIDO
  • La Unión. 24:00h. GRUPO SPOTYFUCKERS + DJ RAFA MARCO
  • El Trago. CHARANGA CUBALIBRE / DISCOMÓVIL PIM PAM / LOS GANDULES / Grupo ALTA TENSIÓN
  • Despadre. 24:30h. Orquesta JAMAICA SHOW
  • El Puchero. 24:30h. Orquesta LA CRUZADA
  • El Chasco. HUECCO / DJS RESIDENTES: FERNANDO DJ & BORJA VAN BIETEN
  • El Disloque. I LOVE 90s. 16:30h. Concierto LA SEDE / 24:00h. Concierto OBK / FIESTA MDT con RAÚL PLATERO
  • El Ajo. De 18:00h a 07:00h. SKATELITES, DUBIOZA KOLEKTIV, NATXO MARTÍNEZ, PACO BANACLOCHA, TALCO, BURUMBAIA
  • El Campanico. Orquesta PIRATA
  • El Disfrute. Concierto NOAH & CHEWE / Concierto REINCIDENTES
  • El Despiste. Orquesta NUEVA ERA / Discomóvil GASER
  • La Encerrona. DANY BPM / JAVI BOSS (WarmUp DJ CARLOS)
Fiestas de Teruel 2017

Lugar: Diversos espacios de Teruel, Teruel

Fecha: 9 de Julio del 2017

Horario: Todo el día

Precio: Todos los eventos gratuitos (salvo especificado)

Tipo: Fiestas



          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Camp KDE: Pardus dudes ™   
Two years ago, I was pleasantly surprised when two representatives from the Pardus distribution arrived at Camp KDE 2009 in Jamaica.  Great guys and here’s how I remember them: One never got his luggage the entire trip and the other jumped off a cliff. At that time, I declared that I would always refer to […]
          Nethaneel Mitchell-Blake aims to help fans forget British trial no-shows   
• Sprinter wants to fill void caused by Farah, Rutherford, Pavey absence
• Mitchell-Blake excited to be back home in Birmingham this weekend

Nethaneel Mitchell-Blake has vowed to light up the British Athletics trials this weekend in his first race in the UK since his family left for Jamaica when he was 13.

Related: Sebastian Coe: ‘Athletics needs to be innovative, braver and more creative’

Continue reading...
          Username: Landodb   
Gender: Man Age: 27 Located in: kingston, NA, Jamaica Title: Be yourself nobody else because no one knows you best but u.
          New Music: Damian Marley “R.O.A.R.”   
Fresh off his appearance on JAY-Z’s brand new album 4:44, Damian Marley warms us up for his own forthcoming project, Stony Hill, by sharing this new single called “R.O.A.R.” “‘R.O.A.R.’ is really speaking about how, in Jamaica, what we call rudeboys always had a responsibility to the community. They would be the safekeepers — the […]
          VERYYY HOTTTTT: Damian Marley – R.O.A.R   

Damian Marley – R.O.A.R MP3 Download Download and listen to Damian Marley – R.O.A.R JAY-Z’ s brand new album 4:44 , Damian Marley warms us up for his own forthcoming project, Stony Hill, by sharing this new single called “ R.O.A.R .” “‘ R.O.A.R. ’ is really speaking about how, in Jamaica, what we call […]

The post VERYYY HOTTTTT: Damian Marley – R.O.A.R appeared first on Tapoutmusic.


          "Ich weine mir die Augen aus, wenn ich daran denke, dass ein Hund mehr Rechte hat als mein Sohn" – News vom 30. Juni 2017   
1. "Niedersachsens Männer sind weit höher verschuldet als die Frauen" berichtet die Hannoversche Allgemeine. Daran sollte man vielleicht denken, wenn man das nächste Mal Parolen wie "Armut ist weiblich" liest.



2. Dem Leiter des Umfrageinstituts Forsa zufolge ist die "Ehe für alle" KEINE Steilvorlage für die AfD.

Auch die ehemalige Frauenministerin Kristina Schröder (CDU) erklärte vor einer Stunde auf Facebook, dass sie dem Gesetzesvorschlag zustimmen werde.



3. In der aktuellen Druckausgabe des SPD-Propagandablattes "Vorwärts" findet sich der Info eines (Noch-)SPD-Parteimitglieds meiner Leser zufolge der Artikel "Feminismus bleibt unsere Aufgabe" der neuen spezialdemokratischen Frauenministerin Katarina Barley. Darin heißt es: "Feministinnen und Feministen kämpfen für eine offene und tolerante Demokratie, in der alle Menschen unabhängig von Geschlecht, sexueller Identität, Haufarbe, Religion, Beruf, Einkommen und Herkunft gleichberechtigt und respektvoll miteinander leben."

Wenn man solche Behauptungen oft genug wiederholt, werden sie vielleicht irgendwann wahr.



4. Die Washington Post titelt: A man helped a lost toddler find her parents, police say. He was smeared online as a predator and fled town.

Trotz solcher Meldungen halten es kaum geschätzte fünf Prozent aller Menschen für nötig, eine politische Bewegung für Männer zu unterstützen, weil Männer in unserer Gesellschaft bekanntlich herrschen und allenfalls unter dem Verlust ihrer Privilegien leiden.



5. Die BBC berichtet von einer Mutter, die überraschend feststellte, dass ihr Sohn ohne ihr Wissen geschweige denn ihre Zustimmung beschnitten worden war:

There was an investigation but the force deemed it not to be a criminal matter, and the case was referred to the General Medical Council.

The mother later got help from the anti-circumcision group Men Do Complain and leading human rights lawyer Saimo Chahal QC, who wrote to Nottinghamshire Police.

(T)he mother believes it amounts to MGM or "male genital mutilation", and should be viewed in the same way as female genital mutilation (FGM).

"It's even illegal to dock dogs' tails. I've come home crying my eyes out thinking a dog has got more rights than my child. There's something seriously not right with it all. You can protect a dog, you can protect a girl, but not a boy."


Ja, klar. Patriarchat halt. Da haben Jungen nun mal nicht so viel Rechte wie Hunde.

In the years since the circumcision, the mother said her son has suffered from recurring infections, and his penis regularly becomes inflamed and sore.

"It looks like he's been half circumcised is the only way to describe it. There's half the skin, it's not all the way over. It swells up, it gets red and a little bit sore in places."

She has been given cream to apply to her son and told he may need further surgery when he is older.

(...) "When he first started talking he did say a lot that it hurt," said the mother. "Now he doesn't really say much because it draws attention to it and he's getting a bit more private."

(...) She said a lot of people have failed to empathise with her and her son.

"Even a couple of police officers have made remarks like 'Oh my husband is circumcised, I think it's better'. Or 'Oh they are tougher than they look, it will toughen him up'. It's just silly little comments like that. It's just heartbreaking. I wrote to MPs and they basically shoved me off. Everybody you speak to it's like speaking to a brick wall."


"Es ist, wie gegen eine Mauer zu reden." Diese Erfahrung machen Männerrechtler mittlerweile seit Jahrzehnten. Wie gesagt: Patriarchat.



6. Ist feministische Kritik daran vorstellbar, dass sich eine Frau ZUVIEL über sexistische Diskriminierung von Frauen beklagt? Es mag euch überraschen, aber genau diese Kritik erfährt gerade der "Game-of-Thrones"-Star Emilia Clark. Sie beschwerte sich in einem Interview mit dem Magazin "Rolling Stone" darüber, dass Frauenfeindlichkeit ebenso allgegenwärtig wäre wie Rassismus. Klingt nach der üblichen Social-Justice-Warrors-Rhetorik – wurde auf feministischen Websites wie "Jezebel" aber eher ungnädig aufgenommen. Und der schwarze Publizist Michael Harriot schenkt der Schauspielerin sogar RICHTIG ein:

Emilia [Clark] is just like many other white women whose paths have so been littered with roses that when they encounter any personal hurdle, they cannot fathom anyone having experienced anything worse. That is the ultimate privilege.

There is nothing wrong with a beautiful millionaire who grew up on the shores of England traipsing through private schools thinking that she knows anything about racism. There is absolutely nothing wrong with a woman complaining about the world treating her differently because she has tits — even after she displays her titties to the world on TV. There isn’t even anything wrong with a white woman lecturing me on how to express my anger over racism as if white women weren’t complicit in slavery, Jim Crow, the history of lynching and every other aspect of black people’s oppression.

The privilege is that they feel comfortable enough to say it out loud.




7. Die USA Today, eine der meistgelesenen Zeitschriften der Vereinigten Staaten, beteiligt sich an der Debatte um John McEnroe:

John McEnroe owes the world an apology — and now.

He was wrong when he said Serena Williams would probably rank around No. 700 in the world if she were competing against men. Her ranking would be more like No. 1,000.


Wenn Serena Williams sich nach McEnroes eingeschränktem Lob nicht aufgeführt hätte, als ob er sie durch den Schmutz ziehen wollte, wäre ihr diese öffentliche Demütigung erspart geblieben.



8. Die Washington Post lässt einen früheren Dekan der Elite-Universität Harvard zu Wort kommen, was eine bedenkliche Praktik dieser Hochschule angeht: Sie tut so, als engagiere sie sich gegen jegliche Diskriminierung, diskriminiert Männer jedoch ohne Bedenken:

Last spring, the university decided to attack the off-campus, all-male Final Clubs by disqualifying their members from Rhodes Scholarships and other distinctions — unless the clubs admitted women. A few of these clubs are infamous for loud parties and drunken misbehavior. The new strategy against them had the merit of novelty, even in the absence of evidence that coed clubs would behave any better.

Faculty members reacted with alarm, recalling Sen. Joseph McCarthy’s persecution of Harvard professors in the 1950s simply for belonging to a hated organization. Students deserve a better lesson from Harvard than an attempt to solve social problems by blackballing members of unpopular groups.




9. Ihr wisst ja, dass ich mich immer für männerpolitische News aus Ländern interessiere, von denen man bei uns nicht so viel hört. Aktuell beschäftigt sich in Jamaika The Gleaner mit häuslicher Gewalt gegen Männer und einer maskulistischen Gruppe, die dieses Problem angeht.



10. Und was wäre Genderama ohne ab und zu eine Meldung aus dem Frauen unterdrückenden Indien: "Männer begehen keinen Selbstmord" befand dort gerade Frauenministerin Gandhi:

Union Minister Maneka Gandhi believes men do not commit suicide and even says she hasn't heard of a single such case. Her answer to a query, during a Facebook Live session, about the government's initiative to reduce suicide rates among men has left people upset.

"Which men have committed suicide? Why not try and resolve the situation rather than commit suicide - I have not heard/read of a single case," said Ms Gandhi, the Women and Child Development minister.


Wohin man auch schaut auf dieser Welt: Es ist wirklich überall dasselbe. – Nein, Moment, in einer Sache ist die indische Ministerin der deutschen Geschlechterpolitik voraus (was allerdings weiß Gott nicht schwer ist):

At the very end of the session though, replying to a user who suggested that there be a ministry only for men, Ms Gandhi said that she would welcome it.


So etwas würde man von deutschen Politikerinnen wie Schwesig und Barley niemals hören.
          EarthKry SURVIVAL Debut Album Out!   

by MPR Consulting Kingston, Jamaica (MPR Consulting) – Humble, proud and gratified are accurate depictions of self contained reggae band EarthKry’s feeling as their debut album “SURVIVAL” has released today worldwide in most major digital outlets. Produced by the band themselves, Phillip Mcfarlane , Kieron Cunningham, Kamardo Blake and Aldayne Haughton enlisted the help of […]

The post EarthKry SURVIVAL Debut Album Out! appeared first on Reggae Magazine | World A Reggae | Unifying people through Reggae Music.


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          July 2, 2017 Bus Service and Schedule Changes   

Here are all the major bus schedule and service changes starting July 2, 2017. Some service changes are additions and reductions as anticipated. 

 

LOCAL:

 

Bronx: 

Spoiler

 

Brooklyn:

Spoiler

 

Manhattan:

Spoiler

 

Queens:

Spoiler

 

Staten Island:

 

 

EXPRESS:

 

BM1:

- The current weekday 3:00 PM making all stops to Mill Basin will depart 15 minutes earlier, at 2:45 PM.

http://web.mta.info/busco/schedules/bm001cur.pdf

 

QM15:

- All Saturday departures to Lindenwood depart 34 Street & 3 Avenue five minutes later

http://web.mta.info/busco/schedules/qm015cur.pdf

 

X27/37:

- Additional bus from 8-9 AM.

http://web.mta.info/nyct/bus/schedule/xpress/x027cur.pdf

 

 

Other Minor Changes:

BxM1: http://web.mta.info/busco/schedules/bxm1cur.pdf

BxM2: http://web.mta.info/busco/schedules/bxm2cur.pdf

BxM3: http://web.mta.info/busco/schedules/bxm3cur.pdf

BxM4: http://web.mta.info/busco/schedules/bxm4cur.pdf

BxM6: http://web.mta.info/busco/schedules/bxm6cur.pdf

BxM7: http://web.mta.info/busco/schedules/bxm7cur.pdf

BxM8: http://web.mta.info/busco/schedules/bxm8cur.pdf

BxM9: http://web.mta.info/busco/schedules/bxm9cur.pdf

BxM10: http://web.mta.info/busco/schedules/bxm10cur.pdf

BxM11: http://web.mta.info/busco/schedules/bxm11cur.pdf

BxM18: http://web.mta.info/busco/schedules/bxm18cur.pdf

QM7/QM8: http://web.mta.info/busco/schedules/qm007cur.pdf

X28/38: http://web.mta.info/nyct/bus/schedule/xpress/x028cur.pdf


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          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Jakoba acht kans op volgende ronde Gold Cup groot   
Curaçao heeft voor het eerst in de geschiedenis de Caribbean Cup gewonnen. In de finale werd Jamaica met 2-1 aan de kant geschoven. In de verdediging was er in de eindstrijd een plekje ingeruimd voor Quentin Jakoba, in het dagelijkse leven personal coach en speler van Kozakken Boys. We spraken met ...
          Shanon Carmelia: "Kunnen Jamaica in finale pakken"   
Curaçao bereikte donderdagnacht de finale van de Caribbean Cup. Tegenstander is daarin zondagnacht Jamaica. "We hebben zeker het gevoel dat we ze kunnen gaan pakken." Als poulewinnaar plaatste Curaçao zich met drie andere landen voor het eindtoernooi dat op Martinique wordt gehouden. Het gastland...
          Case Manager - Fedcap Rehabilitation Services, Inc. - Jamaica, NY   
We offer a competitive salary and comprehensive benefits package that includes, paid time off, 403b with company match, medical, dental, vision, life insurane... $35,000 - $40,000 a year
From Indeed - Thu, 29 Jun 2017 18:25:51 GMT - View all Jamaica, NY jobs
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Schools Urged to Participate in Youth Environment Advocacy Programme   

The Ministry of Economic Growth and Job Creation is calling for schools to participate in its Youth Environment Advocacy Programme (YEAP), which seeks to empower students to respond to environmental concerns. Senior Director in the Environment and Risk Management Division … Continued

The post Schools Urged to Participate in Youth Environment Advocacy Programme appeared first on Jamaica Information Service.


          Measures to Ensure Smooth Transition from Analogue to Digital Broadcasting   

The Government is putting measures in place to ensure a smooth transition from analogue to digital television broadcasting in the next four years. This was disclosed by Minister of Education, Youth and Information, Senator the Hon. Ruel Reid, at a … Continued

The post Measures to Ensure Smooth Transition from Analogue to Digital Broadcasting appeared first on Jamaica Information Service.


          Feasibility Study on Air Condition System Using Seawater   

A feasibility study is to be done for an air-conditioning energy efficiency system using seawater from the Norman Manley International Airport in Kingston. This follows Cabinet’s approval for the Ministry of Transport and Mining, through the Airports Authority of Jamaica, … Continued

The post Feasibility Study on Air Condition System Using Seawater appeared first on Jamaica Information Service.


          Energy Minister Hails PCJ/UTECH Biofuel Research   

Minister of Science, Energy and Technology, Dr. the Hon. Andrew Wheatley, has hailed the collaboration between the Petroleum Corporation of Jamaica (PCJ) and the University of Technology (UTech) on research into the use of castor oil as an alternative form … Continued

The post Energy Minister Hails PCJ/UTECH Biofuel Research appeared first on Jamaica Information Service.


          More than $100 Million Saved Under Energy Efficiency Programme   

The Government has saved more than $100 million in energy costs under the Energy, Efficiency and Conservation Programme (EECP). Minister of Science, Energy and Technology, Dr. the Hon. Andrew Wheatley, said the programme has resulted in a significant reduction in … Continued

The post More than $100 Million Saved Under Energy Efficiency Programme appeared first on Jamaica Information Service.


          Parents Urged to Support PTAs   

State Minister in the Ministry of Education, Youth and Information, Hon. Floyd Green, is urging parents to support schools by becoming actively involved in Parent-Teacher Associations (PTAs). Mr. Green, who was speaking at the Pembroke Hall Primary School Excellence Awards … Continued

The post Parents Urged to Support PTAs appeared first on Jamaica Information Service.


          Bill to Establish NSC Into Law for Parliament Soon   

The Government will be bringing to Parliament soon, a Bill to establish the National Security Council (NSC) into law. This was disclosed by Prime Minister, the Most Hon. Andrew Holness, during a sitting of the House of Representatives on June … Continued

The post Bill to Establish NSC Into Law for Parliament Soon appeared first on Jamaica Information Service.


          Community Colleges Providing Access to Affordable Tertiary Education   

With a student population of between 10,000 and 12,000 in any given year, Jamaica’s community colleges have become a game changer in tertiary landscape. In 1974, they were established to accommodate students pursuing sixth form studies. Forty-three years later, the … Continued

The post Community Colleges Providing Access to Affordable Tertiary Education appeared first on Jamaica Information Service.


          JCAA Donates to Westwood High School Rebuilding Effort   

The Jamaica Civil Aviation Authority (JCAA) has answered the call for assistance by the Westwood High School donating $750,000 towards the rebuilding effort being undertaken by the all-girls institution following a massive fire last month. JCAA Director General, Nari Williams-Singh, … Continued

The post JCAA Donates to Westwood High School Rebuilding Effort appeared first on Jamaica Information Service.


          Sustainable Development Goals Aligned to Key Development Concerns and Priorities – PM Holness   

Prime Minister Andrew Holness has indicated that he will be taking a keen interest in the implementation of the Sustainable Development Goals, SDGs and their alignment with Vision 2030. He says that SDGs are aligned with key development concerns and … Continued

The post Sustainable Development Goals Aligned to Key Development Concerns and Priorities – PM Holness appeared first on Jamaica Information Service.


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          Summer Book Recap -- New Faces Pt 1   
It's been exactly a month since I last posted to this blog.  My how time flies, to use a cliche.

I've been very busy (1) going to youth football practices and games, (2) walking lots and lots of miles to get into better shape, including circling the football field and cleaning up trash there weekly, (3) transitioning to a new role at my day job, and (4) meeting my editing obligations.

But time to get back to blogging!

I read a number of books this summer by authors who were new to me--there's always time for reading, no matter how busy I am!--and I want to share them with you.

First up, Michele Grant, author of Heard It All Before and Pretty Boy Problems.  I downloaded the first book, a free Amazon read, some time ago but hadn't gotten to it.  Found myself searching for something to read and decided it was as good a time as any.  Just a couple of pages in and I was hooked!  I devoured book 1, then went back and grabbed book 2, a paid title.  (See, there's value to authors putting their books on a limited free book offer.)  Grant's stories feature strong, sassy heroines, just like herself (at least as she depicts herself on her popular blog, BougieLand; her heroes are smart and sexy.  In this series, three friends--Jewellen, Renee and Veronica--are each looking for love and seemingly find it at a rec center basketball game.  But finding love and keeping it is easier said than done.

Book two made me realize that the focus of this series is actually the Montgomery clan--Roman, Beau (the pretty boy), and Katrina.  I can't wait to read the third book and Katrina's story, Any Man I Want, which was released at the end of July, but I had a few other books I needed to get to first.

Speaking of which, I read a number of books published by the new girls on the block, Brown Girls Publishing. BGP is the publishing company of bestselling authors Victoria Christopher Murray and ReShonda Tate Billingsley.  (BGP published Motherhood Diaries 2, to which I am a contributor.)  These ladies know how to spin a good tale, so it only makes sense that they would know how to pick one too.  I read three BGP authors in September and loved them all.

Candy Jackson is the debut author of Pink & Patent Leather.  Now the title and the cover art might lead put a few Christian fiction readers off, but don't be fooled.  This is Christian fiction.  A young woman with a huge crush on her pastor decides to put her plan into action to make him her man, notwithstanding the fact that he's a married man.  Oh, but I've seen this story in real life before!  Jackson's writing is fast, furious and wildly entertaining.  It's also thought-provoking as it shines a light on how messages of the Bible, delivered with good intentions, can be misused and even abused by believers who are confused or broken.

Then there was Easier Said Than Done by author Nikki Woods, a lush, romantic tale about a woman who has one foot in Jamaica and family obligations and another foot in the windy city of Chicago and her career.  As she tries to find the balance and make difficult decisions, her past comes roaring back into her life, and she has to decide how much she's going to welcome it (him).

Finally, there was In Strict Confidence by Dwayne Joseph.  How shall I say this?  I loved everything about this book.  Let's start with its in the suspense genre, in the vein of the television show, Criminal Minds, which my blog family knows I love.  Then, it's pretty unusual for a book of that nature to come from an African-American author.  (Shouldn't be, but that's the way it is.)  And, it's not a black book, in the sense that it's filled with black characters.  Again, unusual for an AA author. That last point which makes me a little sad because if this book were published and marketed by a major publishing company--which BGP will be one day!--folks would be crowing about this new voice.

Joseph is actually a seasoned writer, having penned more than 10 other books, but this was his first in this genre.  I hope he stays in this space because he definitely has a talent for suspense. I was so entertained, I reached out and told him just that.  In this story, a policemen who is broken over the dissolution of his marriage must work a series of murders wherein a serial killer is doing grisly things to young boys.  At the same time, said serial killer is visiting--and tormenting--a psychiatrist who is afraid to go to the police for fear his family will be harmed.  Good stuff if you like this type of story.

That's it for now.  I've got 5 other "new to me" authors I'll share soon.  I'm so excited to be reading new voices that now I'm specifically looking for unfamiliar authors with a little positive buzz.

Have you read any new authors?  Do tell.

Happy Readin' N Writin'!
          Book Buzz: Get You Good by Rhonda Bowen   

There are some things you should never do for love...

Sydney Isaacs has two priorities: her family, and Decadent, the gourmet pastry business they founded almost three generations ago. But both are in jeopardy when her brother, Dean, announces his sudden engagement to the conniving Sheree Vern. Much to Sydney's dismay, Dean inherits ownership of Decadent, despite his lack of interest. Now he and Sheree are selling the chain to finance his dreams of becoming a music producer—or so Dean believes…

Thanks to Sheree, Dean’s plans, the business, and his marriage, soon implode in ways he never expected—leaving Sydney determined to salvage whatever she can, and fix the mess left behind. Her only solace is her romance with Hayden Windsor. But Hayden is Sheree’s half brother, and it doesn’t take long for Sydney to wonder if Hayden knew about Sheree’s scheming all along? Soon Sydney creates a deception of her own to find out the truth. Her strategy is working, until the consequences threaten to destroy everything she values most—including her faith. Overcome with guilt, can she make things right with her brother, with Hayden, and with God? 


REVIEW

Sometimes you happen upon a book and you put it aside, not quite ready to open the covers.  In this case, I'd read Bowen's debut and it was good...but not intriguing enough for me to pursue her second book or move this third one--that I received in a package from Kensington--to the top of my TBR list.

Then it happened.  I'd finished all my "required" reading, meaning I had no more books that I was obliged to read for review purposes and I was also in between editing jobs.  I had time on my hands so I looked around, my gaze fell upon Bowen's novel, and I picked it up.  I cracked open the cover, not sure whether it would make good 4th of July weekend reading, and took a chance.

Boy, was I served up a treat!  From beginning to end, I thoroughly enjoyed Get You Good.  The Isaacs family seems like a great bunch of people, even if they come with more than their share of drama.  From the beginning, I rooted for Sydney and Hayden, and continued rooting for them when even I wasn't sure whether Sydney deserved another chance.  Because sometimes it seems as though we mess up too badly, but Bowen shows how faith and a belief in God's love never allows that to be true.  Loved Sydney's sisters--Lissandra and JJ.  I found Lissandra the more interesting of the two, and hope to see her story, but JJ surprised me and made me a fan of hers also, so I'm glad to know that JJ's story gets told in Bowen's fourth book and most recent release, Hitting the Right Note.

Bowen incorporated messages of faith and redemption in a way that some may not categorize her fiction as "Christian fiction" (and I have no idea how she herself labels it) but I'm okay with that.  I think it gets more readers to read and consider the goodness of God while offering an undeniably entertaining story.  Another one of the themes of this book is sisterhood, and how not all sisterhood is easy nor biological.

Get You Good is good writing, good plotting and good storytelling.  There were a few very unexpected plot twists, and even when I saw the situation unfolding, I still could believe how it ended.  Bowen's writing style is fast-paced and completely engaging, making it the perfect holiday weekend read.


ABOUT THE AUTHOR

Rhonda Bowen knew she would be a writer as early as eight grade when she wrote her first novel with a classmate in a dollar notebook.  While waiting fro the day to come, she spent a lively childhood growing up in Kingston, Jamaica and later attaining her bachelor of arts at the University of the West Indies.  Not long after, her family moved to Toronto, Canada where she spent a few years working  in public relations and event planning.  Throughout this time, however, her desire to write stayed alive.  She eventually completed her first novel, Man Enough for Me, which was released under Kensington Book's Dafina imprint in February 2011.

In October 2010, urged by the call of God, Rhonda packed up her life again and moved to Thailand to teach English.  Though most of her time was spent entertaining her students in the name of education, she still found time to scribble away at new stories.  She returned to Canada just in time for the February 2012 release of her second novel, One Way or Another.

For now, Rhonda resides in Toronto with her family where she is engaged in the field of child and youth work. She is excited about the future and the path that God has for her life.

Learn more about Rhonda Bowen and her books on her website, http://www.rhondabowen.com, or connect with her on Facebook at RhondaBowenBooks
          Cigars and Humidors - Or How to Ruin a Cigar in One Easy Step   

Not everyone likes cigars, I understand this and I can appreciate it.  That all being said, I had an incident this week that bears some discussion. My neighbor is a few years younger than I am.  We have performed the over the fence talks, and I have given him a few of my home brewed beers over the years.  The...

Not everyone likes cigars, I understand this and I can appreciate it.  That all being said, I had an incident this week that bears some discussion.

My neighbor is a few years younger than I am.  We have performed the over the fence talks, and I have given him a few of my home brewed beers over the years.  The one thing we have not done is to share cigars, though he knows that I am a cigar lover.  I ran into him the other day and he was all proud to show me a cigar that a friend had brought back from Jamaica for him.  He got out of his truck and pulled out this cigar that looked like it had been stored in the mojave desert. 

After declaring that it was from the Dominican Republic, he asked my opinion of it.  Not being a man of too many flowery words, I asked him how long it had been in his truck.

"A couple of weeks", he said.  "Why:"

And so I explained to him how cigars need to be stored in a humidor that holds them at 70% humidity.  How a dried out cigar will taste like burning leaves, and will most likely fall apart.  First the outer wrapper giving way, and then the binder opening up to let the filler fall out.  He was crestfallen.  Being the good neighbor that I am I explained what cigar accessories are needed if you are going to keep cigars and smoke them later.  I even offered him a couple of cigars that I had in my humidor.  He asked what he should do with the one he had.  I told him it was good for a couple of puffs, and then to be thrown away.

So what is the point of this story?  Cigars need humidors, and humidity to stay in a condition where you can smoke and enjoy them.    Cigar accessories can be the last thing on your mind if you don't enjoy cigars regularly.  But you will appreciate your cigars more if you are aware of how cigars should be stored.


          Friday’s answers   
Welcome back and thanks to Andrei for posing Thursday’s questions. You can claim a virtual batch of Jamaican Lime Biscuits for stumping us all by leaving the answers below. (I can’t dredge up much more from my school Latin than amo, amas, amat, . . . ).Filed under: diversions
          Ka Auditron Ba - The Final Conflict   

Back in October of last year I was in New York and had the pleasure of meeting King Koncepts at his record store, Good Records. We chatted about music and he mentioned that Karma was working on releasing some old late 90's Kemetic Suns music. Fast forward to last week and I received an email from Karma introducing himself and letting me know about the music he posted on his Tumbler. Karma picks up where Koncepts left off when he posted The Bombshelter album back in 2009. I'm not going to try and summarize any of this of, instead I urge you to take some time and read through the detailed posts from Karma and listen to the unreleased Ka Auditron Ba (Karmachi & Hypnotic) album.

I'd like to thank Karma for reaching out to me and allowing me to post this on my site. The insight he and Koncepts provide is rarely seen in underground hip hop and is greatly appreciated.

 When To Walk Away Pt. 1

Preview to The Long Goodbye

***This blog was originally  written by Koncepts and featured as documentary comment on Cocaine Blunts appearing in 2009. Since then the trolls have made it less inspiring for the homie Noz to keep the blog up so I thought I would recreate it here for the sake of background***
 “Fundamentals consisted of me – Koncepts – and Karma. We met each other at Berkeley High, 1992. All I remember was being introduced to this dude who was into rap, and had a little bit of game to him - he knew all the different cats around school, kept good weed, knew how to talk to girls. Quickly we started hanging out, going to parties. We formed The Fundamentals in early ‘93, long before the crew Kemetic Suns came about. At that time, the crew we made was called “Ascension”: in addition to us, we brought in a group called Hijinx (Peekaboo and Embassy), rappers Malignant and Level Z, and Anthony/Ayentee. Before I got with Karma, I was in an awful band that played funk-rock-jazz-rap-fusion a la Alphabet Soup or the Mo'Fessionals – interesting sidenote, playwright Itamar Moses played keyboards in that group. But I wanted to do something that was more straight up Hip-Hop. I was DJing already and I played the guitar. I fell off with the guitar lessons but started making primitive beats. Hanging out at Anthony’s house in north-west Berkeley I started to get hip to funk and latin and freakier jazz music all courtesy of his father’s record collection. 


We all hung out and got busy together, either at Anthony’s house or at my house. Anthony’s house was like a constant spot – there would be any number of kids there, from the graf crew DOA down to West Side Berkeley dudes, friends of his dad, relatives. I was granted use of a narrow boiler room underneath my mom’s house – the “Bomb Shelter” – to record in, and all of the material featured was made there. The beats here were made either on an Akai S-01 (a cheap version of the 950) and a Roland R8 Human Rhythm Composer, or the Ensoniq ASR-10, which I stuck with. Kids would come through, I would throw together a beat or have one I had already worked up, and they would record. Anthony, who made beats as well, occasionally helped out engineering things. I’d do arrangements, hooks, whatever. I wanted people to write songs, not just lay down rhymes, so I tried to focus their talents and that’s how a lot of this stuff came to be. A lot of guys didn’t have any idea how to write songs – like, verse/hook/bridge, or whatever. Some dudes just wanted to spit for like 6 minutes. Off the head. It was a mess.


Most of us were from Berkeley or Oakland. Karma spent some time up in Sacramento early on. Malignant had one foot out in Richmond I think. Around the beginning of 1994 I moved to the Mission neighborhood in San Francisco to go live with my father, but continued attending Berkeley High and hanging out with the crew every day. It was a regular thing to go from school to my mom’s basement where the makeshift studio was, record until 7 or 8, ride the bus back into San Francisco and wash up somewhere around 10 at my dad’s apartment. Peek lived out by Eclipse, in the Union City area, and they were friends, so that’s how we got down with the Mixed Practice crew. Eclipse tells me now that he got real tight when Peek played him some of my stuff, like “who is this other young dude out here with beats??” Karma’s brother Wayne knew Corey/BFAP from the Mystik Journeymen, so we got down with them around ’94 or so, but I think they probably saw us as like, young’uns in the game. We met Kirby around then as well, up at UC Berkeley at KALX – Karma had gone up there with BFAP from the Journeymen. While BFAP was kind of cool on the kid, it was obvious he had incredible talent. Kirby, originally from East Oakland, had spent many years in Stockton prior to coming to Berkeley… had kind of a checkered past, but it turned out he and Karma knew some folks in common from up that way. We would hang out and freestyle in his dorm room but we hadn’t really clicked up in a formal way yet, like we would later.

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Even though our style was more on the “backpack”/”houser” thing, a lot of the cats in the crew had street ties, we just didn’t really put it out there like that. It was more a thing you wanted to get away from, if you had ever been close enough to see it. The one exception was The Mental Patients – featured here on “Mental Anxieties” – who were some real street cats from South Berkeley, North Oakland, and East Oakland. But they’d come through, we’d smoke, lay down some music, no drama ever. They weren’t really a part of the crew per se but they showed love, would share smoke or even muscle if it was needed (which, on a couple of occasions, it was). Good dudes. Any time there was beef you had an assemblage of dudes from West Side and South Side Berkeley as well as North Oakland and parts of the east as well. We rolled deep.

image

The Ascension crew only lasted but so long, though, and at a certain point, friendly competition turned into beef. Dudes started talking behind each others’ backs, trying to create little allegiances and whatever… just childish stuff but you know we were, at the time, anywhere from 14-18 years old. Embassy and Karma, long rivals in the cipher, came to blows and everyone went their separate ways. I spent several months recording my own material, thinking I’d record my own demo/album, maybe sell it like the Journeymen and Mixed Practice and the other guys I was meeting around the scene at that time. That stuff never got released anywhere, with only one track turning up on 30 Days; much of it is featured here.

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In the summer of 1995, Karma and I were both working in San Francisco. He was interning at Polygram - Polygram had an office in San Francisco! We patched up and started working on what would become 30 Days & A Plane Ticket, our first “real” tape – the title owing to the fact that I was moving to New York City 30 days from when we started. Karma’s style, originally an old school, laid back flow, and at one point a bone of contention amongst the more east coast-influenced crew, had developed into a this tripped out, cerebral scattershot of politics, hood slang, conspiracy theories, and 5% math. A cat he rolled with called Bay-Bay came up with the name Kemetic Suns. At that time, though, it was basically just a loose affiliation of folks we rolled with, some of whom didn’t make music at all. It was just a crew in the loosest sense. Kirby was down at that point, but I don’t recall meeting Hypnotic (another crew member) until 1996 or so, beyond the point at which this comp comes to an end.
image 
Honestly I don’t know what people will think of this stuff. I’m opening myself up which is always a risk. I think we had some talent. We never made a huge mark, despite being really prolific – due mostly to my ability to record. I had the good fortune to hold onto most of my old sessions. I’m sure there’s a ton of amazing stuff out there that has disappeared… I’ve certainly been met with that response as I’ve sought out material by other groups of the time. We wore our influences on our sleeves – but as kids, that’s just part of developing your own style. Back then, it wasn’t about features, or placements, or even tape sales really – just a bunch of cats doing music. That’s what the underground tape thing was really about. I can think of no better way to illustrate that.”

The Bombshelter Download


When To Walk Away Pt. 2

Preview to The Long Goodbye 

For a very long time my identity and self perspective was shaped by being a member of a family that made music. Had our parents been born in the Carribean in the 60′s and repatriated to the UK, we probably would have been Cymande. Had it been London in the late 40′s we might have been Pink Floyd. I have heard arguments that place us around the world and at different movements. As it shaped out, we were birthed into the 70′s and grew up in the 80′s in the east bay region of the San Francisco Bay Area. In particular, we all cut our teeth in the “small island in the sea of night” known as Berkeley. In 1995 we started our collective and independent label we called Kemetic Suns Massive.

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There was a time to that time in particular that I would be hard pressed to try to recreate with words. As much as I pride myself on my ability to write into existence, I don’t think I could accurately give the feeling or emotional connection we had to what we were doing. There was different a zeitgeist of sorts as it was the mid-1990s and hip hop was becoming a billion dollar way of telling young people what to do. Perhaps it was the influence of Apple vs Wintel happening in our backyard of Silicon Valley. Maybe there was a factor around welfare reform, new banking models and a sense that another gold rush had come to San Francisco. It could be the influence of self determined cultural giants such as MC Hammer, Too Short, E-40 and Mac Dre who were uncompromising in their independence and standards.
I don’t have the bandwidth or desire to try to explain what brought us to the music or together. Many of these thoughts have laid hidden from me for decades by my own doing. I think my brother does a much better job of describing us here:

Bomb Shelter
 
Then there was also the concept of newly emerging technologies such as samplers, sequencers and non-lineal audio recording. That and the fact that as teenager I stumbled into being an active member of something that would later become called the Internet as well as progenitor of social media. Do not take my word for anything. There are far better curators involved:

It's Cheaper Than A CD

In terms of a business model we were decidedly clear that we would do everything in house. EVERY THING. Tapes, cds, vinyl, t-shirts. Production, engineering, management, promotion. Our greatest asset was each other. I treated the collective like my martial arts gym (which I mistakenly left in pursuit of a full time music career) in that training each other on every aspect made us well rounded, disciplined and allowed us to bring in new skills. The majority of the good work is based on our willingness to skip past barriers in terms of booking, promotion and retail:



From 1995 to 1998 we made 15 different projects ranging from EP to LPs to even putting out one of the first audio books for spoken word and poetry. I can’t speak for anyone else but I actually thought we were going to change the world. Given that our model was more of a social enterprise than a record label or entertainment company. Many of our members were previously homeless, from foster homes and/or faced with tons of barriers toward economic independence. My father, who was and will always be the bare minimum of excellence I strive for, ran a non profit that provided legal services to the poor who couldn’t afford to fight unlawful evictions, custody battles and discrimination. Without explicitly knowing we were into job training, Koncepts and I were adamant that these roles at House Kemetic Suns become employment. 
In 1997, Kirby got an opportunity to study abroad in DC at Howard. He would ride the train to Harlem and record with Koncepts, which later became Konceptual Dominance.


During that time, myself, Hypnotic and Per Aa were doing shows all over northern and central California. Literally from as far as Humbolt to San Luis Obisbo. Initially I only had the Fundamentals material I could perform and Hypnotic had his guest appearances as as he worked on his album. When all of the Suns met up in winter 1997, Koncepts played us Flawless Execution.


As soon as I heard it I knew what it was: Konceptual Dominance. In a time when we could hear everyone else punching in every bar, these two were going for 16 bars with flurries full of flow, punchline, presence and brilliant topics. I knew this was going to be a game changer. To be fair all we did was game changers, whether or not it was quality. Innovation and newness led the day. In response, Hypnotic pulled out the dusty tape of 8-track mix downs of the routines he and I were doing when we ran out of material on stage. I had slices of dub tracks and science fiction movie soundtracks as the thumbnails of beats we were rapping over. The crew loved it and named us Ka Auditron Ba. We were given the mandate to finish our project to release it after Konceptual Dominance and set up for the Kemetic Suns album. Ka Auditron Ba worked for the next year to finish our project called The Final Conflict. 3 label deals, 4 tours, 21 tracks and it was never released as promised. Somewhere in there I just walked away. 

For the few souls who are clever enough to see me on the street and figure out who I am, the question is always the same:

1) Why was the Auditrons never released?

2) What happened to the Kemetic Suns?

As 2017 is here and I do away with old things, avoiding answering these questions is one of those things I will let go. The answers in part III


When To Walk Away Pt.3

Preview to The Long Goodbye
“I’m an A-U-D-I-O”


There was a friendly competition we all adhered to when we started. Ultimately it was about the four of us: me, Koncepts, Kirby and Hypnotic being able to freestyle against each other for hours. I mean HOURS. At that time we thought we were okay, retrospect made me realize we were pretty high level. Much of the energy of that competition played out in the dynamics we had with one another outside of the music. Kirby was the master of partnership, I understood project management, Koncepts was our in house technical and Hypnotic did our sales. We were a much larger collective once, at one time being 15 people deep if you counted the affiliates in New York and Texas as well as the younger cats we were mentoring. There is also an argument in there about how influential and selfless cats like Bas1, Eclipse427 (Walt Liquor), Peekaboo and Infamous were so they could be Kemetic Suns. Plus there is a whole other tangent on how strong our ties were to MURS.
Quite accidently, Kirby and Koncepts together were very good as ambassadors. They travelled a lot, they showed up to events and they were able to get our sound into the heads of real decision makers who made sure our records ended up on mix shows, college radio and features. This is part of the reason Konceptual Dominance made so much sense. On the opposite tip, Hypnotic and I were doing shows and selling merchandise direct to customers (fans). I had a pretty high ethical standard which I realize now was a serious handicap for our business in terms of being in the music industry. Other groups could trash the stage, steal from the bar, go over their time or intimidate the promoter into moving them up on the lineup. I never wanted to get too involved in that type of grimy dealings because it was dumb logic to me – if we were going to go that route, forget the music and let’s go back to the streets.

That was another issue we were confronting. Many of the people rapping at the time all came from middle class backgrounds and had a parachute lined up for them afterwards. Koncepts and I tried to address that on Stop The World (the song itself). Where as many crews were diverse economically and ethnically, we were diverse economically but most of our members were two steps from the streets. Meaning we had convinced them to let go of their old hustles in lieu of legitimate enterprises that would be promoted by House Kemetic Suns. It was always a struggle. We didn’t always win. As the founder of the collective, I had the tendency to be the loudest voice in the room even if I actually wanted a democracy. In fact I remember always talking about being the bigger person and breaking up some many beefs. Then one night in winter of 1996, I confronted a mask bound rapper about some personal violations he made in my life. In his drunken indignation, he replied he was not responsible for his actions and he might kill me. I lost it and told him to put up his hands. He had 12 tiny people holding him back, the Suns just watched to make sure nobody jumped me from behind. We never got into it but he knew that night like I know this day that if it went down he was going to end up in the ER. The problem was we had crossed a bridge; our music was never going to be bohemian again and I had lost the credibility to tell my crew to “walk away”. In fact, we turned the ship and headed directly into the storm.

There are some background elements to understand before going in. If Konceptual Dominance was the equivalent of two tenured professors doing panel discussion on human behavior through hip hop, Ka Auditron Ba was the essence of two battle rappers getting their own satellite and broadcasting a 24 hour signal based on the lifestyle trying to prevent a cataclysm. We pulled from everything important to us at the time. Both Hypnotic and I were avid Marvel fans. We owned tons of comics. I read a lot of science fiction and watched a lot of movies. Hypnotic was really into documentaries. At the time I was able to study under Mr. Obenga which deeply changed my life and I was able to see firsthand the aspirations of the progenitors of the Nile Valley culture. Meanwhile Hypnotic’s mother was a reggae journalist and therefore gave him access to elders. One in particular who really influenced us was Scientist. Aside from demystifying much of the Rastafarian thought process beyond the generics and tropes, Scientist gave us the template.

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Thus began the goal of creating an identity: we would outperform. The analogy of individuals who take and never gave back became “vampires”. We knew because we didn’t play the politics game we were hard pressed to get headline bookings in the Bay Area because of the co-opting of the scene happening. Simply put, I was going to kiss anyone’s ass, the big names were haters and Hypnotic was doing things behind the scene that made these dudes shook. If we couldn’t get the midnight spot or the top name of the flyer, we wanted the 1130pm slot and we wanted to be second on the flyer. It was Scientist who told us to open with The Voodoo Curse that we transformed into the chant to take over the crowd: “We are……the Kemetic Suns….” It didn’t matter WHO was the headliner. Our goal was to create and perform music that stole the show. It happened time after time after time. We would watch crews argue with the promoter: “don’t put Kemetic Suns on before us….they tire out the crowd”. The promoter would come to us and Hypnotic would say “don’t worry we’re just the Auditrons”.

There is most of the recordings on Soundcloud. I am not sure if everything is awesome. I know I was rapping in the top 10 list at the time but I am not sure if everything we did was incredible. There are some tracks that really move me and Koncepts. I pinged him to get his take on our favorites from the project:


Karma: Resonance was a tribute to Scientist but all scientists in general. We knew there was some connection between innovation and audio engineering happening from the Jamaican sound clashes to NYC hip hop to what we were actually doing with the drum machine and ASR vocal effects when we performed. This is a perfect example of the routines we would do. Back and forths that would whip the crowd into a frenzy as an opener. Also the djs loved it because it was heavy with break beats and juggling. FYI, this is Neal Degrasse Tyson narrating before you all knew how great he was. I pulled it from a vhs compilation my father got me because of our shared loved of astronomy.

Koncepts: this beat don’t make no fucking sense. I didn’t make it. but it always killed at shows. watching people try to catch the beat count was comedy. this shit is in like 11/8 or something. Ka and Ba had that rapid-fire flow where they could make it work and trade off like they were freestyling. It’s pretty incredible, actually.


Karma: Black Elevation Station was supposed to be the crunk remix to All Terrain for Internal Symmetry. My father was from the south and I loved southern hip hop. Not just the obvious stuff like Dungeon Family, Geto Boys and UGK. I listened to obscure material most didn’t know about. When I heard this beat I said its smobb music but it’s not southern. At that time, the stuff I was doing with the internet was getting some nods. I was brought to speak at Stanford to a couple of student groups. The idea of creating one’s own content distribution was intoxicating but we were talking to a couple investors who were interested in buying a satellite and setting up a station in San Francisco. When the deal went through, like so many to come after, Hypnotic suggest we just act like it was still going and we had our station on a satellite we owned.

Koncepts: I had this track early on in the process but added to it along the way. a lot of the keys and stuff came in later. I used a few different samples but kept them all in key, I was known for melodic beats but one thing about the west coast style and the Bay underground in particular was this kind of mystical ass sound but with slapping drums. so this was like that, some psychedelic guitar and synths, but at a higher tempo and some 808 sounds. What Ka and Ba did with it was sick, exactly what I had envisioned it for, they flowed perfectly on the beat. A mix of paranoia and toughness in the lyrics. I think I added the later stuff when they were in the studio with the session players - I wasn’t really involved in that and I wanted to tune up my own stuff to keep pace.


Karma: Tapes. Koncepts and I would send each other tapes a couple times a year. He was attending NYU while I was at SFSU. Most of the beats on the tapes he would send would end up on some project: Ambershine, Internal Symmetry, Konceptual Dominance or the Auditrons. Most of the beats I would send back were rough but he would tweak some of them and they would end up on his solo stuff, my ill fated solo album, Prayze The Sun or Internal Symmetry. This beat was clearly for Hypnotic and I. He even put it on the tape. It was Koncepts at his most genius Smokey Robinson. He could hear something we couldn’t in ourselves. He made sure he was with us when we wrote to it. When he started playing it on the speakers, he prompted us with “show them how the flow never ends”. He wanted to play with some of the Nommo concepts of embracing the silence in the groove as well as the volatility in the drums. We were always sure to write what the beat wanted not what we wanted. Soon as Hypnotic mumbled “its vital that you follow our path that is spiral” a voice spoke to me with the chorus. I looked up from the pad and said “I’m an A-U-D-I-O”. At first they didn’t get it, but I wouldn’t stop. When I saw their eyes light up after the third repetition, we knew did something. This might be my favorite memory of music.

Koncepts: this is definitely the big one. coulda maybe done some numbers. had all the elements. smoothed out but conscious, a hook you can understand and repeat… the label Ka & Ba were messing with brought this into a bigger studio and I was able to add the live guitar and percussion. But they had a boy band and brought them in to do background vocals… kind of not what I had envisioned, image-wise. it worked for the sound, as far as that was concerned. The label was just trying to get on a vehicle for their boy band though. They kept trying to push them into the mix of what we were doing and I had to step away from that situation. that’s one of the things that messed with the delicate equilibrium of the project and the crew.


Karma: There was a lot of money to be made being an independent rap group if you were willing to compromise. We weren’t. Managers would tell us we were unmanageable; too head strong and not needy enough. We made far less money than we should have based on our morals and pride. The way to keep the boat afloat was to subsidize the business model with pieces of my check. At first I worked at a smoothie shop that got bought, stole all my recipes and became Jamba Juice; different story for a different time. That wasn’t going to work for me. Doing minimum wage at a mall. Also in my young fiery mind, “how does this help my people?” I got into working for a few non-profits and did harm reduction outreach – needle exchange, violence prevention and street worker advocacy. I was seeing young people being mistreated as wards of the state.

Hypnotic was doing group home work given he had been in one himself. We would trade stories about the issues we were seeing with young people and the bureaucracy. More and more it felt like young people were being experimented on rather than treated or helped. Both of us had some experience at young age in terms of “recruitment” that made us a bit more suspicious. Now with the popularity of Stranger Things, Hunger Games and Ender’s Game, it doesn’t seem so far fetched. I know.

Maybe there was also a piece of falling into the formula. Doing it every time because it worked last time. I remember be asked “whats the sci fi movie song on this album?” well before we even wrote Cryosleep. It’s possible we had become trope.

Koncepts plays the bass on this. That’s why its so rich.


When To Walk Away Pt.4

Preview to The Long Goodbye



Karma: There was this great kung fu western flick my god brother Kenny brought over called All Men Are Brothers: Blood of the Leopard which was adaptation of the Chinese classic Water Margin. It was the story of a high level government official who must choose between his position and his allegiance to a rough street monk who is very anti-corruption in the government. It represented so many relationships at that time. My god brother Wayne was really loud and boisterous, but when I was around he was always calming me down to learn discretion. When he died of cancer in 1997 it put a large hole in my heart. Somehow I ended up becoming that person that was calming folks down and was caught between the diplomacy and the ethical outrage of the people I was around. We would leave shows in San Jose, San Luis Obispo or San Antonio. It would be 3am as we drove home. Somehow at every gas station there was a group of young men about to fight. Somehow there was some kid at an IHOP looking at his pager like “I’m going to get revenge”. Somehow I always seemed to put myself in the middle and talk them down. Somehow I never got shot.

Koncepts: just a perfect song man. we were all really vibrating on the same frequency. I love the little glass clinks and crowd ambiance from the sample. and the kick drum knocks so hard. that’s that Bay Area shit man, a mellow ass sample and deep bass.


Karma: We would perform a lot in the “hip hop” room at raves. That was the culture of the 90’s. Hypnotic hated it because he didn’t feel techno. However to be quite honest, the women at raves were thousand times better looking and more stable than the women who went to hip hop. The baddest of them used to hang in the “jungle” room – a rough amalgamation of actual jungle, trip hop, drum and base as well as what would eventually be dub step. Kirby and I loved going back forth over those beats. We could rap for hours over the stuff. For me it brought me home to Jupiter, Florida. It put me in the red clay of Georgia. It gave me the woods of Mississippi. I loved obscure southern rap and especially enjoyed the bounce aspect. I also appreciated the underestimation that California and New York put upon southern rap. It paralleled the mistake many crews in the Bay ran into. They dissed us on tape, we responded by snatching the mics at their show and serving them. Then they took it outside to battle and got demolished. Then they wanted to throw hands and lost there too. This track is a narrative to that. At the time we wouldn’t have seen it that way.

Koncepts: I feel a way about this song. It’s fucking amazing - the beat, the rhymes, the hook… my god. and when we dropped this at a show? bedlam. but it has a kind of ignoble history. My partner Zvi and I had this Delia Gartrell 45, which is this brutal ballad about a woman’s son dying in the Vietnam war, and we chopped it real slow. Zvi had the idea of chopping up Skull Snaps and doing a bounce pattern with it. It was unique, no one was doing bounce drums with samples, especially not old school breakbeats. Anyway, we kinda fucked up the money because we also gave this track to Mazzi [rapper with our other group the Soul Purpose] and it was like, ok, let’s see who does what with it… Mazzi made an incredible track called “1 and 9” about being from the hood in Jersey. It was super ill. So we had this issue, who could use the beat? Nobody even cares about shit like that anymore, but back then it was a real problem. Zvi wanted to roll with Mazzi’s version, I was on the fence. Anyway, I feel like that disagreement was another one that ended up torpedoing the project. And what’s sad is that neither song ever came out - the Soul Purpose project fell apart not too long after and the album we were working on never made it out of the demo stage. Nowadays I prefer “Ashes” to “1 and 9”. But at the time I couldn’t call it.


Karma: Perhaps the most honest writing anyone was doing in (w)rap™ at that age. I was in my early twenties trying to understand what it meant to be a man while facing a divorce like end to my long term relationship. There were some rules we made up to protect our esteem. One of them was we wouldn’t date women we met in the industry because it led to hardship later. I think that put so much expectation on the women we fell in love with outside of music that when those relationships crumbled it hurt us even more. On top of which, Hypnotic and I were facing this same debacle every time: why does it seem like self-control and discipline gets punished. Simply put, we both were in faithful parties in long term relationships that ended when our romantic partners were not faithful. That combined with life in show biz, turned us bitter when we stuck to the honor code. 

Koncepts: this beat is mad mournful with that one drawn out note that descends and ascends in the chords. I used an SP1200 on a lot of the Auditron drums courtesy of my partner Zvi and you can hear the programming gets a lot better and the drums are chunkier. Ka and Ba perfectly wrote this for how the beat felt to me. Vulnerable and hurt but still standing strong. It’s a shame the project never came out because there are so many tracks that I felt were just the perfect distillation of a feeling, this was one of those. Probably my personal favorite now.


Koncepts: I love this song man. Ba really showed his heart on it. And it takes skill to rap over something like this which is kinda mellow and laid back but not like, sad or down. the loop just gets me in a zone; very based. this might have been an intro beat or slated for Per Aa Ra’s project originally. There were earlier takes that I felt like Ba nailed it a bit better. But you couldn’t save takes back then and we had that stupid belief that a) we have to deliver everything in one take and b) we can definitely do the next one better. so it goes.

Karma: I remember when this was done and I would drive around with mix downs, this was the soundtrack to getting through traffic. It became synonymous with “things are going to be all right”. I struggled for many years to explain what this meant without falling into esoteric answers or metaphysics. One thing my Dad was very good at impressing upon me was “don’t feed steak to children” meaning don’t waste your time trying to explain complexities people don’t want to learn. In of myself, I was learning how to be more efficient and not waste my time. This song really gave folks a sense of optimism.


Karma: Why a final conflict? One thing I have come to terms with and this album should evidence – I can see things before they happen. I am not going to spend a single second of time on weirdos defending it. I will just state – people were downloading music from www.kemeticsuns.comthree years before Napster. Towards the middle of 1997, something was changing in the Bay Area. I was starting to get fans who worked at something called a “tech company” who would invite me to work as a contractor. They had website that had millions behind them but they couldn’t tell you what they did all day. They wanted to pay me to tell them what was cool. More and more I saw a reliance on machines as the new free labor. The dot come boom was becoming a second gold rush and I was aware it had it limits. In 2017, the largest obstacle facing the American worker is not automation. It is the perception that automation demands a better quality of life for all. There are some very good thinkers on this subject but I would direct attention at Berkeley’s own Phillip K. Dick, Frank Herbert and William Gibson.

The point being, the matter of artificial intelligence is not an if, it’s a when. Once this consciousness evolves, it will split in its belief systems. If humans can be cruel, please believe there are machine gods that can be crueler. I am reminded of the quote by Francis de la Rochefoucauld, “Man believes he has abandoned his vices when in fact they abandoned him long ago”. Now looking at where we are with a new year, self driving cars and a new a president, I suspect we are at the placed I had hoped to avoid. Maybe there are some jewels in here for our fans in the years to come.
The album in its entirety is below:


When To Walk Away Pt.5

Preview to The Long Goodbye

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Ultimately I believe it was this album that transitioned the Kemetic Suns. We didn’t break up. We didn’t quit. We moved on. The stresses of this album may have been too much. These songs were performed a lot and got us two label deals. Both deals had the same dynamic: this is GREAT. Then you get into the studio to re-record everything and the labels sends in their composition army to get hands on your publishing. Once the songs are done, the contract amendment comes and it requires 36 months of touring with a live band to play all the songs the label wants additions to with $30k of tour support split among 8 people. How many times do you do the same scenario before reaching insanity? How many times do you get bumped from your show time and not want to snap on everyone from the promoter to the venue? How many times do you choke a promoter for the money for your show money, plane ticket money, hotel money and per diem only to go on stage rapping about helping people before your mind fizzles? More and more. Also there was a reality that Koncepts and I came to realize at SXSW in 2001. We hated the road. Touring was living on the road. Living on the road was being a grown latch key kid stuck between parent’s homes. It was miserable. At 16 I was already thinking like a 26 year old. Imagine where my head was at 24, being asked to make drunk and high 19 year olds of suburbia happy on stage for 45 minutes night after night. Most of the guys who adored that life look like Larry Holmes now – flabby, sick, soft and slow to answer. Meanwhile Eclipse and I were making much larger checks pulling strings behind the scenes without needing to be in the spotlight.

Diagnosis

Perhaps the final moment for me was August 2004 when I discovered my mother couldn’t walk. She could barely eat much less explain the pain she was in. After seeing over twenty different doctors, it was clear my mother would need surgery and would need a full time caregiver. I made the announcement to the Kemetic Suns that I was bowing out to free up time for my mother. Mostly everyone was supportive. I disappeared as quickly as I emerged. During this time Kirby and Hypnotic did their Kirb and Chris album

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In June of 2005, my father was diagnosed with stage two Alzheimer’s dementia. The doctor took his license on the spot and told us to focus on “quality of life” because they didn’t expect him to live past two years. My mother’s illness combined with my father’s diagnosis and the demons of the road pushed me over the edge. I crawled inside a bottle for a time. I was convinced that I had hurt my parents with my music. I burned my rhyme pads and decided to never write a rap again. When I emerged I had a new path and oath to keep to my father.

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Over the next five years, I became a new person in learning to go from being a Kemetic Sun to being the best son I could be. I found that many of the skills I learned through the music, were transferrable to helping my father. I also learned a great deal about my willpower, drive and commitment. My father was and is my world. My reason for being. A strong, hard, magician of a man who was loved by all he came across; even his enemies had to respect him. In 1995 when I handed my father a copy of 30 Daze and A Plane Ticket I had no idea the journey I would take. When I asked him what he thought, he played the Daddy Please skit for me and asked if I was talking to him. I vehemently denied it but I was deeply hurt that he thought I was airing him out. I shouted him out at the end of the album but he didn’t seem to hear that. I don’t think he believed me. That never set well with me.

Quality Of Life

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When my father died, I had a brand new appreciation. I couldn’t just nod. I had to act. I knew he deserved some act to offset the notion that a song had been laid against him. I began writing songs about caring for my father. When things got very bad, Koncepts and Peek started sending me beats. I don’t know why. They don’t either. We are all being polite around the fact that they were worried about me. I would drive my father around to different appointments and play the beats that I was given. Music was good for my father’s moods. During the late nights in the emergency room, I wrote science fiction in my head. This project ended up becoming The Paper Thrones. During the mornings when I was trying to pay for everything, I wrote rhymes as I drove. The combination opened my eyes to the amount of people who were just starting the journey I was on. More and more I saw signs of millions of people caring for a parent with Alzheimer’s and no one speaking for them; or to them. I knew I had to say goodbye to you fans, to my father and to any hold this disease thinks it may have over me. I will not die of Alzheimer’s. If I do, it is because I went down fighting and I hurt the hell out of it.

Sometime in the near future I will release to you this tribute called The Long Goodbye. A 21 track album that is both a tribute to my father and also my way of closure with the people I meet who tell me how much good Kemetic Suns did for their lives. This will be the solo album the fans were promised. It absolutely sounds like a Kemetic Suns album; I am told it sounds like a grown man Ambershine. I have ZERO interest in selling the album. My goal is to see how money we can raise to fight Alzheimer’s using this album. Some simple value proposition such as “If you donate $1 to this cause, you get a code to download the album”.

I hope this answered the questions. I hope this gave you what you were looking for. I hope you will join me one last time for The Long Goodbye.


Links to the original posts on Karma's website.









          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


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          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          International Dancehall Queen 2009 Jamaica   

click to watch videos highlights of International Dancehall Queen 2009 Jamaica

The post International Dancehall Queen 2009 Jamaica appeared first on Dancehall Usa.


          VBS.tv presents Vice Kills Jamaica – Dancehall   

VBS.tv presents Vice Kills Jamaica - Dancehall
9 part series
Click to watch -
www.vbs.tv

The post VBS.tv presents Vice Kills Jamaica – Dancehall appeared first on Dancehall Usa.


          The First Rasta (Short Film)   

Leonard Percival Howell (June 16, 1898 – 1981) was a Jamaican religious figure. He was one of the first preachers of the Rastafari movement (along with Joseph Hibbert, Archibald Dunkley, and Robert Hinds), and is sometimes known as "The First Rasta."

The post The First Rasta (Short Film) appeared first on Dancehall Usa.


          Busy Signal Documentary (Flashback)   

VP Records created this documentary to shed more light on up-and-coming Dancehall artist from Jamaica, Busy Signal. check out this flashback Documentary of the talented Busy Signal

The post Busy Signal Documentary (Flashback) appeared first on Dancehall Usa.


          Jamaica Originates Chapter 2 : Natural Mystic- Daggering Banned   

This is chapter 2 from the series Jamaica Originates by director Jamil GS. He interviews Natural Mystic a dancer from Jamaica’s dancehall scene about dancing “daggering” controversy…

The post Jamaica Originates Chapter 2 : Natural Mystic- Daggering Banned appeared first on Dancehall Usa.


          Aidonia – Jamaica Originates – Chapter 1   

Click to view documentary...

The post Aidonia – Jamaica Originates – Chapter 1 appeared first on Dancehall Usa.


          Why do Jamaicans run so fast?   

With a 'little feeling' that something big was going to happen at the 2008 Olympics in Beijing, China, Spanish music producer Fernando Garcia-Guereta shifted gears from the studio and on to the track with his debut documentary Why Do Jamaicans Run So Fast?

The post Why do Jamaicans run so fast? appeared first on Dancehall Usa.


          THE STORY OF JAMAICAN MUSIC   

A depth insight of how Jamaican music came about and it's evolution into Dancehall Music

The post THE STORY OF JAMAICAN MUSIC appeared first on Dancehall Usa.


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          A Jamaican Family Bleaching out Their Skin   

This Documentary features the excessive use of bleaching products by Jamaican's and it's bad effects.

The post A Jamaican Family Bleaching out Their Skin appeared first on Dancehall Usa.


          Help!   
 Hi All, I am in desperate need of your help! I have song here that I have been longing for since forever. I believe that it is by a Jamaican and probably came out in the 60s. The recording here is from a tape and does no justice as it sounds like a donkey-cart ran over it. However any help with the artist or even the title would be greatly appreciated. Thanks
          Something to get started   
itunes pic
Hi All, Welcome to my first Podcast. I have an interest in a range of music but reggae and soul are my preferences. In this first cast I've have included some songs that were huge hits in Guyana. There are some Jamaican RnB killers that I hope you like. Have a listen and tell me what you think, and if there any other songs you are looking for or can recommend then let me know. 1) My commanding wife - Boris Gardiner 2) You're wondering now - The Specials 3) Yea Yea Baby - Stranger Cole Feat. Pasty Todd 4) Stick by me - John Holt 5) Lover's Reward - The Blues Busters 6) Play me - Marcia Griffith 7) There will always be sunshine - The Blues Busters 8) Lost Love - John Holt 9) Let me down easy/version - Derrick Harriot
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Consumers urged to move away from analogue TV sets   

THE Government is urging consumers to move away from purchasing analogue television sets as Jamaica moves closer to digital switchover within another four years, a transition which has been long in the making. The plan is for a complete switchover by 2021, the information minister, Senator Ruel Reid, told a post-Cabinet press briefing at Jamaica House yesterday.


          Bob Marley – o Rei do Reggae – 31 anos de sua partida   
Quase no fim do dia e eu me liguei que tava deixando passar em branco esta data. Robert Nesta Marley, o responsável em levar o reggae jamaicano para o mundo, nasceu no dia 6 de fevereiro de 1945. A vida musical começou em 1962, quando um produtor o chamou para gravar algumas músicas pelo selo […]
          Resumo dos fins de semana: Tarântulas & Tarantinos, Cérebro Eletrônico e Orquestra Brasileira de Música Jamaicana   
Por Katy Illy* Tarântulas & Tarantinos Já faz um tempinho… mas no dia 04 de janeiro rolou no Studio SP na programação Cedo e Sentado o show da banda Tarântulas & Tarantinos. Pra quem não conhece, a banda é liderada pelo Luiz Thunderbird, que ficou conhecido como VJ da MTV famoso nos anos 90, ele […]
          Blonde Cougar Milf Housewife Gets Fucked By Jamaican Boy   
Watch Blonde Cougar Milf Housewife Gets Fucked By Jamaican Boy at free fuck and porn video site
          Dompling Mami Yetty   

Los dumplings son pelotitas de masa que se cocinan en un líquido, como agua, caldo o sopa. Se elaboran con harina y sal y se les añade agua hasta formar una pasta; algunas recetas incluyen puré de papa, queso, huevo. Los jamaicanos fueron los primeros en crear dumplings en el Caribe, que eran de influencia inglesa. Una receta simple de una masa espesa con harina con levadura, agua y sal, fritos en aceite hasta dorar. La receta se extendió por las Antillas y llegó hasta la Provincia de Limón, donde se elabora de forma simple y donde tomó el nombre de “domplin”.

Doña Lidieth Brenes Ramírez, llamada con todo cariño “Mami Yetty”, vecina de la zona de Turrialba tiene su versión en un sustancioso caldo, que sirve para levantar los ánimos  a cualquiera. Ya sea de un fin de semana intenso, o cuando se requiere cargas de buenas energías.

Para 12 personas bien llenitas, requiere de 2 kilos de carne “cecina” en trocitos, 1/2 kilo de frijoles rojos, 1 sobre de cola de res, tomillo, ajos, orégano, culantro, 1 consomé de carne, Sal al gusto, 2 plátanos verdes en rodajas, 1 tarro de leche de coco (390g) y 1 chile panameño.
Es cosa de poner a cocinar la carne con agua suficiente que la cubra y todo lo anterior. Cuando está cerca de hervir, se elaboran los dompling: mezclar harina, una pizca de sal, agua a poquitos. Se forman bolitas pequeñas (del tamaño de un popi – confite) y se incorporan en el caldo a terminar de hervirse con la carne y los frijoles. Una delicia. Todos los sabores se fusionan y se crea algo sin igual. Se puede servir con arroz blanco fresco, tortillitas tostadas o pan con ajo. 


          Ring the Alarm: A History of Sound System Culture   
In Jamaica, sound systems are more than just a stack of speakers blasting the latest tunes to an eager crowd. Over the last 70 years, they have touched all levels of society in Jamaica, determining the island’s popular taste and ... Read more »
          US SAYS IT APPEARS ASSAD IS GETTING READY TO USE CHEMICAL WEAPONS ON INNOCENT PEOPLE AGAIN-TRUMP SAYS DON;T YOU DARE OR THE MISSLES WILL DESTROY YOUR LAND AGAIN.   
JEWISH KING JESUS IS COMING AT THE RAPTURE FOR US IN THE CLOUDS-DON'T MISS IT FOR THE WORLD.THE BIBLE TAKEN LITERALLY- WHEN THE PLAIN SENSE MAKES GOOD SENSE-SEEK NO OTHER SENSE-LEST YOU END UP IN NONSENSE.GET SAVED NOW- CALL ON JESUS TODAY.THE ONLY SAVIOR OF THE WHOLE EARTH - NO OTHER. 1 COR 15:23-JESUS THE FIRST FRUITS-CHRISTIANS RAPTURED TO JESUS-FIRST FRUITS OF THE SPIRIT-23 But every man in his own order: Christ the firstfruits; afterward they that are Christ’s at his coming.ROMANS 8:23 And not only they, but ourselves also, which have the firstfruits of the Spirit, even we ourselves groan within ourselves, waiting for the adoption, to wit, the redemption of our body.(THE PRE-TRIB RAPTURE)

ISAIAH 17:1,11-14
1 The burden of Damascus. Behold, Damascus is taken away from being a city, and it shall be a ruinous heap.(DAMASCUS FRYED TO A PULP)
11  In the day shalt thou make thy plant to grow, and in the morning shalt thou make thy seed to flourish: but the harvest shall be a heap in the day of grief and of desperate sorrow.
12  Woe to the multitude of many people, which make a noise like the noise of the seas; and to the rushing of nations,(USELESS U.N) that make a rushing like the rushing of mighty waters!
13  The nations shall rush like the rushing of many waters: but God shall rebuke them, and they shall flee far off, and shall be chased as the chaff of the mountains before the wind, and like a rolling thing before the whirlwind.
14  And behold at evening tide trouble; and before the morning he is not.(ASSAD KILLED IN OVERNIGHT RAID) This is the portion of them that spoil us,(ISRAEL) and the lot of them that rob us.

AMOS 1:5
5  I will break also the bar of Damascus, and cut off the inhabitant from the plain of Aven, and him that holdeth the sceptre from the house of Eden:(IRAQ) and the people of Syria shall go into captivity unto Kir,(JORDAN) saith the LORD.(I belive ISIS-DAMASCUS GET NUKED BY ISRAEL)

Nikki Haley‏Verified account @nikkihaley 14h14 hours ago-JUNE 27,17-Any further attacks done to the people of Syria will be blamed on Assad, but also on Russia & Iran who support him killing his own people.

U.S. says it appears Syria planning another chemical weapons attack-[Reuters]-YAHOONEWS-June 26, 2017

WASHINGTON (Reuters) - The White House said on Monday it appears the Syrian government is preparing for another chemical weapons attack and it warned Syrian President Bashar al-Assad he and his military would "pay a heavy price" if it conducts such an attack.The White House statement said preparations by Syria were similar to those undertaken before an April 4 chemical attack that killed dozens of civilians and prompted President Donald Trump to order a cruise missile strike on a Syrian air base.Trump ordered the strike on the Shayrat airfield in Syria in April in reaction to what Washington said was a poison gas attack by Assad's government that killed at least 70 people in rebel-held territory. Syria denied it carried out the attack.The strike put Washington in confrontation with Russia, which has advisers in Syria aiding its close ally Assad.U.S. officials at the time called the intervention a "one-off" intended to deter future chemical weapons attacks and not an expansion of the U.S. role in the Syrian war.(Reporting by Eric Beech; Writing by Yara Bayoumy; Editing by Sandra Maler and Paul Tait)

White House says Assad may be preparing chemical attack-[The Canadian Press]-YAHOONEWS-June 26, 2017

WASHINGTON — The White House says it has found "potential" evidence that Syria is preparing for another chemical weapons attack.Press Secretary Sean Spicer issued an ominous statement Monday evening that says the U.S. "has identified potential preparations" for another chemical attack by the Assad government that it says "would likely result in the mass murder of civilians, including innocent children."He says the activities are similar to those made before an April chemical attack. The Trump administration launched missile strikes in retaliation for that attack, which it blamed on Assad.Spicer warns that "if Assad conducts another mass murder attack using chemical weapons, he and his military will pay a heavy price."The White House has provided no immediate evidence to back up its claims.The Associated Press.

CHINA AND KINGS OF THE EAST MARCH TO ISRAEL 2ND WAVE OF WW3 (200 MILLION MAN ARMY)

REVELATION 16:12-16
12 And the sixth angel poured out his vial upon the great river Euphrates;(WERE WW3 STARTS IN IRAQ OR SYRIA OR TURKEY) and the water thereof was dried up, that the way of the kings of the east might be prepared.(THE TURKEY ATATURK DAM ON THE EUPHRATES CAN BE SHUT AND DRIED UP ALREADY BY TURKEY)
13 And I saw three unclean spirits like frogs come out of the mouth of the dragon,(SATAN) and out of the mouth of the beast,(WORLD DICTATOR) and out of the mouth of the false prophet.(FALSE POPE)
14 For they are the spirits of devils, working miracles, which go forth unto the kings of the earth and of the whole world, to gather them to the battle of that great day of God Almighty.(WERE 2 BILLION DIE FROM NUKE WAR)
15 Behold, I come as a thief. Blessed is he that watcheth, and keepeth his garments, lest he walk naked, and they see his shame.
16 And he gathered them together into a place called in the Hebrew tongue Armageddon.(ITS AT THIS TIME I BELIEVE WHEN AMERICA GETS NUKED BY RUSSIA ON THE WAY TO THE MIDEAST)

DANIEL 11:44 (2ND WAVE OF WW3)
44 But tidings out of the east(CHINA) and out of the north(RUSSIA, MUSLIMS WHATS LEFT FROM WAVE 1) shall trouble him:(EU DICTATOR IN ISRAEL) therefore he shall go forth with great fury to destroy, and utterly to make away many.( 1/3RD OF EARTHS POPULATION)

REVELATION 9:12-18
12 One woe is past; and, behold, there come two woes more hereafter.
13 And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God,
14 Saying to the sixth angel which had the trumpet, Loose the four(DEMONIC WAR) angels which are bound in the great river Euphrates.(WORLDWIDE WAR)(TURKEY-IRAQ-SYRIA)(EUPHRATES RIVER CONSISTS OF 760 MILES IN TURKEY,440 MILES IN SYRIA AND 660 MILES IN IRAQ)
15 And the four(DEMONIC WAR) angels were loosed,(WORLDWIDE WAR) which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men.(1/3 Earths Population die in WW 3 2ND WAVE-2 billion)
16 And the number of the army of the horsemen were two hundred thousand thousand:(200 MILLION MAN ARMY FROM CHINA AND THE KINGS OF THE EAST) and I heard the number of them.
17 And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.(NUCLEAR BOMBS)
18 By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths.(NUCLEAR BOMBS)

Focus-China's 16+1 foray into Central and Eastern Europe By Eric Maurice-euobserver

Prague, 26. Jun, 13:27-Half a decade after it was launched, the network of cooperation between China and 16 Central and Eastern European countries has brought uneven economical and political fruits so far.The so-called 16+1 was established in 2012 as Beijing's initiative to cover various issues such as investment, trade, but also culture or education.The group includes 11 EU countries: Bulgaria, Croatia, the Czech Republic, Estonia, Hungary, Latvia, Lithuania, Poland, Romania, Slovakia and Slovenia; and five non-EU countries from the Balkans: Albania, Bosnia and Herzegovina, Macedonia, Montenegro and Serbia.It fits into China's global strategy to engage new partners in political and economic ties in different formats.Despite having a permanent secretariat, the Cooperation between China and Central and Eastern European Countries - the initiative's official name - is more a series of bilateral relationships with no overall coherence, as experts pointed out in discussions at the Prague European Summit conference earlier this month."It's not really a multilateral format," Petr Kratochvil, the director of Prague's Institute of International Relations, told EUobserver."It's more a group of countries that China took to have bilateral ties with. It's mainly Poland and Hungary in terms of investment, and Romania and Serbia for building projects."China's interest in the 16+1 countries is different from one country to another.In the Czech Republic, Kratochvil noted, the Chinese have mainly invested in real estate, a football club - Slavia Prague, which just won the Czech championship - or the media."It's not really the kind of investment the country wants, because it doesn't produce anything," he said.In Budapest, meanwhile, the government announced last week that Hungary and China would soon start to cooperate in the healthcare industry – from making medical equipment to developing biotechnologies.Kratochvil noted that the amount of Chinese investments in the region had remained limited and was concentrated on a few high profile infrastructure projects, such as the Budapest-Belgrade high-speed railway that Chinese companies plan to build.The focus on infrastructure shows that China considers Central and Eastern Europe (CEE) a full part of the One Belt-One Road initiative – an investment and infrastructure plan, spanning from China to the Middle-East and Africa through to Central Asia."Southern and Eastern Europe are a testing ground for the Belt and Road," Anastas Vangeli, from the Polish Academy of Sciences, told EUobserver.He said that 16+1 was more an "experiment" than a "Chinese plan", and that Beijing tries "to see whether this type of diplomacy can help them boost economic relations.""To put it very simply, the whole idea is to find ways to boost the economy outside China, to generate demand for Chinese goods," Vangeli said, adding: "And these are not cheap goods: high speed railways, satellites systems or nuclear technology."Agatha Kratz, from the European Council on Foreign Relations, a London-based think-tank, told EUobserver that: "The first idea was to treat CEE as Asia and Africa.""That was a big shock, they explained that loans for projects that China would build were not going to happen."For Kratz, the success of the 16+1 initiative is to be found on the political side than in the economic side.She pointed out that annual summits between the 17 leaders, usually in Europe, constitute a "formal channel of communication".-A pragmatic question-After five years, the 16+1 format "has shown its limits, but it will continue," Kratz added.For China, the forum is "high-level enough and it helps to understand how best to promote what it can do in Europe".For CEE countries, the summits are "one more bilateral forum, one more way to have meetings with China and explain what they [CEE countries] need from it."For countries that are either part of the EU or willing to join it in the future, the Chinese partnership is "a pragmatic question", Kratochvil insisted.Although some leaders, such as Hungarian prime minister Viktor Orban or Czech president Milos Zeman, are supportive of certain Chinese positions – for instance Beijing's territorial claims in the South China Sea – the region is not going to become a Chinese "ally"."The idea of a strategic shift is nonsense," Kratochvil said.

DRUG PUSHERS AND ADDICTS

1 PET 5:8
8 Be sober,(NOT DRUGED UP OR ALCOHOLICED) be vigilant; because your adversary the devil, as a roaring lion, walketh about, seeking whom he may devour:

REVELATION 18:23
23 And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries (DRUGS) were all nations deceived.

REVELATION 9:21
21 Neither repented they of their murders,(KILLING) nor of their sorceries (DRUG ADDICTS AND DRUG PUSHERS), nor of their fornication,(SEX OUTSIDE MARRIAGE OR PROSTITUTION FOR MONEY) nor of their thefts.(STEALING)

Myanmar, Thailand incinerate illicit drugs worth $800 million-[Reuters]-yahoonews-June 26, 2017

BANGKOK/YANGON (Reuters) - Officials in Myanmar and Thailand burned illegal narcotics worth more than $800 million on Monday to mark the UN day against drug abuse and trafficking.The move came even as authorities struggle to stem the flood of illicit drugs in the region, with Thailand's justice minister last year saying the country's war on drugs was failing.In Thailand's Ayutthaya province, more than 9 tonnes of drugs with a street value of over 20 billion baht ($590 million) went up in smoke including methamphetamines, known locally as "yaba" or "crazy drug", according to police."Currently, we are able to take down a lot of networks, including ... transnational networks bringing drugs into Thailand ... to be shipped to Malaysia and other countries," Sirinya Sitthichai, Secretary-General of the Office of Narcotics Control Board, told reporters in Ayutthaya.In neighboring Myanmar, the police said they destroyed confiscated drugs worth around $217 million.Myanmar remains one of the world's largest producers of illicit drugs, including opium, heroin and methamphetamines. Those narcotics are often smuggled into China.Last year, law makers in Myanmar voiced disappointment over the country's lackluster efforts to tackle the drug problem.The market for methamphetamines has been growing in Southeast Asia, the United Nations has said. It estimates that Southeast Asia's trade in heroin and methamphetamine was worth $31 billion in 2013.(Reporting by Juarawee Kittisilpa in AYUTTHAYA and Aye Win Myint in YANGON; Writing by Amy Sawitta Lefevre; Editing by Joseph Radford)

Pot insider says dispensaries are 'dreaming' if they think they'll be part of legalization framework-[CBC]-yahoonews-June 26, 2017

Omar Khan sat down with Matt Galloway on Metro Morning to discuss big questions that have yet to be answered in the federal government's push to develop a legal framework for recreational marijuana sales by July 2018.Khan is former chief of staff to the Ontario health minister and he now works with the marijuana industry as vice president, public affairs of Hill + Knowlton strategies.Questions and answers have been condensed.Matt Galloway: How prepared is this country for legal weed? Omar Khan: I think right now you have a patchwork of readiness. You have provinces like Ontario, Quebec and New Brunswick who are fairly well advanced in terms of their thinking. And you have others, like Manitoba and Saskatchewan, who quite frankly are a little bit further behind.MG: What are the big questions that still have to be answered? OK: I think one of the points that's getting less attention is where will one be able to use marijuana. For example, you can walk down a public sidewalk and smoke a cigarette, but you can't walk down the sidewalk and drink a beer. I think that's a conversation that needs to happen.MG: Do you think that people will be allowed to smoke marijuana in parks, if they can't have an open bottle of alcohol there now? OK: There's a lot of evidence that suggests that harm associated with marijuana use is less than that associated with regular alcohol use. So I think it's something that the province of Ontario especially is going to be looking at as they move forward with their strategy.MG: What about the sale issue? OK: Since the government has set a fairly aggressive timeline for legalization — some have said, July 2018 — I think it's going to be very difficult for the government to have an up-and-running, bricks-and-mortar retail operation by this time next year essentially. I think the government is looking at three options: one would be a wholly government-run crown corporation a la LCBO; I think another option would be a heavily regulated system that gives out private licences for retailing; and then, the third option would be what we call a hybrid. Some private licences combined with a government-run system, similar to how beer and wine is distributed in Ontario.MG: Which way do you think they are leaning?OK: I know the Ontario government started looking at this seriously, right after the election of the Trudeau government. I know the attorney general, Yassir Naqvi, is working away feverishly to put together some options for cabinet to consider. I also know the premier is very big on consultation, so I suspect that before any plan is rolled out, there will be a robust public consultation.MG: Can you have robust public consultation and still set up that regulatory body in time? OK: I know they've been working at this hard for a year or so. The timeline's going to be a challenge no doubt. That's why I suspect that if there are going to be public consultations, as I presume there will be, they'll be rolling them out fairly shortly.MG: Is the timeline too tight? OK: It is what it is. Having worked in government, I know that sometimes you have to set a deadline to get everybody working away at achieving a goal. At the end of the day, what's important is that we are going to have legalized adult use of recreational cannabis in this country. And, industry, government, all involved stakeholders need to start working very fast to get this done right.MG: You work with the industry now. What do they want to know? OK: Like members of the public, they are waiting for more information about what the retail distribution model will look like. But I think industry is very interested in sharing some of their expertise when it comes to distribution. There are a lot of players who have a lot of experience dealing with controlled substances. So for example, pharmacies, care centres. I want to give kudos to Mayor Tory who spoke out vigorously against the illegal dispensaries that are out there right now. The one question everyone needs to ask is, where are these people getting their supply? We have 50 licensed producers or marijuana in this country right now.MG: So where are they getting their supply? OK: I don't want to open myself up to defamation. But they're not getting them from the licensed producers because none of them would risk their licence by providing supply illegally.MG: The assumption from many of the illegal dispensaries is that they're going to be part of the new regime.OK: I think they are dreaming in technicolour. There is no way the province of Ontario or any other province is going to give a retail distribution licence to any entity that's involved in criminal activity.MG: Do you really think we'll meet this deadline? OK: The good thing [Finance Minister] Morneau has put out there is that if there's a province that isn't ready with an up-and-running distribution system next year, there will be a fallback, and I suspect that will be online sales.

FIRES AND EXPLOSIONS

REVELATION 8:7
7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up.

Spain sends reinforcements as fire spreads near wildlife reserve-Agence France-Presse-yahoonews-June 26, 2017

Madrid (AFP) - Firefighters were battling Monday to contain a blaze threatening a renowned national park in southern Spain which has already led to the evacuation of some 2,000 people.Authorities were sending additional firefighters to tackle the flames at the Donana Natural Park in southwestern Spain near Huelva, a fire service spokesman told AFP."The flames are not under control, they are spreading," he added, though no injuries have been reported.The blaze comes a week after wildfires killed over 60 people in neighbouring Portugal.Strong winds and scorching heat were complicating efforts to fight the blaze, which broke out Saturday near the town of Moguer, officials said.The fire has not yet hit the neighbouring Donana National Park, which has been a UNESCO world heritage site since 1994 and is well known for the extensive biodiversity of its dunes, wetlands and woods."The flames have not reached the national park," the official in charge of the environment with the regional government of Andalusia, Jose Fiscal Lopez, told Spanish public television."A special effort was made during the night on the front which threatened the park the most," he added.The national park is one of Spain's most important wildlife sanctuaries and a popular tourist attraction.It is home to a variety of animals, including endangered species such as the Spanish imperial eagle and the Iberian lynx, a large cat found only in Spain and Portugal.Officials temporarily evacuated a lynx breeding centre on Sunday as a precaution.A female Iberian lynx died at the Acebuche captive breeding centre on Saturday "due to stress" during its capture for evacuation, the centre said in a statement.The other lynxes are "safe and sound", said the mayor of Moguer, Gustavo Cuellar. "Each lynx held in captivity is receiving detailed care."Over 200 firefighters backed by 15 vehicles and seven planes were battling the blaze on Monday morning, emergency services said.The cause remained unknown but Fiscal Lopez said officials were "certain" human activity played a role."It remains to be seen if this was with (criminal) intent or due to negligence," he added.The fire prompted the closure of several roads and the evacuation of some 2,000 people, including guests at camp sites and several hotels.There were no immediate details on how much land had been burned so far.

DANIEL 7:23-24
23 Thus he said, The fourth beast (EU,REVIVED ROME) shall be the fourth kingdom upon earth,(7TH WORLD EMPIRE) which shall be diverse from all kingdoms, and shall devour the whole earth, and shall tread it down, and break it in pieces.(TRADING BLOCKS-10 WORLD REGIONS/TRADE BLOCS)
24 And the ten horns out of this kingdom are ten kings(10 NATIONS-10 WORLD DIVISION WORLD GOVERNMENT) that shall arise: and another shall rise after them; and he shall be diverse from the first, and he shall subdue three kings.(EITHER THE EUROPEAN UNION DICTATOR BOOTS 3 COUNTRIES FROM THE EU OR THE DICTATOR TAKES OVER THE WORLD ECONOMY BY CONTROLLING 3 WORLD TRADE BLOCS)

REVELATION 17:9-13
9 And here is the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth.(THE VATICAN IS BUILT ON 7 HILLS OR MOUNTAINS)
10 And there are seven kings: five are fallen,(1-ASSYRIA,2-EGYPT,3-BABYLON,4-MEDO-PERSIA,5-GREECE) and one is,(IN POWER IN JOHNS AND JESUS DAY-6-ROME) and the other is not yet come; and when he cometh, he must continue a short space.(7TH-REVIVED ROMAN EMPIRE OR THE EUROPEAN UNION TODAY AND THE SHORT SPACE IS-7 YEARS.THE EUROPEAN UNION WILL HAVE WORLD CONTROL FOR THE LAST 3 1/2 YEARS.BUT WILL HAVE ITS MIGHTY WORLD POWER FOR THE FULL 7 YEARS OF THE 7 YEAR TRIBULATION PERIOD.AND THE WORLD DICTATOR WILL BE THE BEAST FROM THE EU.AND THE VATICAN POPE WILL BE THE WHORE THAT RIDES THE EUROPEAN UNION TO POWER.AND THE 2 EUROPEAN UNION POWER FREAKS WILL CONTROL AND DECIEVE THE WHOLE EARTH INTO THEIR DESTRUCTION.IF YOU ARE NOT SAVED BY THE BLOOD OF JESUS.YOU WILL BE DECIEVED BY THESE TWO.THE WORLD POLITICIAN-THE EUROPEAN UNION DICTATOR.AND THE FALSE PROPHET THAT DEFECTS CHRISTIANITY-THE FALSE VATICAN POPE.
11 And the beast that was, and is not, even he is the eighth, and is of the seven, and goeth into perdition.
12 And the ten horns which thou sawest are ten kings, which have received no kingdom as yet; but receive power as kings one hour with the beast.
13 These have one mind, and shall give their power and strength unto the beast.

Heres the scripture 1 week = 7 yrs Genesis 29:27-29
27 Fulfil her week, and we will give thee this also for the service which thou shalt serve with me yet seven other years.
28 And Jacob did so, and fulfilled her week:(7 YEARS) and he gave him Rachel his daughter to wife also.
29 And Laban gave to Rachel his daughter Bilhah his handmaid to be her maid.

DANIEL 9:26-27
26 And after threescore and two weeks(62X7=434 YEARS+7X7=49 YEARS=TOTAL OF 69 WEEKS OR 483 YRS) shall Messiah be cut off, but not for himself: and the people of the prince that shall come shall destroy the city and the sanctuary;(ROMAN LEADERS DESTROYED THE 2ND TEMPLE) and the end thereof shall be with a flood, and unto the end of the war desolations are determined.(THERE HAS TO BE 70 WEEKS OR 490 YRS TO FUFILL THE VISION AND PROPHECY OF DAN 9:24).(THE NEXT VERSE IS THAT 7 YR WEEK OR (70TH FINAL WEEK).
27 And he ( THE ROMAN,EU PRESIDENT) shall confirm the covenant (PEACE TREATY) with many for one week:(1X7=7 YEARS) and in the midst of the week he shall cause the sacrifice and the oblation to cease,(3 1/2 yrs in TEMPLE ANIMAL SACRIFICES STOPPED) and for the overspreading of abominations he shall make it desolate, even until the consummation, and that determined shall be poured upon the desolate.

LUKE 2:1-3
1 And it came to pass in those days, that there went out a decree from Caesar Augustus, that all the world should be taxed.
2  (And this taxing was first made when Cyrenius was governor of Syria.)
3  And all went to be taxed, every one into his own city.

Opinion-New initiative could trump the Visegrad Group By Wojciech Przybylski-euobserver

Warsaw, 26. Jun, 17:09-"New Europe" was a term coined by the administration of former US president George W. Bush.When the USA decided to invade Iraq, this term was used to differentiate between – and celebrate – the solidarity of new Nato members compared to the reluctance of the old allies.Since then, the intricacies of European politics – from smaller initiatives to larger regional alliances and even to the inner-workings of the EU itself – have grown considerably.Many wishing to weaken Europe’s position and potential on the global stage try to exploit this division of old vs new, and it is something all leaders on the continent should be wary of.With that still in mind, on 6 July US president Donald Trump will arrive in Warsaw and take part in an assembly of one of these regional alliances, the Three Seas Initiative (TSI) – a meeting of the EU leaders representing Central and Eastern Europe (CEE).The three seas is a reference to the countries situated between the Adriatic, Baltic and Black Seas.The initiative is seen as a major diplomatic triumph of the Polish president, Andrzej Duda, who is also the leader of the TSI and desperate for a win.However, the TSI is just one of many political groupings in the CEE region with a primary focus on influencing EU policy. Other such groupings of more or less importance are the Visegrad Group (V4), Slavkov triangle, Danube Region, Weimar Triangle and Nordic-Baltic cooperation.While their main focus is on fostering cooperation within the EU, such formations are becoming increasingly interesting for external powers such as China (in the so-called 16+1 format) and now the US.Trump’s visit will definitely put a spotlight on the TSI and help this format to continue.TSI members – Austria, Bulgaria, Croatia, the Czech Republic, Estonia, Hungary, Latvia, Lithuania, Poland, Romania, Slovakia and Slovenia – pledged in their founding declaration a year ago to foster regional projects in the areas of energy, transportation, digital communication and economic sectors in CEE.However, according to analysts who are advancing the concept, like Bartosz Wisniewski, the head of research office at the Polish Institute of International Affairs (PISM), the region still has a long way to go when it comes to its economic development.The TSI is meant to complement connectivity between the East and West of Europe, with greater connectivity along the north-south axis, thanks in no small part to the EU's financial contribution.-Not quite quid pro quo-The US has already increased on their military presence in the region, even more so than had been originally promised by the administration of former US president Barack Obama.The LNG (liquid natural gas) terminal in Swinoujscie, Poland – a strategically important facility allowing for more energy independence in the region – has only recently celebrated the arrival of its first transportation from the US and awaits its next shipment from Qatar, and other countries.Justifiably suspicious of their eastern neighbour, Poland will most likely take the opportunity to sup-port the recent sanctions that were proposed by the US Senate last week on contractors for the Nord Stream 2 (NS2) project, as well as other significant Russian businesses.In comparison, both Trump and Hungarian PM Viktor Orban have sought to lift the sanctions on Russia, a sentiment that is also shared today by Austria, a member of the TSI, whose companies are contractors for the NS2.However, according to PISM these differences are fine, as they are neither an attempt to undermine European integration, nor a block to ward off Russia.To the Czechs and Slovaks, the TSI, especially now, might be a little more problematic.While they agree with the goal of north-south connectivity, they are cautious – if not suspicious – of the political dimension.V4 is the most important format to Slovakia, whereas the country treats the TSI more like a one time event.For Slovaks, there is no political content in this grouping. And, beyond that, there is no security component and no political dimension for the country.Czech officials have also expressed reservations towards Poland, a country that, along with Hungary, emphasises the East-West divide. The radicalisation of some V4 members also does not help.Poles automatically reject all ideas from the Western members, a Czech diplomat recently told Gazeta Wyborcza.A member of the Czech ministry of foreign affairs, who was quoted in the same article, went even further, claiming that the idea of a Three Seas Initiative is unacceptable because of its 20th century neo-imperial origin.Such criticism is dismissed by PISM analysts, who underline that despite any apparent differences, Slovakia and Czech Republic will send their representation.Despite many reservations, the obvious champion of the initiative has become the Croatian president, Kolinda Grabar-Kitarovic. Allegedly, her personal involvement was of key importance to the US delegation.The TSI clearly goes along with her plans for her LNG terminal in Croatia that will improve gas sup-ply diversification – independent of Russia – and increase energy cooperation in the region.-Needing a pat on the back-It might be too simplistic, but there is the chance that Trump is using the occasion as a slight against German chancellor Angela Merkel and French president Emmanuel Macron.Is this a not-too-subtle comment about how Trump sees future European cooperation? The question needing to be answered by EU leaders will be whether they think Trump is willing to cut off his nose to spite his face.That worries some, who do not believe that the Polish ministry of foreign affairs can handle a diplomatically sensitive visit.Warsaw, already isolated in the EU, may want to be even more confrontational after Trump's visit. This will also not help to reconcile with Brussels, Berlin or Paris.Furthermore, it will not help to build regional solidarity, since the northern and southern neighbours of Poland will not feel like taking part in fist-fights that would complicate relations with their Western partners.No matter how well-intentioned these leaders are in developing ties between their nations, they will all struggling with domestic and regional issues, as well as questionable popular support.It all makes the meeting feel more like the international conference of future political pariahs.Wojciech Przybylski is the editor-in-chief of Visegrad Insight, and chairman of the Res Publica Foundation in Warsaw. His new book ‘Understanding Central Europe’, co-edited with Marcin Moskalewicz, will be published by Routledge in the second half of 2017.

UK visitors set to pay into EU budget after Brexit By Nikolaj Nielsen-june 27,17-euobserver

BRUSSELS, Today, 22:25-British nationals may end up paying into the EU general budget after the UK leaves the European Union.An EU proposal to tighten border security controls for all visa-free travellers sometime in 2020 will be generating cash by demanding fees from holidaymakers. The fees will pay for annual running costs.But an European Commission official on Monday (26 June) said any surplus revenue would also then go to the EU budget and reduce member state contributions.Proposed last November, the Commission's European Travel Information and Authorisation System (Etias), will screen all visa-free travellers before they enter the passport-free Schengen zone of 26 European states."Any accumulated surplus generated by the Etias revenues would in any case revert back to the EU general budget and hence reduce member state contributions," the Commission official told MEPs.A five-year application under the scheme is €5. The fee is small but the UK's total sum in the pot is not insignificant.Brits made 35 million holiday trips to the EU last year alone with around a third going to Spain, followed by France and Greece. Another 5.5 million were business trips.A spokesperson from the UK-based Association of British Travel Agents (Abta) told EUobserver that the UK holiday figures to the EU have increased substantially in the past few years.He noted that 2016 was "an all time record".Abta wants the British government to negotiate an exemption for UK nationals in Etias, noting that "it is in everyone's interest to keep these flows going."The UK government, meanwhile, says it is determined to get the best possible deal for the country.A UK government spokesperson said Etias was just "one of many areas that may need to be addressed as we leave the EU and agree a new partnership."It is also likely to stir up resentment among people who campaigned to leave the EU, given that British nationals may still be footing, albeit indirectly, the EU budget after Brexit.Commission estimates suggest Etias will cost over €200 million to launch and around €85 million to maintain annually. Discussions between the EU institutions have yet to start but the plan is to reach an agreement before the end this year.German Green MEP Jan Philipp Albrecht said the EU would be better off making it easier for people to travel than imposing a new system that not only creates more red tape but also blanket collects personal data."Making it easier for people from countries, which are also democracies, to travel to the European Union and back is a positive thing and we need not to make that more difficult but easier," he said on Monday.EU nationals, for their part, took 10 million holiday trips and some 7 million business trips to the UK in 2016.

WORLD POWERS IN THE LAST DAYS (END OF AGE OF GRACE NOT THE WORLD)

EUROPEAN UNION-KING OF WEST-DAN 9:26-27,DAN 7:23-24,DAN 11:40,REV 13:1-10
EGYPT-KING OF THE SOUTH-DAN 11:40
RUSSIA-KING OF THE NORTH-EZEK 38:1-2,EZEK 39:1-3
CHINA-KING OF THE EAST-DAN 11:44,REV 9:16,18
VATICAN-RELIGIOUS LEADER-REV 13:11-18,REV 17:4-5,9,18

WORLD TERRORISM

OH BY THE WAY WHEN THE MEDIA SAYS ALLU-AK-BAR MEANS GOD IS GREAT LIE. IN ISLAM ALLU-AK-BAR MEANS OUR GOD IS GREATER OR GREATEST. THIS IS HOW THE MEDIA SUCK HOLES UP TO ISLAMIC-QURANIC-MUSLIMS. BY WATERING DOWN THE REAL MEANING OF THE SEX FOR MURDER DEATH CULT ISLAM. TO MAKE IT SOUND LIKE A PEACEFUL RELIGION (CULT OF DEATH AND WORLD DOMINATION).

GENESIS 6:11-13
11 The earth also was corrupt before God, and the earth was filled with violence.(WORLD TERRORISM,MURDERS)(HAMAS IN HEBREW IS VIOLENCE)
12 And God looked upon the earth, and, behold, it was corrupt; for all flesh had corrupted his way upon the earth.
13 And God said unto Noah, The end of all flesh is come before me; for the earth is filled with violence (TERRORISM)(HAMAS) through them; and, behold, I will destroy them with the earth.

GENESIS 16:11-12
11 And the angel of the LORD said unto her,(HAGAR) Behold, thou art with child, and shalt bear a son, and shalt call his name Ishmael;(FATHER OF THE ARAB/MUSLIMS) because the LORD hath heard thy affliction.
12 And he (ISHMAEL-FATHER OF THE ARAB-MUSLIMS) will be a wild (DONKEY-JACKASS) man;(ISLAM IS A FAKE AND DANGEROUS SEX FOR MURDER CULT) his hand will be against every man,(ISLAM HATES EVERYONE) and every man's hand against him;(PROTECTING THEMSELVES FROM BEING BEHEADED) and he (ISHMAEL ARAB/MUSLIM) shall dwell in the presence of all his brethren.(LITERAL-THE ARABS LIVE WITH THEIR BRETHERN JEWS)

ISAIAH 14:12-14
12  How art thou fallen from heaven, O Lucifer,(SATAN) son of the morning!(HEBREW-CRECENT MOON-ISLAM) how art thou cut down to the ground, which didst weaken the nations!
13  For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north:
14  I (SATAN HAS EYE TROUBLES) will ascend above the heights of the clouds; I will be like the most High.(AND 1/3RD OF THE ANGELS OF HEAVEN FELL WITH SATAN AND BECAME DEMONS)

JOHN 16:2
2 They shall put you out of the synagogues: yea, the time cometh, that whosoever killeth you will think that he doeth God service.(ISLAM MURDERS IN THE NAME OF MOON GOD ALLAH OF ISLAM)

Before tragedy strikes': Liberals launch centre to prevent homegrown terrorism-[CBC]-yahoonews-June 26, 2017

The federal government has launched a new centre tasked with preventing the radicalization of Canadian young people.A special adviser will be named in the coming months to oversee the local outreach and research projects funded through the Canada Centre for Community Engagement and Prevention of Violence.The centre will have dedicated staff, but will be located within the existing Public Safety Canada space.Public Safety Minister Ralph Goodale said Canada must become a world leader in understanding and dealing with radicalization that leads to violence, in order to retain its national character as an open, diverse society that is also safe and secure."The new Canada Centre for Community Engagement and Prevention of Violence will help us do as much as humanly possible to prevent radicalization to violence before tragedy strikes," Goodale said in a statement. "It will support and empower local leaders to develop initiatives that are suited to their community."Last year's budget set aside $35 million over five years and $10 million each year after to combat radicalization and violence in Canada.Ontario Liberal MP Arif Virani, the parliamentary secretary to the minister of heritage (multiculturalism), said the new centre will drive better research, understanding and engagement, with a special focus on youth vulnerable to radicalization. Building up trust relationships and opening lines of communication are critical to combating radicalism at the ground level, he said.-No boundaries to extremist views-The centre will not focus on Islamist extremism alone, but will cover a wide spectrum, because while some attacks are perpetrated by Islamist extremists, others target Muslims, Virani said."When we look at what's happening across the country, radicalization is not endemic to any one group, institution, race or religion," he said. "It doesn't have particular boundaries that are tied to a religion or an ideology. That's very important to keep in mind because that's a situation we need be upfront about in terms of where the threats are coming from and not focusing on any one particular community."In January, six people were killed and 19 others injured in an attack by a gunman at a Quebec CIty mosque.-Domestic acts of terror-Last August, Aaron Driver died in an altercation with police in Strathroy, Ont. RCMP believe he was preparing to carry out a suicide bombing in a public place.That incident came less than two years after Michael Zehaf-Bibeau shot and killed Cpl. Nathan Cirillo while he stood on guard at the National War Memorial, an act the RCMP called terrorism, before making his way to Parliament Hill.Jeremy Littlewood, a terrorism expert at Ottawa's Carleton University, said Canada's domestic terrorism problem is smaller than some of our closest allies, but that doesn't mean there is no danger.Littlewood said it's too early to tell if Canada's approach will work to combat domestic terrorism, but he said it is wise not to target only one group of extremists."Making it one type of terrorism specific, for example, al-Qaeda or ISIS-inspired terrorism, is a recipe for creating fear, suspicion and perpetuating the notion of suspect communities within a population," he said.Littlewood said success will depend partly on sustained funding, and an openness about what is working and what is not.The government is accepting proposals for the Community Resilience Fund as of July 6, 2017, which has $1.4 million available to fund projects in 2018-19. For subsequent years, there will be $7 million for continuing and new projects.Ten projects have already received funding for counter-radicalization work.

Crowd flows, camera coverage being studied to bolster Parliament Hill security-[The Canadian Press]-yahoonews-June 26, 2017

OTTAWA — Security officials say they're ready for the throngs set to descend on Parliament Hill for Canada's 150th birthday celebration Saturday.But that doesn't mean federal researchers are done thinking about how to better protect the country's seat of democracy in the months and years ahead.Advisers are gathering data on everything from crowd flows to video-camera placement to ensure both security and openness in the parliamentary precinct.Parliament Hill security is a "tough nut to crack" because of the fine balance between guarding the most important democratic institutions while keeping the grounds open to people, said Rami Youssef of the federal Centre for Security Science, a wing of Defence Research and Development Canada.After a gunman stormed the Hill in October 2014, dying in a hail of bullets in the Hall of Honour, the centre completed two studies. One looked at the physical security of Parliament's Centre Block, while the other delved into procedures for handling visitors and employees in the parliamentary precinct.The most tangible result of the armed assault was creation of the unified Parliamentary Protective Service, drawing together forces from the RCMP, House of Commons and Senate.The centre's researchers need more information before making the next set of recommendations to decision-makers, Youssef said in an interview."The reality is there's a lot of data to be collected, and a lot of data to be studied and analyzed," he said. "We have to go little by little, because they cannot make any drastic changes just overnight."Researchers are interested in the varied nature of the crowds that turn up on Parliament Hill, as well as the ebb and flow of pedestrian traffic at different times of day.Plans were revealed four years ago to boost video-camera coverage of the Hill substantially to guard against possible attacks by detecting abandoned packages, suspicious activity and disturbances.Researchers are studying different types of cameras, their placement and the percentage of visual coverage on the Hill, Youssef said.Work has been focused to date on trying to prevent attacks in the parliamentary precinct but, time permitting, the centre might explore other types of threats and hazards, such as an earthquake or other natural disaster, he added.Many parts of the Hill are undergoing extensive renovations. That could be a welcome opportunity to embed security changes into revamped buildings, Youssef said.The new Parliamentary Protective Service is working with the centre researchers on projects throughout the precinct, but disclosing details of the efforts "would expose operational tactics and measures" that could affect safety, said Melissa Rusk, a spokeswoman for the protective service.Federal officials are also reviewing the mandate of the Government Operations Centre, the focal point for monitoring major national events and emergencies. In addition, they are seeking a new home for the Ottawa-based centre.During the 2014 shooting, the centre lacked computer technicians, food was limited and senior emergency officials weren't in the building, according to internal documents released two years ago. — Follow @JimBronskill on Twitter-Jim Bronskill , The Canadian Press.

3,000 N.L. Muslims gather for Eid celebrations at Jack Byrne Arena-[CBC]-yahoonews-June 26, 2017

Muslims in the St. John's area joined with others around the world in celebrating Eid Sunday — the festival that marks the end of the Islamic month of Ramadan.The celebration at Jack Byrne Arena Sunday morning began with prayers and then a meet and greet with tea, coffee, and snacks."After prayer, we had refreshments, and after refreshments they put out some bouncy castles for kids to play on," Reem Abu-Hendi said.The local celebration is huge — about 3,000 Muslims packed the Jack Byrne Arena early Sunday morning."The community at first, was not that large so like the mosque used to accommodate us but now it's really big like 3,000 people in one place, it's amazing," she said."Just to see all the Muslims in one place, it's a great feeling." Abu-Hendi said.Ramadan is a sacred time for Muslims, who believe that it was when the Qur'an — the holy book — was revealed through the prophet Muhammad."It's 30 days but this year it happened to be 29 because of the moon,"  Ayamen Shaawen said.The month, which started this year May 26, includes dawn-to-dusk fasting, and ends with a religious holiday called Eid."We fast from 3 a.m. until 9 p.m. so it's 18 hours a day," Abu-Hendi said.The fasting can be challenging, but that's what makes it worthwhile, she said."Your body just gets adjusted to it, and I would say it's thirst more than hunger, so you can usually go about your daily activities but around 6 p.m.-7 p.m., I'm done," she said.Without food all day, you'd think there might be a lot of cranky people walking around who are "hangry," but Abu-Hendi says it's all about willpower."Ramadan teaches you patience and self-control. If we lose to anger we could break our fast," she said."It's more of a self-discipline thing," Shaawen said.Volunteers who set up the event get up at the crack of dawn to prepare the arena for the 3,000 attendees."It's a big challenge for those who volunteer to organize it. Before we had a smaller community and our mosque was able to accommodate the size of our community but not anymore," said organizer Ayse Sule."It's a team effort," said Moein Shahwan, vice-resident of the Muslim Association of Newfoundland and Labrador."It brings lots of richness to our community and we are proud of it," Sule said.

Relatives of serial killer's victims speak of pain, guilt and anger-[The Canadian Press]-yahoonews-June 26, 2017

WOODSTOCK, Ont. — One after another, family and friends of a serial killer's victims described overwhelming guilt, anger and profound sadness when they learned their loved ones had been murdered by an Ontario nurse who was supposed to care for them.And many spoke about their loss of faith in the province's long-term care system, where Elizabeth Wettlaufer was allowed to cast her "shadow of death" over vulnerable seniors for nearly a decade.Wettlaufer was sentenced Monday in a Woodstock, Ont., court to life in prison with no eligibility for parole for 25 years after she pleaded guilty last month to eight counts of first-degree murder, four counts of attempted murder and two counts of aggravated assault.The 50-year-old nurse used insulin trying — and in most cases succeeding  — to kill vulnerable victims in her care at three Ontario long-term care facilities and a private home. Her crimes began in 2007 and didn't stop until she confessed to the killings at a psychiatric hospital in Toronto last fall.Sandy Millard, whose 87-year-old mother, Gladys Jean Millard, was murdered by Wettlaufer in 2011 at Caressant Care in Woodstock, told court about the depression she has fallen into."Finding out she was killed by a huge injection of medication she did not need broke my heart," she said.Her daughter, and Millard's granddaughter, Shannon Emmerton, spoke through tears."I don't know if I will ever truly recover," she said.Patricia Matheson glared at Wettlaufer as she read a statement by her husband, whose mother, Helen Matheson, was killed by the nurse in 2011."I lost my mother for the second time. No funeral this time, just shock, followed by the question why," Jon Matheson wrote. "I placed my mother in a facility I researched never once considering she would be a victim of such a despicable act. I ask why, because she didn't eat all the blueberry pie and ice cream?"The question of why Wettlaufer killed or hurt 14 people loomed large in court. In a lengthy video statement she gave to police last fall, she said she felt a "red surging" well up in her chest that was relieved after she completed a kill. She believed she was an instrument of God at times, but also killed because some residents were too much work, too burdensome.Many others, wracked by guilt, spoke of what-ifs."I simply feel guilty for not being able to protect my father as he had protected me," wrote David Silcox, whose father, James Silcox, was murdered in 2007.Justice Bruce Thomas acknowledged that guilt was the common theme of the 28 victim impact statements filed in court a few weeks ago."It is a complete betrayal of trust when a caregiver does not prolong life, but terminates it," he said. "But you cannot blame yourselves."Thomas described Wettlaufer's "free run" on her nine-year killing spree, with no oversight or even an inkling she had committed such calculated murders."Without her confessions, I am convinced these offences would never have been brought to justice," he said, calling Wettlaufer a "shadow of death that passed over them (the victims) on the night shift where she supervised."Debora Rivers said her grandmother, Mary Zarawinski, hated the nursing home when she first went there. There are a lot of old people here, she told her niece, even though Zarawinski was one of the oldest residents in the facility."She made it nice for everybody there," Rivers said outside court.She also noted that Wettlaufer had described Zarawinski as "'fun and feisty' — and she was.""The woman lived to be 96 years old for God's sake," Rivers said. "We have no way of knowing how long her life might have been," she said. "We were pretty sure she was going to make it to 100 and so was she."For her part, Wettlaufer apologized, crouching in the prisoner's box without looking at anyone."I am truly sorry for the people I injured or murdered," she said in a soft voice."Sorry is much too small a word. I hope that the families can find some peace and healing."Beverly Bertram, who is Wettlaufer's sole living victim, wrote about the physical pain she was in after the nurse injected her with insulin with the intent to kill her."It is really hard to describe, but I knew I was dying," she wrote in her statement. "I was doubled over in pain in my stomach...Just such pain. My whole body hurt...I thought I was screaming, but I was just moaning I guess."Bertram wrote that she has become a recluse since the incident, afraid of everyone, including her own shadow, and has lost all relationships with her family."I truly think sometimes I'd be better off if she did her deed."Shortly after Wettlaufer's sentencing hearing, the province announced it would hold a public inquiry into the murders to ensure a similar tragedy does not happen again.Liam Casey , The Canadian Press.

Demand for Canada 150 flags, brings seamstress out of retirement-[CBC]-yahoonews-June 26, 2017

Canada Day is just under a week away and thanks to the demand for flags leading up to the big celebration, one New Brunswick woman has had to put her retirement on hold.Theresa King's basement is full of bright materials and the tools to turn them into something special. Since March, most of King's projects have been paused while she helps her former employer.- Cyclists pedal into New Brunswick for Canada 150 journey - Fredericton's Canada 150 funding largely focused on 'Indigenous reconciliation' "I thought I was going to be retired," King said with a laugh from her seat in front of a sewing machine.After 28 years working for The Flag Store in Thornton, Ont., she moved to Tower Hill, near St. Andrews. King was only given two years before her old boss came calling."The demand for Canadian flags for the 150 has been so dramatic that they have been out of flags forever," King said.So she agreed to help, thinking at first it would only be for a couple of weeks. Her estimate turned out to be off. Way off.Getting into the flag business-"By the time I'm finished, it will be about 2,500, three-foot-by-six-foot Canadian flags that I will have finished."Working from 6 a.m. to 9 p.m., King can put together about 250 flags a week, which despite their complexity, she will tell you is fast.In order to save on the shipping costs, King drove her first shipment of 1,400 flags to Ontario in May.There has been some time for King to enjoy some side projects, like altering a graduation dress, but she said she's happy to help her former colleagues.In her years working for The Flag Store, she said March always meant the beginning of the busy season. But Canada 150 she said, has created demand the store isn't normally accustomed to."Those girls are pretty tired too," King said. "They're just swamped and there just isn't enough time in the day."It isn't just King who is hard at work in the workshop, she enlisted her husband, Doug, to help out too.He'll be the first to tell you that he never planned on getting into the flag business. But after stencilling off bright red maple leafs from cloth, Doug King said the work keeps him out of trouble.While her time is occupied by piecing together red and white material, King will have a little variety in her life this week.-100 and counting-A text from her boss saw rolls of green, gold, and black arrive at her door with a request from the Jamaican consulate."I have 100 to make" she said, "So I can ship them on Wednesday."After being so busy, you would think King planned on taking Canada Day off to enjoy seeing some flags fly. Instead, she said she's only going to take a break to go to the market before getting back to work.With a goal of getting another 1,000 Canadian flags finished by September, she said her next delivery will be her vacation."That'll be my holiday" King said, "A few days off to drive to Ontario and deliver all the flags."

Canadians will soon have a law on how to dispose of mercury-filled light bulbs-[CBC]-yahoonews-June 26, 2017

Canadians will soon have guidance from the federal government on how to dispose of mercury-containing light bulbs in an environmentally responsible way.Bill C-238, a new act that sets out rules for a national light bulb disposal strategy, received royal assent on Thursday.The National Strategy for Safe and Environmentally Sound Disposal of Lamps Containing Mercury Act commits the government to identify ways to dispose of mercury-containing light bulbs safely and establish guidelines for facilities that dispose of them, and then promote the program to Canadians.The bill also requires the environment minister to table the national strategy in Parliament within two years of the act receiving royal assent. -No regulations-Dartmouth-Cole Harbour MP Darren Fisher, who introduced the private member's bill, said there were no federal regulations outlining how to dispose of light bulbs."You can take your mercury-bearing light bulb, and you can throw it in your garbage bag and put it to the curb," he said.One regular, 13-watt residential compact fluorescent light bulb (CFL) — the curly looking ones that are slowly replacing the traditional, round incandescent bulbs — contains on average 3.5 milligrams of mercury. Energy Star-certified CFLs contain 2.5 milligrams or less. Fluorescent tubes contain up to 12 milligrams.Fisher said about 1,150 kilograms of mercury end up in Canadian landfills each year, and can contaminate the environment.Mercury is also listed as a toxic substance under the Canadian Environmental Protection Act."So this is an incredibly big issue," he said.Compact fluorescents on the rise-A 2014 federal ban on most residential incandescent bulbs means more Canadians are using compact fluorescent bulbs. A 2014 report from Statistics Canada noted that in 2011, three-quarters of households across the country used at least one CFL bulb.About half the households that used CFLs reported throwing them in the garbage, and Haligonians were the most likely to toss them, with 84 per cent doing so, the report said.-'Piecemeal' approach-Recycling facilities in some municipalities and provinces break CFL bulbs down and recycle about 98 per cent of the components, including the mercury. Some retailers also collect used bulbs to send to recyclers.But Fisher described that as a "piecemeal" approach.He encourages Canadians to recycle their bulbs or simply hold on to them until the new law is developed."If the worst thing you have to do is put them in a cardboard box and leave them in your garage until the strategy comes forward, please do so, because what we'd like to see is no mercury-bearing light bulbs going into our landfills across Canada," said Fisher.

Nine dead after Colombia tourist boat sinks in reservoir-[Reuters]-yahoonews-June 26, 2017

BOGOTA (Reuters) - Nine people died and 28 are missing after a multi-decked tourist boat carrying about 170 passengers sank in Colombia's Penol-Guatape reservoir on Sunday during the long holiday weekend, a government official said.Officials did not disclose the cause of the accident and provided few details.Videos posted on social media showed motorboats coming to the aid of passengers on the upper decks as the boat rocked from side to side. Ninety-nine people were rescued, Margarita Moncada, the head of disaster relief for Antioquia province, told journalists."At the moment we have nine people found dead. Another 99 people were rescued immediately and 40 more got out on their own," she said.Survivors on local television reports said they heard a loud noise before the boat began to sink and that not all of them had life jackets. Rescue operations were ongoing.Rescue workers and the air force were helping passengers at the scene, President Juan Manuel Santos said in a Twitter post.The large reservoir, about an hour from the central city of Medellin, is a popular tourist destination.(Reporting by Luis Jaime Acosta and Julia Symmes Cobb; Editing by Richard Chang)

          Contentment with small things    

It's ingrained in the minds of so many Americans - that Norman Rockwell image of Grandmother placing a glowing brown turkey on a white table, surounded by smiling faces huddling as if listening to some family tale.

For many Americans, Thanksgiving is a time for renewing bonds with extended family and friends, and for bountiful tables. But what about people who can't take part in such a large festivity?

Whether it's parents whose children live far away, or singles who choose to spend the holiday with friends, or people who want to simplify this annual tradition, many are finding they can have all the meaning of Thanksgiving around a smaller table.

For Alice Shobe, a wife and mother of two young children, the beauty of the day is precisely in its simplicity. No football. No shopping. No pressure. Just good friends and food.

"I like the feeling of sitting at the table, and feeling calm, and having nice conversation with people that I'm really happy to be there with," says Ms. Shobe, deputy director of a Seattle nonprofit organization.

Shobe and her husband, Eric Svarens, usually spend Christmas with his parents in Portland, Ore. And her parents live in Michigan - too far to travel on the busiest holiday of the year. So, to their delight, that leaves Thanksgiving as the one holiday they can spend exactly as they please, and that's with their children, 11 months and four years old, and a few close friends.

For her husband, an organizational consultant, this kind of celebration is a relief from pressured family gatherings.

"We've said, 'Let's make this something that works for us,' " Mr. Svarens explains. "The only tradition so far is, Alice makes this incredible cranberry sauce. But other traditions are not fully developed yet."

Defining and observing traditions is important to Hepsie and Ron Davis's Thanksgiving celebrations. In 35 years of marriage, they have lived in several US states, Geneva, and Hong Kong, following Ron's postings as a corporate lawyer. While they were raising two daughters, they rarely lived near relatives. Now they are retired and live in Flat Rock, N.C.

Observing family rituals "was a very conscious effort because of our children," says Mrs. Davis. "We wanted to establish our own family traditions, to develop our own strong family bond. Even if it's just Ron and I, we try to maintain family traditions."

For the Davises, Thanksgiving Day starts with a leisurely breakfast. For dinner, it's the traditional turkey with the highlights: "steamed oysters, fried oysters, oyster stuffing. Always oysters," Mrs. Davis says. "This is oyster season in North Carolina," where she grew up.

"I think Thanksgiving is a state of mind," she says. "It's not the event, it's what the event symbolizes. And you can have that by yourself or with two people."

Judith Reiffel spent 20 years living and working in Berlin, long after her sons had grown up. After 20 years without Thanksgiving, and always being the guest at Christmas, Ms. Reiffel was primed for celebrations when she retired to the Jamaica Plain neighborhood of Boston.

"The first thing I did when I got back here was to have parties," she says. Most Thanksgivings have been at her apartment, with one of her sons and a couple of his friends.

But with a tight budget and no car, Reiffel has learned to pare the food down to the necessities. She starts weeks in advance buying food items - one at a time, in addition to her regular shopping. "Suddenly you have everything," she says. To keep expenses down, she cuts out certain foods such as relishes and olives, which "no one will ever miss." When her guests are too few to consume a whole bird, she buys cuts of turkey and roasts them with all the trimmings.

"You have to scale down when you get older," she explains. "Which doesn't make it worse - it's a relief."

Laurel Ross, an elementary music teacher from Eugene, Ore., says her most memorable Thanksgivings were spent with a few close friends who gathered almost every year for 10 years.

The celebrations were far from traditional. Two of her friends are vegetarians, she laughs, and the staunchest one insisted on carving the turkey.

"We didn't have any real rituals around it," Ms. Ross says. "But we looked forward to it. We always worked together, so it wasn't heaped on one person."

Janet Luhrs, author of "The Simple Living Guide" (Broadway Books, 1997), says simplifying holiday plans is easy to do without diminishing the festive atmosphere. The most important thing is to talk with the guests, and decide as a group what is most important to everyone.

"At that meeting, create an umbrella of values," she suggests. "Say, 'What is really meaningful here?' If it's to have time with your children or family, then you can question why you are running around to find the perfect decoration for your office party."

To bring intimacy to a celebration, even when it's with people you may not know well, Ms. Luhrs says, ask people to write down meaningful quotes, put them in a bowl, and take turns around the table reading them.

For those spending the day alone, Vicki Robin, co-author of "Your Money or Your Life" (Penguin, 1999), suggests writing a letter to someone who has been a blessing in your life. "That way you get to experience the richness of that person." she says.

Ms. Robin suggests that, no matter how simple the celebration, the most important thing is to list all the things you appreciate in your life. "Every time you name something that you have and appreciate, your experience of 'wealth' increases," she says. "The more we step into the space of gratitude, the harder it is to remain an unconscious consumer."

Ms. Shobe says the holiday is important for her family.

"I feel a strong desire to use Thanksgiving as a special time to teach - but also to demonstrate for my children - conscious acts of being grateful," she says. "I've adopted Thanksgiving for that purpose."

(c) Copyright 2000. The Christian Science Publishing Society

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          Karisma Hotels & Resorts Announces Plans For Nickelodeon Hotels & Resorts Jamaica   
Karisma Hotels & Resorts has announced plans to open a brand-new Nickelodeon Hotels & Resorts resort in Jamaica, as part of Sugar Cane Jamaica - a new $1 billion hotel, entertainment and retail project near Ocho Rios! Karisma Hotels & Resorts made the exciting construction announcement during the grand opening ceremony of the Azul Beach Resort Sensatori Jamaica in Negril.

The project, which is scheduled to come online over the next 10 years, will feature 5,000 rooms in seven hotels, including Nickelodeon Hotels & Resorts Jamaica, said Rafael Feliz, chairman and CEO of Karisma Hotels & Resorts.


“The permits have been submitted and development preparation is underway,” Feliz said, adding “With the support of our partners – the government of Jamaica and the people of Jamaica – along with the presence of strong brand names such as Nickelodeon Hotels & Resorts Jamaica and Margaritaville All-Inclusive Resort Jamaica by Karisma, I have no doubt that Sugar Cane Jamaica will be the next landmark for luxury travel in the Caribbean,” he said.

The news follows the successful opening of Nickelodeon Hotels & Resorts Punta Cana in the Dominican Republic, Karisma and Viacom International Media Networks' (VIMN) first Nickelodeon Hotels & Resorts resort, which opened to critical acclaim during summer 2016, and boasts a life-sized replica of SpongeBob's Pineapple home which guests can vacation in. Karisma and VIMN also broke ground on a second Nickelodeon property in Mexico’s Riviera Maya, with another Nickelodeon-branded resort planned for Cartagena, Colombia. Karisma also recently forged a partnership with Margaritaville to create the first-ever all-inclusive Margaritaville resorts throughout the Caribbean.


Room rendering at Nickelodeon Hotels & Resorts Punta Cana (Photo: Business Wire)

“Although our partnership with Karisma Hotels & Resorts is relatively young, it has been a most fruitful one. We take great pride in knowing that Jamaica was Karisma’s first expansion outside of Mexico,” said Jamaica’s minister of tourism, Edmund Bartlett, referring to the 2104 opening of an Azul property that adjoins Azul Beach Sensatori and with which it shares facilities.

“And now we anxiously await the $1 billion Sugar Cane mega-hotel development, which will bring new brands to Jamaica as well as thousands of new job opportunities.”

For his part, Andrew Holness, the country’s prime minister, noted that Jamaica has long been a leading destination on the international tourism front.



Nickelodeon Jacuzzi Pad at Nickelodeon Hotels & Resorts Punta Cana

“This is why Karisma is adding a monumental investment in Jamaica,” he said, adding that the country is expanding its training programs with the establishment of the School of Management. “We are ensuring Karisma that trained individuals will be available to meet their needs as development proceeds. We look forward to Karisma’s building out in Jamaica and offering a unique experience for our visitors.”

Combined, the newly opened Azul property and the adjoining resort that opened in 2014 feature 285 suites, 10 restaurants, nine bars and lounges, plus a spa. The properties are set on Negril’s Seven Mile Beach.

In addition to the Azul brand and its partnerships with Nickelodeon and Margaritaville, Karisma's portfolio includes El Dorado Spa Resorts & Hotels, Generations Resorts and Allure Hotels.


More Nick: Nickelodeon Resort And Water Park Planned For Huatulco, Oaxaca In Mexico!

Original source: TravelPulse.
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          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


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          VP, Human Resources, Location: Jamaica - Scotiabank - Ontario   
Leads and oversees Human Resources in the Caribbean Central with oversight for the Caribbean North, ensuring business strategies, plans and initiatives are...
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          Usain Bolt. Povestea mea - 9.58 povestea celui mai rapid om din lume (Colectia IRun)   
Usain Bolt. Povestea mea - 9.58 povestea celui mai rapid om din lume (Colectia IRun)

16 august 2008. Beijing, China. Stadionul Bird`s Nest. 91.000 de spectatori si o audienta TV colosala.

 

Incepe finala probei de 100 de metri sprint masculin, la cea de-a XXIX-a editie a Jocurilor Olimpice. Pocnetul pistolului de start declanseaza mii de blituri... peste doar 9.69 secunde, un tanar jamaican trece primul linia de sosire si castiga medalia de aur.

 

Desi incetineste pe ultimii 30 de metri, avand sireturile dezlegate, Bolt doboara recordul mondial, castigand cursa la o diferenta impresionanta fata de urmatorul clasat. Patru zile mai tarziu, Bolt, protagonistul unei carti inspirationale de exceptie, castiga aurul la 200 de metri sprint si stabileste un nou record mondial (19.30 secunde) cu o zi inainte de a implini 22 de ani. Pe 22 august, conduce echipa jamaicana spre o noua victorie si un nou record mondial in proba de stafeta de 4 x 100 de metri.

 

Opt zile, trei medalii de aur, trei recorduri mondiale si un nume devenit legenda.

 

Viata lui Usain Bolt si istoria atletismului aveau sa se schimbe definitiv, toate acestea fiind concentrate intr-una din cele mai bune carti de citit pentru pasionatii de sport si nu numai.

 

Usain St Leo Bolt s-a nascut in Trelawny, Jamaica, in august 1986. La Jocurile Olimpice de la Beijing (2008) a castigat aurul la 100 de metri (9.69 secunde), 200 de metri (19.30 secunde) si la stafeta de 4 x 100 de metri (37.10 secunde). Devine, astfel, singurul sportiv care castiga trei curse la o singura Olimpiada, dupa Carl Lewis in 1984. Este, de asemenea, singurul sportiv care stabileste trei recorduri mondiale la o singura olimpiada.

 

La Campionatele Mondiale de la Berlin (2009), Bolt a castigat titlul mondial la ambele probe de sprint, devenind astfel primul atlet din lume care sa detina atat titlul mondial, cat si pe cel olimpic la 100 si 200 de metri. Tot atunci, el a doborat si recordurile acestor probe, terminand cursa de 100 de metri in 9.58 secunde si pe cea de 200 de metri in 19.19 secunde.

 

La momentul aparitiei acestei carti interesante (decembrie 2012), Usain Bolt castigase aurul olimpic pentru a doua oara consecutiv, la Jocurile Olimpice de la Londra 2012:

- 100 de metri sprint, cu 9.63 secunde si un nou record olimpic

- 200 de metri sprint, cu 19.32 secunde

- 4x100 de metri stafeta (echipa Jamaicai) cu 36.84 secunde si un nou record mondial.

 

9.58 este povestea lui Usain Bolt scrisa de el insusi. Ceea ce o face sa fie una dintre cele mai bune carti inspirationale este naturaletea cu care ni se prezinta viata pustiului slabanog din Trelawny, locul unde se fac cei mai buni cartofi dulci de pe pamant. Este istoria copilului care a crescut jucand cricket si fotbal sub soarele jamaican si care, la un moment dat, a descoperit ca poate sa alerge repede. Incredibil de repede. Familia, prietenii, cultura jamaicana, pravalia tatalui sau din somnorosul satuc Sherwood Content – toate isi gasesc locul cu naturalete in povestea plina de umor spusa de Usain. Este o carte despre fast-food, petreceri, muzica, dancehall si masini rapide.

 

Despre Autor

 

Usain Bolt a fost asistat la scrierea acestei carti inspirationale de catre jurnalistul britanic Shaun Curtis, renumit autor de articole sportive pentru publicatia The Sun, cel mai vandut cotidian din Marea Britanie. Curtis a fost redactor sportiv la Daily Express si a mai scris cartea Rio: Povestea mea, autobiografia lui Rio Ferdinand. Este casatorit si are doi copii.

Nr.  de pagini : 288
Anul aparitiei : 2017


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          The Dizzy Feet Foundation to Celebrate National Dance Day   

The Dizzy Feet Foundation (DFF), co-founded by Nigel Lythgoe and Adam Shankman, is proud to announce that the 8th annual National Dance Day (NDD) will take place on Saturday, July 29 at Grand Park in Los Angeles, co-presented by The Music Center, and in Washington D.C., hosted by the Kennedy Center. The event continues the ongoing alliance of some of the nation's leading cultural organizations, which once again join together to promote the benefits and joy of dance for everyone. YouTube Red joins National Dance Day as the 2017 Title Sponsor.

In Washington, D.C., National Dance Day is celebrated with free, family-friendly events open to all. Beginning at 2 p.m. and featuring special guest dancers, interactive dance lessons, and performances in a wide variety of dance styles, as well as the official National Dance Day routine for this year's event, is led by a well-known dance star, to be announced. This performance coincides with the Kennedy Center Millennium Stage, the Center's free, daily performance series. At 7:30 p.m., Dancing Under the Stars begins with a beginner-level swing dance lesson by Gottaswing, followed by two hours of dancing with The Tom Cunningham Orchestra. All are free and open to the public. For more information, visit http://www.kennedy-center.org/.

In Los Angeles, The Music Center partners with The Dizzy Feet Foundation to present the West Coast's flagship free celebration of National Dance Day for the sixth year, featuring a dance extravaganza with both performances and participatory elements. The event takes place in Grand Park in Downtown Los Angeles from 10:00 a.m. - 2:00 p.m. Dance lovers will experience some of Los Angeles' best dance companies, and enjoy music and dancing in the Grand Park fountain. For more information, visit https://www.musiccenter.org/ndd.

The Los Angeles and Washington D.C. events include dance workshops for all ages and skill levels. There will be performances and information from a range of community dance organizations. The public is invited to attend both events; admission and all activities are free of charge.

Annually as its official contribution to National Dance Day, The Dizzy Feet Foundation produces and distributes an instructional video online for people to view, learn and share with others, wherever they are. The Dizzy Feet Foundation encourages anyone and everyone to learn the routines and perform them on National Dance Day. The Dizzy Feet Foundation also encourages the public to submit videos of themselves performing the routines. Executive Director Danae Rees leads The Dizzy Feet Foundation.

This year, The Dizzy Feet Foundation is proud to partner with YouTube Red to create the Accessible Routine. Featuring Jade Chynoweth and Carlito Olivero from the new YouTube Red original series Step Up: High Water, this fun simple routine is easy for everyone to learn. Along with series choreographer, Jamaica Craft, the cast will break down the choreography to District 78's, "Shake, Wiggle, Move".

The video can be watched here: https://youtu.be/2j3fyLMQVTc

Executive Director Rees said, "We look forward to having the public attend our events in Los Angeles and Washington D.C. However, we have also designed National Dance Day, so that it is accessible to everyone at every ability level, and everywhere in the country. National Dance Day offers free access to dance, that's diverse and inclusive, and encourages participants to celebrate the art of dance through movement. We have a sponsor this year, YouTube Red, that helped us bring National Dance Day to everyone."

"Dance is wildly popular on YouTube, and we are thrilled to partner with Adam Shankman, Nigel Lythgoe and The Dizzy Feet Foundation to bring a routine inspired by moves from our upcoming drama series 'Step Up: High Water' to National Dance Day Celebrations around the country," said Susanne Daniels, Global Head of Original Content, YouTube.

National Dance Day is for everyone. In addition, those creating their own National Dance Day event can register their event on a national list for others to seek out and celebrate NDD. Be creative! Host a NDD Fundraising Event to raise money for The Dizzy Feet Foundation and help support its mission to provide access to dance: organize a Flash Mob in your area or host a dance-a-thon or raise money for kids to have more access to dance. National Dance Day has a strong online presence, allowing everyone to participate no matter where they are located. Information on how to become an official National Dance Day event and submitting National Dance Day videos can be found on The Dizzy Feet Foundation's website, http://dizzyfeetfoundation.org/national-dance-day/.

Established in 2010 by Dizzy Feet co-founder and So You Think You Can Dance co-creator Nigel Lythgoe, National Dance Day is an annual celebration dedicated to dance, that encourages Americans of all ages to incorporate dance into their lives. By creating a focused day of celebration, The Dizzy Feet Foundation aims to educate the public about dance and its many benefits, as well as make dance accessible and inclusive to everyone.

The Dizzy Feet Foundation believes that participation in dance connects the mind and body, promotes health and wellbeing, connects us with others and enables us to find joy through movement. National Dance Day is a day of celebrating dance, in all its forms, and takes place annually on the last Saturday in July.

National Dance Day achieved national recognition when Congresswoman Eleanor Holmes Norton (D-DC), a long-time proponent of healthy lifestyles, announced at a press conference on July 31, 2010, in Washington, D.C., that she was introducing a congressional resolution declaring the last Saturday in July to be the country's official National Dance Day.

Getting the Nation Dancing - How to get involved

Central to The Dizzy Feet Foundation's mission, is increasing exposure to dance in all its forms, as well as highlighting dance's many benefits. National Dance Day supports the realization of this mission by encouraging community partners across the United States to become involved and engaged. Through this grassroots campaign, The Dizzy Feet Foundation hopes to encourage Americans to embrace dance as a fun and positive way to move their bodies, maintain good health and bring joy to their lives.

Since National Dance Day is for everyone, The Dizzy Feet Foundation also encourages the public to create their own celebratory National Dance Day events in their communities, local schools, studios, neighbors, and businesses. Participation grows every year; in recent years there have been events registered in 35 states and online participation in the millions, through participants uploading and sharing their National Dance Day videos.

The public can register their events on The Dizzy Feet National Directory of Events; organizers of registered events receive a Community Information Pack with information and tips to help you get your celebrations underway, and an official National Dance Day poster recognizing you as an official supporter of National Dance Day 2017.

Those registering events then become official National Dance Day supporters and part of a national dance community of dancers, choreographers, and students. Participants also help Dizzy Feet provide greater access to dance education for youth in underserved communities. Once registered, share details of your event and let people know how you're celebrating National Dance Day 2017.

About The Dizzy Feet Foundation

Producer Nigel Lythgoe and director Adam Shankman founded The Dizzy Feet Foundation in 2009 to:

? Increase access to high-quality dance education across the United States, through the community programs it funds.

? Support dance programs that provide an outlet for creative expression, benefiting children with life skills that go beyond dance class.

? Increase appreciation for dance, the art of dance, and movement.

? Share the benefits and joy of dance, particularly to those who may not have otherwise had the opportunity to experience it.

Funding received through sponsorships and donations on National Dance Day provide the necessary support for our Community Programs. The Dizzy Feet Foundation makes grants to community organizations and other tax-exempt entities in the United States, providing dance education programs to children in underserved communities within the US. Through its grant recipients, The Dizzy Feet Foundation seeks to give children the experience of dance, educate them about the many styles of dance, and to expose them to the lifelong benefits that dance has to offer.

To date, The Dizzy Feet Foundation community grants have:

? Provided support to 67 dance programs in 25 states with $1 million in funding grants.

? Given access to the life-long benefits of dance to 150,000+ children.

? 82% of those served are from underserved communities.

? Supported dance programming in schools through after-school instruction and social service agencies.

The Dizzy Feet Foundation also supports community programs offered by libraries, community centers, parks & recreation centers, social service agencies, and after-school programs. Grants are awarded to other 501(c)(3) and governmental organizations, not to individuals or for-profit corporations. The Dizzy Feet Foundation also awards scholarships to talented individual students studying at dance schools, universities and institutions, based on talent and financial need.

Partners & Sponsors

National Dance Day celebrations could not happen without the generous support of our Partners & Sponsors who help The Dizzy Feet Foundation promote greater access to dance for all. We are grateful for the continued partnership with our official Host Venues, The Music Center in Los Angeles and The John F. Kennedy Center for the Performing Arts in Washington D.C.

About The Music Center
As L.A.'s performing arts destination, The Music Center is L.A.'s home to the world's greatest artistic programs and events. With four iconic theaters and four renowned resident companies - Center Theatre Group, the LA Master Chorale, the LA Opera and the LA Philharmonic - and recognized for its illustrious dance programming, Glorya Kaufman Presents Dance at The Music Center, The Music Center is a destination where audiences find inspiration in the very best of live performance, as well as nationally recognized arts education and participatory arts experiences. With The Music Center On Location, the non-profit performing arts organization brings events and activities to locations outside of its Downtown Los Angeles campus. The Music Center also programs and manages Grand Park, a 12-acre adjacent greenspace, with year-round free programming. For more information, visit musiccenter.org Follow The Music Center on Facebook, Twitter, Instagram and Snapchat (@MusicCenterLA).

About The Kennedy Center

The John F. Kennedy Center for the Performing Arts is America's living memorial to President Kennedy. Under the guidance of Chairman David M. Rubenstein, and President Deborah F. Rutter, the nine theaters and stages of the nation's busiest performing arts facility attract more than three million visitors to more than 2,000 performances each year, while center-related touring productions, television, and radio broadcasts reach 40 million more around the world. With its artistic affiliates, the National Symphony Orchestra (NSO) and Washington National Opera (WNO), the Center has produced more than 300 theatrical productions, and dozens of new ballets, operas, and musical works, in addition to hosting numerous international cultural festivals. The Center produces and presents performances of music, dance, comedy, and theater; supports artists in the creation of new work; and serves the nation as a leader in arts education. The Center and its affiliates stage more than 400 free performances by artists from throughout the world each year on the Center's main stages, and every day of the year at 6 p.m. on its Millennium Stages, which are also streamed live, online. To learn more about the Kennedy Center, please visit: kennedy-center.org. Follow the Kennedy Center on Facebook, Twitter, and Instagram (@kencen).

About YouTube

Launched in May 2005, YouTube allows billions of people to discover, watch and share originally-created videos. YouTube provides a forum for people to connect, inform and inspire others across the globe and acts as a distribution platform for original content creators and advertisers large and small. YouTube is a Google company.

YouTube Red is a paid membership that gives you access to YouTube Red Original Movies and Series like Step Up: High Water. In addition, you get a premium music service and an uninterrupted experience across YouTube, YouTube Gaming and YouTube Kids. YouTube Red is currently available in the United States, Australia, New Zealand, Mexico and Korea.


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          JAMAICA 10 CENTS 1972 (T-791) - Jelenlegi ára: 1 Ft   
JAMAICA 10 CENTS 1972
A KÉP SZERINTI MINŐSÉGBEN!        OLVASS!!!       KEZDŐK ÉS ÉVSZÁMGYÜJTŐK FIGYELJENEK
TÖBB TÉTEL VÁSÁRLÁSA ESETÉN IS  CSAK 1 POSTAKÖLTSÉG VAN!!
SZEMÉLYES ÁTVÉTELRE SZŐDLIGETEN VAN LEHETŐSÉG, TOVÁBBI SZÜKSÉGES ADATOK A VATERA VÁSÁRLÁSI ÉRTESÍTŐBEN LESZNEK.
ELŐRE UTALÁS UTÁN AJÁNLOTT POSTAKÉSZ 430ft--A VEVŐ FELELŐSÉGÉRE ELŐRE MEGADOTT POZITÍV ÉRTÉKELÉS ÉS ÁTUTALÁST KÖVETŐEN SIMA ELSŐBBSÉGIVEL IS POSTÁZOM 175ft     TÖBB TÉTEL EGYÜTTES VÁSÁRLÁSA TESZI ŐNNEK GAZDASÁGOSSÁ A SZÁLLITÁST.
A nyertes vásárló 3 napon belül,   jelentkezzen  E-mail-ben. A megvásárolt tételek és a postaköltség együttes összegének 10 napon belül kell beérkeznie.   Postai ÖSSZEVÁRÁSRA csak úgy van lehetőség, ha ezt a tételt kifizették, hogy értékelni tudjak, mert a VATERA, 12 nap után felénk már számláz. LICITET NEM TÖRLÖK  A  FELELŐTLEN LICITÁLÓKRÓL , AKIK NEM JELENTKEZNEK, NEM VESZIK ÁT A LEÜTÖTT ÁRUT/nem fizetnek a 10 napon belül/   NEGATÍV ÉRTÉKELÉST KÉSZÍTEK ÉS  TILTÓLISTÁRA TESZEM
JAMAICA 10 CENTS 1972   (T-791)
Jelenlegi ára: 1 Ft
Az aukció vége: 2017-07-17 19:31
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          💋💋 London... visiting this weekend 💋💋 - 22   
Hey gents, Indian/Jamaican 22 year old lady here in town for the weekend. ❤️ respectful, gentlemen only.
          VP, Human Resources, Location: Jamaica - Scotiabank - Ontario   
As Canada’s International Bank, we are a leader when it comes to inclusion. Leads and drives a customer focused culture throughout their team to deepen client...
From Scotiabank - Tue, 27 Jun 2017 18:46:46 GMT - View all Ontario jobs
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Andy Murray Faces Rafael Nadal in Wimbledon Semi final   

Andy Murray was back on the practice court at Wimbledon on Friday morning, with the draw having given him a reasonable outcome – if he is fit enough to take advantage of it. The world No 1 was paired against a qualifier in round one with a possible meeting against flamboyant German-Jamaican Dustin Brown inRead More

The post Andy Murray Faces Rafael Nadal in Wimbledon Semi final appeared first on The Nation Nigeria.


          ON SALE: Tory Burch - New Ivory and Multi Floral Avalon Embellished Oblong Wool Scarf w/Pom-Pom   

Avalon Embellished Oblong Wool Scarf w/Pom-Pom crafted in soft wool, is a vibrant addition inspired by vintage travel to Jamaica that livens up casual attire or for your shoulders on cooler evenings. Featuring embroidered flowers with beads on soft ivory background with micro pom-pom border finish.
          India vs West Indies 5th ODI at Jamaica   
Series/Cup: India tour of West Indies 2017
Match Begin at: Jul 06 (13:30 GMT, 09:30 local)

          Slimmed Down Garvey Sculpture Gets Thumbs Down From Jamaicans   
Ambivalent — and often dismissive — about public statuary in general, Jamaicans turn their ire towards a bust of national hero Marcus Garvey that they say needs "more identity".
          The making of a great chef   
MPR News host Kerri Miller talks to author of "Give a Girl a Knife," Amy Thielen, the co-owner of Pimento Jamaican Kitchen, Tomme Beevas, and Ann Kim, the owner of Pizzeria Lola and Young Joni, about how a chef's memories and imagination influence the food they make.
          Levantis: Romantic Psychology 1   

Technicolour 012 (Euro LP) - € 20.00
Fine Actress prod. pensive and gritty ambient Techno excursions

Tracklisting:
  1. Exploding Boxes
  2. Red Blocks
  3. Yogurt
  4. Pieris Rapae
  5. Undr
  6. Stained Glass
  7. Altered Anthem
  8. Colour
  9. Whispering Sky
  10. Jamaican Greek Style
  11. Slow Electronic Beat With Colour

          International Reggae Day: 10 things all reggae fans know   
A report by Taran Bassi for Metro. Reggae lovers unite, because July 1 is an international celebration of all things that make the music genre so great. International Reggae Day is celebrated across the world, with events taking place in Kingston, Jamaica to celebrate this style of music that originated in the Caribbean and spread across […]
              
BOOKING APPOINTMENTS AND TAKING WALK-INS IN QUEENS NEW YORK 🗽UNTIL 7th JULY!! . DON'T MISS OUT!!! . Hit "Contact" to book today!! . Appointments Available: MON - SUN . 📍QUEENS NEW YORK, JAMAICA AVENUE . Book me Today!! . E L I T E B E A U T Y💫 . #newyork #queens #jamaicaavenue #ny #nyhairstylist #nyhair #nybraids #newyorkbraider #newyorkstyles #ketbraids #braids #braidstyles #feedinbraids #beyoncestyle #bookme #bookappointment #slay #feedinbraids #prom #sale #hairsale #bundledeals #queensbraids #sewin #queensbraider #CustomColor #haironfleek #queensny #queensnyc #queensstylist #queenshairstylist
              
BOOKING APPOINTMENTS AND TAKING WALK-INS IN QUEENS NEW YORK 🗽UNTIL 7th JULY!! . DON'T MISS OUT!!! . Hit "Contact" to book today!! . Appointments Available: MON - SUN . 📍QUEENS NEW YORK, JAMAICA AVENUE . Book me Today!! . E L I T E B E A U T Y💫 . #newyork #queens #jamaicaavenue #ny #nyhairstylist #nyhair #nybraids #newyorkbraider #newyorkstyles #ketbraids #braids #braidstyles #feedinbraids #beyoncestyle #bookme #bookappointment #slay #feedinbraids #prom #sale #hairsale #bundledeals #queensbraids #sewin #queensbraider #CustomColor #haironfleek #queensny #queensnyc #queensstylist #queenshairstylist
          Wedding   
Jamaica – Jan 2014 We contacted Claire for a last minute trip out the country because she was already handling scheduling our destination wedding accommodations. Not only did she schedule us in the newest resort in Jamaica but was also able to schedule a site visit last minute for us to tour every inch of […]
          Vacation   
Jamaica – Dec 2014 Hi Claire! The trip was amazing! I was sooo pleased with everything. We will definitely be in contact again soon to plan another trip. I’ve been telling everyone I know to use you for their future travel plans. Thanks so much! Lindsay
          Vacation   
Jamaica – Dec 2014 Hi Claire, The trip was awesome!!! Thank you for your help. Tonda
          Jamaica Vacation   
Negril, Jamaica – Jul 201 Claire, We enjoyed ourselves SOOO MUCH we did not want to come back. Thank you for working with us and getting everything in order. Both of our excursions were great! We had an excellent Negril Combo Tour Guide. We were the only ones on the bus. The hotel was wonderful and […]
          Destination Wedding   
Jamaica – Dec 2012 Dearest Claire: We honestly do not really know how to thank you because words are simply not enough. You were truly instrumental in making our marriage the success that it was and will continue to be. Thank you for all the great arrangements that you made for our guests and us. […]
          Jamaica Trip   
Claire, Thank you to everyone for helping make our Jamaica visit so wonderful. Lauryn and I had a great time. My only regret is that we could not stay longer. Best wishes – Wil L
          Pornstar Platinum – 34H Firework Show! Happy 4th of July!   
Maserati XXX - 34H Firework Show! Happy 4th of July! Hi all it's Maserati XXX here for Pornstar Platinum and Happy 4th of July! Yes it's true I'm always being associated with the whole Jamaican thing but really I'm a American and proud of it! So I thought what better way to celebrate Independence then [...]
          Asafa Powell podría competir en los Mundiales de Londres   
El explusmarquista mundial de 100 no estuvo en los Trials de Jamaica, pero pidió una 'exención médica' por lesión en el tendón de Aquiles.
          'Shark Tank' judge Chris Sacca apologizes for helping make tech hostile to women — after being accused of inappropriately touching a female investor   

Chris Sacca Twitter

A judge from ABC's 'Shark Tank' published a cryptic apology hours before an explosive New York Times article reported he had inappropriately touched a female entrepreneur.

Chris Sacca—who retired from startup investing as well as his role on "Shark Tank" in April— wrote Thursday that he "personally contributed" to making the tech industry "inhospitable for women."

Sacca posted the apology note after he was contacted by the Times about female entrepreneur Susan Wu's accusation that he had touched her face without her permission at a tech event in 2009, the paper reported.

Sacca and ABC, which broadcasts "Shark Tank," did not respond to requests from Business Insider for comment. 

Wu, who is also an investor, told The Times that when Sacca touched her face, it made her feel uncomfortable. She also said she was propositioned in 2010 by Justin Caldbeck, the founder of Binary Capital, who has been accused of multiple cases of sexual harassment. 

"There is such a massive imbalance of power that women in the industry often end up in distressing situations,” Wu told the Times, in response to her experiences.

Sacca did not dispute Wu's account of his behavior, according to the Times. He also didn't specifically discuss it in his apology.

He did, however, tell the Times in a statement that he was “grateful to Susan and the other brave women sharing their stories. I’m confident the result of their courage will be long-overdue, lasting change.”

And in his post, Sacca apologized in a general fashion for behaving in ways that made women feel uncomfortable: 

"Particularly when reflecting upon my early years in Silicon Valley, there is no doubt I said and did things that made some women feel awkward, unwelcome, insecure, and/or discouraged. In social settings, under the guise of joking, being collegial, flirting, or having a good time, I undoubtedly caused some women to question themselves, retreat, feel alone, and worry they can’t be their authentic selves. By stupidly perpetuating a culture rife with busting chops, teasing, and peer pressure to go out drinking, I made some women feel self-conscious, anxious, and fear they might not be taken seriously."

 

Sacca was just one of several tech investors named by the Times in its article for behaving inappropriately toward women in the industry. In the wake of the article, 500 Startups announced that Dave McClure, its co-founder who was also named in the story, has stepped down from running the firm's day-to-day operations. 

The Times piece comes amid heightened attention to gender inequality and sexual harassment in the tech industry. Earlier in June, Travis Kalanick resigned as position as Uber's CEO after an investigation into the company's culture revealed multiple cases of sexual harassment at the company.

Join the conversation about this story »

NOW WATCH: A Brooklyn family has mastered the art of Jamaican cuisine


          Bolt wins 100 metres at final Golden Spike   
Jamaican sprinter, Usain Bolt overcame a slow start to win the 100 metres at the Ostrava Golden Spike meeting on Wednesday, as he gears up for a final world championships in London this summer. In his second 100m outing of his final season, the Jamaican was slow out of the blocks. But jumped ahead before […]
              
🚨New PARTY Alert 🚨 🚦Traffic Thursday🚦@ the Loft! 🔥 When: 1st night July 6th 🔥 Where: 221 N Clematis St West Palm Beach 33401📍 🔥Ladies free all night on Guest list💃🏽 🔥 Free bottle of Champagne/ Vodka ladies Groups of 5 🥂🍾 🔥 Music by 🎧@Deejayshaneo & UpBeat Djs.🎶 🔥 SHARE - COMMENT - REPOST #UpBeatEnt #UpBeatLadies #UpBeatPromo #UpBeatPromotions #UpBeatDjs #UpBeatBartenders #UpBeatParties #UpBeatDesigns #PalmBeachParties #KeepUp #WeLit #Stranded #TheLoft #YoungKing #DeeJayShaneo #TrafficThursday #Traffic #ThursdayNight #RedYellowGreen #Clematis #Loft #Jamaican #Hatian #HatiVsJamaican #Dancehall #Kompa #Whine
          2011 Low-Carb Cruise to Jamaica   
The 4th Annual Low-Carb Cruise is May 1-6, 2011, leaving out of Fort Lauderdale, Florida, on the Carnival Freedom featuring special low-carb guest speakers Fred Hahn, Jackie Eberstein, Dr. Andreas Eenfeldt, Dr. Mary Vernon, Dana Carpender, Tom Naughton, Dr. Michael Fox and Jimmy Moore. Click here for more information.


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Emily Brontë transcending reality   
Broadway World reviews Sally Cookson's Jane Eyre as seen at the Wales Millennium Centre, giving it 4 stars out of 5.
Michael Vale's set design sets the tone for this exciting and engaging creative spirit with a collection of wooden platforms, ramps, steel ladders and frames. From these, the cast can swing, hang, climb and survey the action from various levels. The continuous movement adds a new dynamic and emotional weight to scenes, and you are often spoilt for choice as to where to look, in the best kind of way. His design is complemented by Aideen Malone's sensitive lighting, which includes a mixture of handheld and beautiful coloured backgrounds.
The crown jewel in the creative choices is Benji Bower's earthy, folk-inspired score. Alex Heane and other musicians are onstage throughout, both sharpening and softening the tone of scenes with remarkable ease, sometimes with just a single note or sound. There are more modern additions, like "Mad About The Boy" and Gnarls Barkley's "Crazy" that may feel a little jarring initially, but with Melanie Marshall's ethereal vocal quality, they give the action new depth and intensity.
Heading a strong cast is Nadia Clifford, who captivates as Jane from beginning to end. Her journey from child into womanhood is totally believable and well-rounded, a blend of tenacity, wit and grace that captures the essence of Brontë's heroine perfectly.
Tim Delap is a remarkable Mr Rochester, suitably brooding and abrupt yet managing to infuse his portrayal with moments of great warmth and humour that are a joy to watch. Delap and Clifford are a wonderful match for each other, much like their novel counterparts.
Other members of the cast switch into and shine in multiple roles with remarkable ease, perhaps the most striking being Paul Mundell, who plays Mr Brocklehurst, Mason and even Rochester's dog, Pilot.
The production runs at roughly three hours, shorn down from two parts in the original run at Bristol Old Vic. The level of detail here is astounding, but as is a peril with any adaptation, elements from the original novel are shortened or lost entirely. The most striking here is perhaps Jane's return to Rochester without her discovery of her family or newfound wealth. An important part of her transition into independence, it marks her as his equal and its loss from the production stings a little as perhaps Jane doesn't quite come full circle in her character arc.
In the grand scheme of things, however, any such disappointment is short-lived. Instead of presenting the novel as a straight piece of costume drama, the tried and tested and indeed successful formula, the production focuses more on the central themes and mood. It allows us to look at the familiar anew, and the end result is a passionate, thought-provoking piece of theatre. (Kerrie Nicholson)
Coincidentally, WMC Blog lists '5 reasons to see Jane Eyre'.

Washington Independent Review of Books recommends Sarah Shoemaker's Mr Rochester.
Structured in three parts, Mr. Rochester first explores Edward’s youth: a hard father and mean-spirited brother; an unusual schooling with the eccentric Mr. Lincoln; an apprenticeship with the fatherly Mr. Wilson at Maysbeck Mills; and, finally, the study of law at Cambridge.
The second part relates Edward’s years in Jamaica, where he matures amongst the slave-owning society of sugarcane plantations and marries a wild beauty named Bertha Antoinetta Mason. Like a master puppeteer, Edward’s father makes these life-altering decisions without any consideration for his son’s preferences or desires.
In part three, Edward is finally free to return to England and his beloved Thornfield Hall, ultimately hiring Jane Eyre as governess to a young child he looks after.
It’s a bold task to take on a heroic figure from such a well-loved novel, and it’s easy to imagine fans rejecting any attempt to dabble with a story often read not once but several times. However, readers are safe and well entertained in Shoemaker’s capable hands.
Instead of adopting a more modern style of writing, the cadence and phrasing of the prose are reminiscent of Charlotte Brontë’s, as are the pacing and propensity for description. In Jane Eyre, we have Jane’s strong voice and “dear reader” style — an intimate telling of her life story as though she and the reader are enjoying a cup of tea while they talk — and in Mr. Rochester, Edward adopts a similar style. Readers will also appreciate familiar scenes told through Rochester’s eyes and gain a fresh understanding of Bronte’s heroine.
Historical events play only a minor role in Mr. Rochester, which seems like a missed opportunity. However, as one might expect of a novel set in the early part of the 19th century, matters of class and breeding are featured, as are notions of primogeniture, patriarchy, a woman’s rightful place, dreadful boarding schools, the idle rich, and fortune-seeking young women.
Sarah Shoemaker activates all our senses as we experience alongside Edward the noise and tumult of a woollen mill, the crack of a cat-o’-nine-tails on a sailor’s back, a first taste of grog, a woman’s descent into madness.
Both stories embody gothic and romantic elements involving secrecy and horror along with passionate love. Shoemaker tells Rochester’s story chronologically and, indeed, does not introduce Jane Eyre until three quarters of the way along. The result is a deep understanding of the forces that shaped his character and made him fall in love with Jane.
Mr. Rochester is thoroughly satisfying and creatively imagined. Readers will enjoy Shoemaker’s tale whether they’ve read Jane Eyre or not. (M.K. Tod)
Vintage Books and Anchor Books Reading Group Center picks 7 of their favourite 'Flawed Female Protagonists' and one of them is Catherine Earnshaw.
“It is as if Emily Brontë could tear up all that we know human beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend reality.” —Virginia Woolf
Perhaps the most haunting and tormented love story ever written, Wuthering Heights is the tale of the troubled orphan Heathcliff and his doomed love for Catherine Earnshaw.
Published in 1847, the year before Emily Brontë’s death at the age of thirty, Wuthering Heights has proved to be one of the nineteenth century’s most popular yet disturbing masterpieces. The windswept moors are the unforgettable setting of this tale of the love between the foundling Heathcliff and his wealthy benefactor’s daughter Catherine. Through Catherine’s betrayal of Heathcliff and his bitter vengeance, their mythic passion haunts the next generation even after their deaths. Incorporating elements of many genres—from gothic novels and ghost stories to poetic allegory—and transcending them all, Wuthering Heights is a mystifying and powerful tour de force.
The Yorkshire Evening Post features Healds Hall Hotel, Liversedge, and recalls its past Brontë connection.
If rooms could talk, then those at Healds Hall Hotel in Liversedge would surely have a tale or two to tell. They would babble at the Brontë connections, the Grade II-listing, its past as a school and then as a museum, and then more lately as a restaurant and hotel. This establishment has led a full and varied life since it was built in 1764. [...]
The people behind Healds Hall are either shy or don’t regard their past as being important, which is a shame. Especially when their past is so rich in detail. Perhaps they think mentioning the Brontës would be bragging? Well, they should brag away.
For the uninitiated, here’s a potted history. Healds Hall was built in 1764 and was a private residence for notable locals. In 1795 the Reverend Hammond Roberson bought the property and he was acquainted with Patrick Brontë, father of the famous writers. Charlotte portrayed him in her novel, Shirley, as Parson Helstone.
The OUP Blog lists several summer literary quotes:
From Tennyson’s ‘perpetual summer’ to Charlotte Brontë’s balmy summer evenings, and from Charles Dickens’ Oliver Twist to the oppressive heat of Shakespeare’s ‘fair Verona’, discover literary summers through the ages… (...)
In Volume 3, Chapter 2, Charlotte Brontë describes Jane Eyre's arrival at Whitcross, Famished, tired, and with no belongings, the summer's night keeps her safe:
"It was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good: I thought she love me."

          Jamaican Vegetarian Style Irish Moss Drink   
Recipe courtesy of Nigel Spence -- posted by Food.com
          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Regional Roundup: Top New Features This Week Around Our BroadwayWorld 6/29 - THE LITTLE MERMAID, RAGTIME, NEWSIES, and More!   

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE LITTLE MERMAID, RAGTIME, NEWSIES, and more!

Check out our top features from around the BroadwayWorld below!


Central Pennsylvania: Contributor Marakay Rogers reviews NEWSIES at the Fulton Theater. She writes "Matt Farcher, who plays Jack Kelly, leader of the newsboy throng, is certainly energetic as well as a fine vocalist; local audiences will possibly not recognize him, though they've seen him before - as the Beast at Fulton's BEAUTY AND THE BEAST. His performance here may be a bit more informed, however, by his prior performance as Che Guevara in EVITA in Maine, as well as having played revolutionary Enjolras in LES MIS in the past. (That "LES MIS turns positive" vibe is strong with this show.) Kate Fahrner makes for a tough, but charming, potential love interest as Katherine Plumber, intrepid early female reporter who is trying hard to not be her father's daughter - a major plot point of the show. If there's a real criticism to be had of the book, it's Katherine's part; the amazement over a female journalist shouldn't have been so great, given that Nellie Bly was a major expose writer for Pulitzer (the big bad of the show) in 1887 and that her famous Around The World stunt was done for Pulitzer in 1888. The historic newsboy strike was in 1899, when Bly had only recently (and temporarily - she did war correspondent work in World War One) retired. Writer Fierstein presumably based Katherine on Bly, but the show is set just late enough that anyone relatively familiar with history will find the lack of prior existence of Bly irritating."


New Zealand: Contributor Monica Moore reviews BONNIE AND CLYDE. She writes "Bonnie, played by Nicolette Nes is superb. She has the look, the voice and the style. And the top quality performances just keep coming at you. Blanche (Katrina McConnell) is excellent along with Buck (Brian Wolfman) Preacher (Simon Chapman) and well, actually they're all pretty darn good! Special mention to the young Bonnie (Samara Bayliss and Medody Lui-Webster) and Clyde (Tim Cloves) who deliver Great Performances. The set is engaging and designed by the well-known John Fausett who cleverly incorporates and ensures the story is kept interesting."


Minneapolis: Contributor Karen Bovard reviews SUNDAY IN THE PARK WITH GEORGE at the Guthrie Theatre. She writes "Crucial to the success of any production of this show are the two leads. Randy Harrison is suitably difficult and awkward in Act 1 as Seurat, and far slicker as his great grandson George in Act 2, where he seems more in command. Act 1 belongs to Erin Mackey as Dot, who is sexy and sympathetic and sly and sings with great feeling. She's also fully credible as the elderly wheelchair bound Marie in Act 2; it's a startling, funny, and moving transformation. All the members of the strong ensemble take on new roles in Act 2, and part of what makes this second act work so well are the bold choices they've made in sketching in their characters. The music swells with real grandeur, thanks to their ensemble power, an excellent mic system, and a full 13 piece orchestra behind them, helmed by conductor and pianist Mark Hartman."


Oklahoma: Contributor Ronn Burton reviews MILLION DOLLAR QUARTET at the Lyric Theatre. He writes "Director Dave Steakley wisely steps back and lets his boys go to town when necessary, yet his subtle guidance of the tone and flow of the show does not go unnoticed. The costumes by the reliably-proficient resident designer Jeffrey Meek are period-perfect yet fashion-forward. Helena Kuukka's lighting and Adam Koch's sets work hand-in-hand seamlessly - the colors and patterns playing off each other consummately. Important to note: the musical performances wouldn't be as impeccable as they are without Anthony Risi's sound design, which subtly yet perfectly enhances the recording studio vs. live performance effects throughout the evening."


Long Island: Contributor Melissa Giordano reviews RAGTIME at East Islip's BayWay Theatre. She writes "Among the talented cast, Chazmond Peacock makes a superb Coalhouse; intense, great voice... he's a natural for the role. Coalhouse is the beau of Sarah (and father of her child) portrayed exquisitely by Amanda-Camille Isaac. Ms. Isaac's striking portrayal of poor Sarah is a roller coaster of emotions including a gorgeous rendition of the hopeful song "Wheels Of A Dream" with Mr. Peacock. Additionally, kudos to Mike Press who is an outstanding Booker T. Washington, Coalhouse's mentor. On Ms. Waller's clever creative team, Bob Butterley's bi-level set ideally fills the open stage. Rolling pieces, tucked away on the sides, are used throughout. Also, the fun here is that you get to use your imagination a great deal. The music, on tracks, is coordinated by Eizabeth DeGennaro who is also part of the cast. This is enhanced beautifully by Jessy Gill's choreography and Joseph Kassner's stunning costumes."


Kansas City: Contributor Alan Portner reviews JERSEY BOYS at Starlite Theatre. He writes "Jersey Boys offers up super production values with this touring show. Portrayals of Massi and DiVito are a little one dimensional, but the singing, acting, production, and dancing make up for any lack. The supporting cast is excellent. Jersey Boys is a little strange to get used to. It is an excuse for a concert of great music. The music does not advance the story much except in parallel in the documentary. Most of the first act is required for the audience to get used to the style, but the final forty minutes grabs the audience and transports them back to the golden age just prior to the Beatles in the Doo Wop period. The audience ends up loving the performance."


St. Louis: Contributor Chris Gibson reviews SEUSSICAL at Stages St. Louis. He writes "Ryan Cooper is a perfectly disarming and amusing Cat in the Hat, with nimble movements and well-timed comic delivery of lines that bring forth smiles and laughs from young and old alike . You can just see that he's having fun. Cooper and Company draw the audience into the tale immediately with the rousing opening number "Oh! The Things You Can Think," and Cooper takes on several different comedic roles throughout the proceedings. As JoJo, Colton James Kastrup is a very believable little boy, and definitely possesses just the right voice and enthusiastic innocence that fit the part. Anthony Arpino absolutely shines as Horton, with a warm and deeply concerned performance that makes you genuinely care about his plight. April Strelinger is delightfully vainglorious as Mayzi and oozes attitude to spare. Leah Berry is simply terrific as Gertrude McFuzz, a single-feathered bird who's in love with Horton, but having trouble getting him to realize it. Her take on "Notice Me, Horton" is a sad and sweet delight."


Rhode Island: Contributor Andira Tieman reviews THE DIANA TAPES. She writes "The Diana Tapes is a tightly-written one act with just four actors. Playwright James Clements takes on the role of biographer Andrew Morton with Sam Hood Adrain as Michael O'Mara, his publisher. The two of them receive and transcribe recordings made by Princess Diana's friend James Colthurst, played by Jorge Morales Pico. The attention to detail with the sets and costumes is impressive for a production barebones as this. Battered chairs are swapped for fancy ones when the scene changes from the office where Morton and O'Mara frequently meet to Diana's residence where she talks with Colthurst. Diana's iconic wedding ring, now Kate Middleton's, is replicated. While the men's costumes are necessarily basic, Diana gets several glamorous outfit changes that suit the scenes perfectly."


St. Louis: Contributor Chris Gibson reviews THE LITTLE MERMAID at The Muny! He writes "Emma Degerstedt is delightful as Ariel, effectively conjuring up the image of a young mermaid who wants more out of life, and is positively driven to do so. Her voice is splendid as well, as would befit a character who uses it as a bargaining chip so she can gain her true love. Jason Gotay does fine work as the object of her affections, Prince Eric, and you genuinely root for them to connect. Emily Skinner is perfectly menacing as Ursula, creepily costumed and brimming with malevolent intentions, Skinner makes a memorable impression. Jerry Dixon is commanding and surly as King Triton, bringing plenty of bluster to the role. James T. Lane is enthusiastic as Sebastian, the red Jamaican crab who is also a composer. The undeniably catchy "Under the Sea" gets a great workout under his guidance. Jeffrey Schecter is funny and friendly as Scuttle the seagull, and Spencer Jones is awfully cute as Flounder. Kevin Zak and Will Porter are quite good as Ursula's moray eel minions; Flotsam and Jetsam, respectively. Frank Vlastnik is also sharp as Chef Louis/Pilot, specializing in seafood dishes as the Chef, which naturally rubs Sebastian the wrong way. Richard B. Watson rounds out the cast as Eric's manservant/confidante, Grimsby. Of course, the large ensemble also adds to the merriment, and gives the show an even wider scope."


Chicago: Contributor Rachel Weinberg reviews MOBY DICK at Lookingglass Theatre Company. She writes "MOBY DICK also features three extraordinary female actors in its ensemble: Kelly Abell, Cordelia Dewdney, and Mattie Hawkinson. While each essays various roles, they also come together as the three Fates-an inventive and eerily effective device. Decked out in Sully Ratke's magnificent and haunting costumes, they provide the warning of what's to come upon the play's conclusion. At various points in the production, Abell, Dewdney, and Hawkinson also embody various elements of nature: the ocean, a whale carcass, and even Moby Dick himself. Outside of the skeletal structure of the set, there is no literal whale onstage-but that is perhaps one of the most striking representations of Moby Dick in the production."


Regional Editor Spotlight:

Christy Brooks
Los Angeles Contributing Editor

Christy Brooks is a teaching artist, actor and scriptwriter located in South Central Pennsylvania. She works as an independent contractor in producing and directing small and large-scaled performing arts productions. In addition, Christy has created curriculum, focusing on Reader's Theatre, Acting Workshops, and Scriptwriting, for public and private school districts. She donates a portion of proceeds from theatrical work to local non-profit organizations. Christy is a proud graduate of The Pennsylvania State University.

Writing for Broadway World has been a wonderful and fulfilling complement to my involvement in the performing arts. It brings me joy to watch a live performance and absorb the many facets involved in producing and acting in a performance. Whether I am reviewing a show or interviewing actors, my focus is on what I might learn from each theatrical encounter. Theatre is ever-evolving and I want to contribute to it in a passionate way that promotes constructive, not destructive, dialogue.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          Pipo Short Film Wins Viewer's Choice Award in Jamaica   

Wazzup Pilipinas!


A short film about a boy who wants to have his family picture taken by an old and grumpy photographer for his school assignment won the viewer's choice award during the Asian and Middle Eastern Film Night of the fifth Gatffest Film Festival in Kingston, Jamaica last June 24.

"Pipo," which stars Maliksi Morales in the title role, bested films from Afghanistan, Iran, Israel, Malaysia, Singapore and Taiwan, in the said category of the festival. Chanel Latorre, Ramon Palencia, and Katherine Carel provide support as members of Pipo's family while award-winning actor Lou Veloso plays the role of the photographer.

Director Richard Legaspi was among the filmmakers from 28 countries who showcased their works during the festival and also vied for awards in 14 other categories including best directing, most original screenplay and best international film. Other films which competed in the 10-day event came from Canada, Columbia, Germany, India, Japan, the Netherlands, Spain, Tanzania, United States and United Kingdom, among others.

Gatffest, initially introduced in 2013 as the Greater August Town Film Festival and hailed as "the Carribean's premier film festival," was organized by the University of the West Indies (UWI) Centre for Tourism and Policy Research.





UWI CTPR Director and Prof. Ian Boxill pointed out that although there has been an increase in the number of Jamaican-produced films, several filmmakers still find it difficult to show their films in movie theaters and traditional media. Thus, he stressed that Gatffest remains relevant not only to local filmmakers but also to those from other countries who similarly want an outlet for securing an audience and screening their works.

With the theme "From the Streets to the Screen," the film festival featured panel discussions, trainings and workshops in film and video production, and provided a venue for filmmakers to express themselves and to deal with issues in their respective communities.

Through the film, Legaspi raises concerns brought about by poverty and environment-related issues and also pays tribute to manual film cameras as well as all the photographers who people often fail to acknowledge for documenting precious moments in their lives.


"Pipo" previously won the grand prize in the professional section of AnakTV’s Sinebata (children’s films) competition, 8-12 fiction category (based o